National Coming Out Day!

  Some rights reserved by Horia Varlan

Happy National Coming Out Day Everyone!

I love NCOD, partly because of the traditions that surrounded it at Bryn Mawr. Every year, the Rainbow Alliance would get together (along with a bunch of honorary members who would show up just for NCOD) and put bat triangles*, triangles of construction paper with writing on them, all around campus. These triangles would have all sorts of things on them from "Being a lesbian doubles your wardrobe" to "Did you ever have to come out as straight?" Walking around campus on the morning of October 11 was always an eye-opening experience as we read the thoughts and feelings of our fellow classmates. Hopefully, one day we won't need a special day when it's "okay" to come out, but I also hope that we never stop listening to each others thoughts and feelings about the coming out process.

*Lots of things at Bryn Mawr are prefaced by "bat," bat triangles and bat robes (otherwise known as graduation regalia) being the most common.

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Almost Perfect

Katcher, Brian. Almost Perfect. New York: Delacorte Press - Random House Children's Books, 2009. Print.
[Book cover credit: librarything.com/work/8205913]

Awards:
ALA Best Books for Young Adults (2010)
ALA Quick Picks for Young Adult Readers (2010)ALA Rainbow List (Fiction, 2010)
ALA Stonewall Book Award (Children's and Young Adult Literature, 2010)

Booktalk:

     She turned to me. "Hi," she said. "I'm Sage Hendricks."
     Sage had a deep but sexy, feminine voice, the kind you hear on ads for 900 numbers. I waited for her to say something else.
     "Dude," whispered Tim, jabbing me with a chocolaty finger. "Your line."

p.18

As soon as she walked through the classroom door, Logan became enamored with Sage. But love is seldom without complications, and Sage's hard-to-get act is hiding a doozy of one.

Review:
Almost Perfect, how do I love thee? Let me count the ways.
I love thine characters in their complexity and their completeness,
From their talk of motorboating to their genuine concern for each other
They make me think of actual teenagers rather than teen-aged "types."
I love Tammi's fierce love for her sister, masquerading as aloofness:
Most quiet need to protect and hope at the same time.
I love Logan's mother, who has done her best in trying circumstances.
I love Logan's cool and supportive older sister (who tries to help him get laid).
Logan, I love thee. Insecurities and bravery and insecurities again
In situations never expected, and with grace unmatched by peers.
I love every characters' flaws; none is the pinnacle of righteousness or political correctness.
Sage, the object of Logan's affection and mine, shines as brightly as her braces.
She lives in the belief that the world can be better and love worth the risk;
And, if God choose, she is right.*


Seriously guys, this is an amazing book, and Brian Katcher is an amazing author.** That might explain why I've been waiting for my turn to read it from the library since it was announced as the winner of the Stonewall in January. It was more than worth the wait. Everyone has talked about the Big Issue that Almost Perfect addresses, but I have yet to see someone talk about how the issues (more than one, even) are in perfect balance with the flirting and the humor and the sexiness and the teenage-guy-ness of the book as a whole.

I loved it. You probably will too.


Book source: Philly Free Library (but I'm gonna go buy my own asap)


*  To Elizabeth Barrett Browning, I extend my greatest thanks for the inspiration. And my apologies.


** And also a practical genius! The standard has been set, folks, any author's note containing lists of websites that offer support to queer or genderqueer or drug addicted or suicidal or [insert thing you don't want your parents to know about here] kids should also contain detailed instructions for how to clear your cache history.

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Guardian of the Dead

Healey, Karen. Guardian of the Dead. New York: Little, Brown and Company, 2010. Print.
[Book cover credit: librarything.com/work/8574661]

Awards:
ALA Best Fiction for Young Adults (2011)
William C. Morris YA Debut Finalist (2011)

Booktalk:
Ellie can't seem to get control of her life lately. She's let her best friend Kevin "convince" her to drink on school nights and even to let him sleep in her room. She's made a fool of herself in front of the guy of her dreams, Mark (did she somehow mistake her secret fantasy that he actually wanted to interact with her for real life?). She's even starting to get along with Iris, Kevin's other best friend. And, as if that wasn't bad enough, she has a nagging feeling that the Eyelasher killings that have been terrorizing the North Island have something to do with her. This feeling goes way beyond the connection that everyone who's lived on the North Island feels to the murders, and that feeling might have something to do with Mark. Unless that's just her fantasy life invading reality again.

Review:
There is a lot to love about Guardian of the Dead. Here's the shortlist:

• a smart, kind of nerdy heroine
• the freedom/restrictions of boarding school
• use and explanation of Maori myth (by a white author who has the balls to point out in the text the colonial nature, possible inaccuracies, and just plain wrongness of Maori myth written down by white people)
• high school use of a university library, because serious shizz calls for serious research
• patupaiarehe (fairy-type creatures), one of whom is Titiana in Iris's production of A Midsummer Night's Dream -- because I'm not the only one who likes art to imitate life
• casual treatment of varying sexualities*
• a hottie who is half-Maori, half-...well, something else

and I could go on. But do you want to know what I loved the absolute most about this book? The ending. I won't go into detail (or talk about the "action" ending) because I don't want to ruin it for you (cause oh-my-gosh is it cool), but I can still tell you why I love this ending.

Things go crazy, Ellie falls in lurv which may become love in the future, and Ellie and love-interest have to save the world. It's life-changing, obviously, but Ellie doesn't let it derail her life completely. She doesn't possibly blow off her art school application or get married right out of high school or ditch her best friend in the face of tru lurv and harsh circumstances or even, and this is the big one, drop out of school in order to save the world which apparently cuts off the possibility of being a brilliant academic and instead becomes a mostly silent side-character.**

Instead, Ellie keeps going, gets excited about going to college and majoring in Classics, and tells love-interest that she'll visit him when she's on break. She simply takes all that she's learned from these life-changing events with her, because that's what smart girls do.

So, if you want to read an urban fantasy (a little light on the urban grit) or paranormal romance (a little light on the romance) that's headed by a smart girl, this is your book. It's also your book if you want to read the Maori Percy Jackson equivalent, a good boarding school romp, a murder mystery, a different kind of fairy book...


Book source: Philly Free Library


*How often do you see YA books with a teen character who is asexual? Not often. I'm not going to lie and say it's not a big deal at any point, but it is not THE big deal. And it is not a problem ever, except to the people crushing on the character. :)

**Was this anyone else's take-away message from Hermione's whole 1 or 2 lines in that horrible epilogue?!? I know Ginnie's important and everything, especially cause she's the mother of Harry's children, but why does she get all the speaking parts? Since when does Hermione let everyone around her do all the talking?

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The Vast Fields of Ordinary

Burd, Nick. The Vast Fields of Ordinary. New York: Dial Books, 2009. Print.
[Book cover credit: librarything.com/work/7840771]

Awards:
ALA Rainbow List, Fiction (2010)
ALA Stonewall Award, Children's and Young Adult Literature (2010)
Lambda Literary Award Nominee, LGBT Children/Young Adult (2010)

Booktalk:
Dade has spent his senior year secretly coming out to inanimate objects and secretly sleeping with Pablo, who won't acknowledge their relationship in public on account of his girlfriend. So when Dade goes to a party at Jessica and Fessica's house in the hopes of seeing Pablo in public, he knows he's setting himself of for heartbreak. Instead of heartbreak, he gets Alex.

Review:
I checked out Vast Fields of Ordinary from the library when it won the (first ever) Stonewall Award for Children's and Young Adult Literature. I got about halfway through when I realized that this is a book I just had to own, so I returned it to the library and bought my own copy. Which promptly got lost in the TBR shuffle. Still, I'm not sorry I purchased this book even though it meant postponing the "real" reading of it for a year. It's just about everything I've been looking for in a contemporary YA fiction novel about a queer teen and I couldn't bear to not have a copy to mark-up, loan out, and make a home for on my bookcase.

This book is not all about the gayness, and I love it for that.*

The summer after senior year and before college is a summer of huge changes for a lot of people. For Dade, it means the end of an unequal and often emotionally abusive relationship. It's also the summer of finally having a best friend (Lucy!), drunken parties, extreme haircuts, and a hot new boyfriend who ::gasp:: holds his hand in public. He also becomes obsessed with a local girl who has gone missing and watches his parents' marriage continue to crumble. In short, this is an almost typical teen romance novel with a few Important Issues thrown in. But Dade's sexuality is not one of them.

Dade's crush and following romance with Alex is so sweet. It's not perfect, Alex is a drug dealer after all, but they make it work. The fact that Dade has someone to gush about this new relationship with in Lucy doesn't hurt either. He starts to fall in lurv in a way he never could with Pablo. He introduces Alex to his parents, fails to see the disasterous consequences of having the name "Dade" and becoming involved with someone who's last name is "Kincaid," and generally plans out the rest of their happy lives together. And those plans may or may not work out.

Just like any other YA romance. :)

Book source: I bought it at the always wonderful Giovanni's Room and then, as I mentioned earlier, got it signed!


*Looking through the LGBTQ books I've reviewed here, there are only one or two where the main character is queer and where one of the main conflicts of the story is not the character's sexuality. They're still great books, but there needs to be books where some of that has already been done and the character is just out living life. This book includes Dade coming out, but that's not nearly as important as his healthy relationship with Alex.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

The House You Pass on the Way

Woodson, Jacqueline. The House You Pass on the Way. New York: Speak - Penguin Group (USA) Inc., 1997. Print.
[Book cover credit: librarything.com/work/248239]

Awards:
ALA Popular Paperbacks for Young Adults, GLBTQ (2006)
Lambda Literary Award, Children's and Young Adult (1997)

Booktalk:
Staggerlee has never had many friends. Her classmates think she's stuck-up, her ex-best friend ditched her when she found out about Staggerlee's famous grandparents, even her older brother, Charlie Horse, has left home and Staggerlee to go to college. Now, at least for the summer, she has Trout. Will she, too, leave Staggerlee behind? Staggerlee, who always stays in The House You Pass on the Way to somewhere else.

Review:
I'm always amazed by how quickly I get sucked in to Jacqueline Woodson's books. The House You Pass on the Way is barley over 100 pages, and yet it is full of growth, a well-rounded cast of characters, and so  much emotion. It even covers enough time to be both a little bluesy and a little hopeful at the same time. It's the perfect book for a rainy afternoon.

Staggerlee is kind of a loner, and, for the most part, she likes it that way. It gives her space to think and to play her music. In a town that is mostly Black, her mother is white. The statue in the center of town is of her grandparents, and it marks Staggerlee and the rest of her family as "special," something her classmates see as "better than." Also, we find out early on, Staggerlee was in love (in a sixth grade kind of way) with her ex-best friend Hazel. She has no words to describe the feeling she had for Hazel, but she knows she should keep them a secret. She feels different and out of place in her small town.

She looked so different from everyone. Her clothes, the thick-soled hiking boots, her hair. And she felt different too--off-step somehow, on the outside. What did it sound like, Staggerlee wondered, having someone call your name across a crowded school yard? How did it feel to turn to the sound of your name, to see some smiling face or waving hand and know it was for you and you alone?

p.43

And this is where Staggerlee's cousin Trout comes in. They understand each other in more ways than they could have predicted at the beginning of their summer together. They spend that crazy, transformative summer between middle school and high school together, and they each gain from the other the strength to figure out who they really may be.

Though the circumstances may not be universal, Staggerlee's feeling of being on the outside is something just about everyone has experienced at one time or another, and her friendship with Trout, the way it helps Staggerlee to define herself and the vulnerability that creates, is beautifully rendered in the text. Even though The House You Pass on the Way can be read as an overall sad book, the melancholy is never overwhelming. And the writing, oh the writing, is so lyrical, emotional, and just plain gorgeous.



I can't remember who suggested this book on the yalsa-bk listserv. I also can't remember if it what suggested to someone looking for books about African American teens in non-urban settings or someone looking for LGBTQ titles. The House You Pass on the Way would fit nicely on either list (yay!).


Book source: Philly Free Library




Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

I Am J

Beam, Cris. I Am J. New York: Little, Brown and Company, 2011. Print.
[Book cover credit: librarything.com/work/9923971]

Booktalk:
Coming out sucks. Whether you're coming out as someone who eats peanut butter out of the jar (and double dips), kind of likes Taylor Swift's new album, or is some permeation of queer, admitting that you fall outside of what everyone around you expects is awkward, emotionally draining, and often terrifying to think about.* Sometimes it just seems easier to go live your life somewhere far away where no one will know you as anything but a queer Taylor Swift loving peanut butter fiend. That's why when J decides that he has to bite the bullet and start living life as the man he knows he is inside, he runs away. His Puerto Rican Catholic mother and his super-macho dad will never understand or accept him. Better to start over on the other side of town.

Review:
I was a little scared of this book. I knew that Beam had it in her to realistically portray the transgender experience, so my expectations were super high. I also knew that a book like this has the potential to be filled with well-meaning stereotypes in order to present the most inclusive picture: of trans folk, of Puerto Rican New Yorkers, of the dream of being a "real boy," and more. I loved this book. J really rang true to me as a character and as a transguy, and his experiences, though not universal (thankfully not everyone has to move out or change schools in order to transition, though some undoubtedly do), were realistic. I Am J was everything I hoped it would be.

But I did have a couple of problems. I found it hard to believe that J, who has been looking around on the internet for information and support since he was eleven, hadn't heard about T (testosterone injections) or a (chest) binder until he was seventeen. I'm willing to let that go as it allows the reader to learn about these things at the same time that J does. I don't think it would have been such a problem if the book wasn't so obviously written by someone who, like J's support group leader, "talk[s] about the 'gender binary' and 'those of trans-masculine identification' as easily as reciting the alphabet" (243).** There were so many terms and concepts, including terms that confuse J, that were not defined in the text. A couple of them were even written in abbreviated forms, something that gives me hope that they'll be fleshed out and this won't be an issue in the final copy. Still, Beam is a very very knowledgeable woman, as evidenced by her previous work of non-fiction Transparent. She seemed to have a difficult time balancing her wealth of knowledge with the naiveté of her narrator.

I'm also hoping the list of resources at the back of the book will be more complete in the final copy. I don't think anyone could put together a concise list of resources on any topic, but especially a fairly new (to the public) one like this, that every reader would find complete. That said, I was still dismayed to see only female-to-male resources, especially as the separation between ftms and mtfs is bemoaned by Beam's characters. I was also sad to see TYFA (Trans Youth Family Allies) left off the list. Though their main focus is on kids much younger than J, the ladies at TYFA are rockstars at convincing school administrators of the necessity of single-serve, gender-neutral bathrooms for the safety of all students, not just those that are transitioning. Though bathroom issues are only briefly touched on in I Am J, they are some of the most distressing of day-to-day concerns for many gender-variant people, and organizations or websites that help gender-variant youth deal with these problems belong, in my opinion, on the list of resources in the back of this book.

This may look like more criticisms than praise, but it's really not! I loved I Am J, and I applaud Beam for taking on the issue of transitioning in the context of cultural and familial expectations, and the fallout from not meeting those expectations, in an accessible and authentic way. Not to mention that she wrote a pretty great story of a teen trying to find his direction and place in the world, regardless of all the issues that J has to deal with. I think this is a must buy for libraries serving youth; it's Luna for the guys.


I Am J comes out March 1st!


Book source: ARC provided by the publisher.


* By the way, now you know all my secrets.


**Quotes and page numbers are from an uncorrected proof and may not match the published copy.


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Will Grayson, Will Grayson

Green, John and David Levithan. Will Grayson, Will Grayson. New York: Dutton - Penguin Group, Inc., 2010. Print.
[Book cover credit: librarything.com/work/8463786]

Awards:
ALA Best Fiction for Young Adults (2011)
Stonewall Book Award for Children's and Young Adult Literature, Honor (2011)

Booktalk:
Somewhere far away, in an alternate universe or something, there might be another you who is a lot like you but also a lot different. I mean, he's not really you. But what if that other you was only on the other side of Chicago? And then he started dating your best friend? Welcome to Will Grayson's life. When he meets will grayson in a porn shop, a simple name mix-up is the least of his problems.

will grayson is in a panic when he goes to meet his internet boyfriend in chicago. the only thing worse than realizing that they're supposed to meet at a porn shop is having his name yelled out from the front counter...but not at him. and so he meets owg (other will grayson) and owg's best friend tiny cooper who might just have a thing for sad freaked out guys sitting on the curb outside a porn store.

Review:
To echo so many that have come before me, this book is full of awesome and I loved it! I have never not become obsessed with a John Green guy (where were these guys when I was in high school?!?), and his Will Grayson did not disappoint. He was classic nerd/cool/snarky/insecure/intelligent/good guy. This is the first fiction by Levithan that I've read, and it was a great intro into his work. His will grayson was horrifically depressed throughout most of the book, but he was still funny and mean and self-deprecating in a way that insults everyone and, you know, hiding his soft gooey center behind all his built up toughness. The secondary characters in each of their separate lives were relatively well-fleshed out for how important they were to both the story and their respective WG. The fact that will grayson's friends are kind of one-dimensional says more about will than it does about Levithan; the reverse is true for Green and his Will. And the one character they share, Tiny Cooper, is always larger than life.

Tiny Cooper is fabulous. He's a bit self-centered, but he's also all over the place for his friends. It all revolves around him, but he wants them there and involved, not because he wants them to witness his fabulosity but because they mean the world to him. But here is how Tiny is always described:

Tiny Cooper is not the world's gayest person, and he is not the world's largest person, but I believe he may be the world's largest person who is really, really gay, and also the world's gayest person who is really, really large.

p.3

That's fine, but it immediately reduces Tiny to a caricature of himself (or the guy from Mean Girls). And they do it over and over again. Every time someone mentions him, sees him, thinks about him, even apologizes to him, they reference his size, and not just his height, they gotta throw "300 pounds" in there or something. Calling your best friend (or your boyfriend) fat all the time as if that's his only personality trait (or is even a personality trait to begin with) makes people cringe a little. Tiny has the illustrative joy of being both big and gay, something that is used a lot to describe people's personalities without any irony at all, as if that's even a personality trait to begin with. It's not as obvious as, say, the new "That's So Gay" ads (which I love for their obviousness, but it only works because it's 30 seconds and not 300 pages), but the message is there without the feeling that there is a Message or Important Lesson.

And this book, secret lesson and all, is hilarious. It is embarrassing to read on public transportation hilarious. And there's a musical, written by Tiny Cooper about his life. And there's tender first love (complete with Green's trademark awkwardness) and crushing first heartbreak (complete with Levithan's snarky gloom and doom). And there's bad emo poetry that is recognized as being bad emo poetry. And the WGs have some of the best parents in YA I've seen in a while. And if you need more reasons than this to go pick up Will Grayson, Will Grayson, well then, I don't think we can still be friends. :)


Book source: Best Christmas present ever!


Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

My Invented Life

Bjorkman, Lauren. My Invented Life. New York: Henry Holt and Company, 2009. Print.
[Book cover credit: librarything.com/work/8212420]

Booktalk:
Roz and Eva have always been best friends as well as sisters. Secrets, giggles, pillow fights, the works. Sure, Roz has always lived in Eva's shadow, but it's an impressive shadow so she doesn't mind too much. That was before Eva removed Roz from her life. Now, PD (Post Deletion), Eva is doing a pretty good job of pretending Roz doesn't exist, and Roz thinks she knows why. Eva MUST be a lesbian and she MUST be terrified of coming out. Even though Eva is being horrible to Roz, she wants to do something nice for her, to help her. So Roz pretends to be a lesbian and comes out at school, both to show Eva how it's done and to snag a bit of that spotlight for herself.

Review:
I checked out My Invented Life after reading Libyrinth and being overjoyed at reading about a queer character with friendS. It seems like such a simple thing, to give a queer character more than one friend and/or a friend who is NOT another queer character of the opposite sex so that none of the real life problems of one-sided-lovey feelings between friends get in the way of the story arc. My Invented Life was suggested (by the awesome MissAttitude) as another book featuring queer teens with (gasp) friends of both sexes and multiple sexualities. On that basis alone, this book is already a win!

My Invented Life is a modern retelling of Shakespeare's "As You Like It," but instead of mistaken genders, we have mistaken sexualities. In case you don't get that similarity right away, the characters are also auditioning and rehearsing for a school showing of the play. Much of the book takes place in the big barn behind the school where the theatre geeks hang out and practice. The characterizations of the drama club crowd are pitch-perfect. The major players range from Eva, popular cheerleader who always gets the lead, to Eyeliner Andie, the showy goth chick with the super-skinny, shy boy toy. Amazingly, up until Roz decides to pretend to be queer, there doesn't appear to be any other non-hetero folks in the group.

Right before auditions, this tight-knit group (which also includes Roz and her arch-nemesis Carmen) is joined by the drama teacher's nephew, Jonathon. He's new (read: automatically crush-worthy for most of the group), has done something that has gotten him kicked out of his parents house (mysterious bad boy with a serious chip on his shoulder), and African-American (a fact which seems to surprise only Roz). Roz lays claim to him on the basis that he's her next door neighbor, she's the drama teacher's favorite, and she could use a friend. Coming out does not go as she hoped. She gets attention, RoZ iZ a leZ on the bathroom wall, but not the outpouring of love and support she was hoping for:

"None of my friends hugged me, not even once." We theater geeks touch a lot -- hug, polka around the room, and smoosh cheeks together for pictures. ..."They probably though I would fondle their breasts."

p.63

So Roz starts a campaign to educate her classmates about the Kinsey Scale and to make them accept her as a lesbian. For Eva's sake, of course. Even though Eva still won't admit that she's queer (no matter how much Roz tactlessly badgers her about it), Roz keeps up the facade. She and Eva begin to bond again over The L Report (Roz's nightly updates on her "experiment" with lesbianism), Roz gains some new friends (including Jonathon and Eyeliner Andie) and a new understanding of what all those people online mean when they say "sexuality is fluid," and secrets come out of the woodwork and from all directions.

This is a cute story with an engaging and memorable cast of characters and a predictably happy ending (if you're familiar with "As You Like It"). It's also a great book about being the only "one" in a crowd, whether by "one" you mean POC, queer, poor kid, goth, whatever.


Book source: Philly Free Library

Penny Dreadful - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Snyder, Laurel. Penny Dreadful. Drawings by Abigail Halpin. New York: Random House, 2010. Print.
[Book cover credit: librarything.com/work/9761350]

Booktalk:
After spending most of her life living in a mansion with a tutor and a chef and "approved" friends with impeccable manners and hardly any personality, Penelope wishes, at the wishing well in her backyard of course, for something, anything interesting to happen to her. But interesting is not always as fun as it looks in the books Penelope spends her days reading. When her dad quits his job and her family runs out of money, Penelope quickly makes another, more specific wish. Instead of wishing for anything, she wishes for something to fix the multitude of problems left behind by all the "interesting" going on in her life and suddenly finds herself moving to Thrush Junction in the country, which for Penelope, might as well be a whole new world.

Review:
This is a hard book to summarize because the beginning is so incredibly different from the rest of the book. It all goes together. The difference doesn't cause any jarring shifts for the reader, and circumstances in the opening make the rest of the book make sense, but this is not a book about a little rich girl who moves to the county, as the first couple chapters would have you believe. Yes, Penelope has grown up rich, but finances quickly deteriorate in the Grey household after her father leaves his job. As the whole family figures out how to live without a chef, a housekeeper, or even a steady income, this becomes a book about figuring out what is really important. Houses and furniture can be let go; your family (and your books!) you take with you. Once that family gets to Thrush Junction, however, this becomes a book about finding yourself, making friends, and feeling and helping others to feel welcome. It's about community.

But I didn't think any of this while I was reading. While reading Penny Dreadful, this was just a book about Penelope, who wanted to go out and experience life. She needed to become Penny instead, and in Thrush Junction, she finds just the right people to help her do just that.

Thrush Junction is populated with a bunch of oddballs, many of whom live at Whippoorwillows with the Greys. Penelope, who has never really had friends before, must come out of her shell, and Luella is the perfect girl to drag her out. As Penelope, now Penny, learns how to have and be a friend, Luella introduces her to the rest of their little town. There's Down-Betty who was in vaudeville, Duncan who might be allergic to EVERYTHING and so is barely allowed to eat anything, Kay who runs the town diner, Jasper who is Luella's other best friend, Twent who can't say his r's (and has two moms!), and a whole bunch of other folks. The whole thing reminded me of Because of Winn-Dixie, but with a buried treasure legend instead of a dog. It has a feel-good feeling throughout that is infectious, even though the Greys money worries are a constant hum in the background. Things can be a bit episodic, but that's because that's how summer is sometimes. It's all about the people that come and go and the fun things that you get to do together for one day.

It's great to see so much diversity in the characters. In addition to Twent's two moms, Luella and her family are black, there is a wide range of ages at Whippoorwillows (and not all the old folks are grandparents), non-traditional gender roles within otherwise traditional family units, and a character who is deaf (can't tell you which without a spoiler). And there are no big deals made about any of it. These are all simply people that Penny meets during her adventures in her new town, and it's great to see them represented in literature just because they exist in real life rather than to Teach a Lesson to readers about how Everyone's the Same on the Inside!

I should also add that Penny Dreadful is also peppered with drawings by Abigail Halpin. Rather than distracting from the text, as I often think in-text illustrations do in chapter books, they add to it. My ARC only has preliminary sketches, but from those, I can tell that they're going to be awesomely full of life and emotion. My favorite one is of Penny is straggling behind Luella and Jasper on the sidewalk with the most sour look on her face ever, though the drawing of Twent "wahwing" is a close second. :)


Penny Dreadful comes out in hardback today!


Book source: ARC picked up at ALA.

Nothing Pink

Hardy, Mark. Nothing Pink. Asheville, N.C.: Front Street - Boyds Mills Press, Inc., 2008. Print.
[Book cover credit: librarything.com/work/5968322]

Awards:
ALA Rainbow List, Young Adult Fiction (2009)

Booktalk:
Vincent has been praying, for as long as he can remember, to have the burden of homosexuality lifted from him. Every time his father leads an altar call, Vincent goes to the front of the congregation to be prayed over and have hands laid on him. It hasn't worked yet, but Vincent is not giving up. He knows God hasn't abandoned him; he can feel His presence. Vincent just needs to be patient and avoid temptation. Then Vincent meets Robert, at his father's new church of all places, and everything changes. As Vincent gives up praying for deliverance and spends more and more time with Robert and the two become more and more involved, Vincent still feels God in his life. Maybe all of these years he's been praying for the wrong thing.

Review: (kind of spoilery, but the ending is mostly what you hope it will be anyway)
Nothing Pink is a pretty straight forward coming out story. That said, it's a very well done coming out story. Vincent does a lot of struggling within himself, with the help of his strict Baptist upbringing, about his sexuality. He does everything he can to try to change himself including making out with girls, avoiding TV shows featuring guys in tight pants, and a whole lot of praying. But this is not the focus of the book. This all happens before the book starts, though it is alluded to throughout the beginning. The book actually starts on the day things start to get better, the day Vincent meets Robert. Even though Vincent still has doubts about the morality of his relationship with Robert and has to hide the extent of their relationship from his parents, this is mostly a happy book about Vincent's first love and eventual acceptance of himself.

A lot of Vincent's happiness with himself hinges on religion, or rather, God. His relationship with God factors largely into Vincent's life and the story. Vincent is moved by his father's sermons, hymns, and prayer. He acutely feels God's presence in his life. He is a devout and upstanding Christian, except for his sexuality. That's why he's so confused and hurt by God's lack of response to his prayers to be straight. As he becomes more comfortable with Robert and his relationship with him, he becomes more convinced that God is okay with it too. It's great. His parents, however, do not agree. When they figure out what's going on, they give him a talking-to that centers around this oft heard sentiment:

"We love you, Vincent...But God hates the sin of homosexuality, so we must hate it too, son."

p.99

To their credit, they never say that God hates Vincent, and they stress that they love him unconditionally, though Vincent doubts that their version of "unconditional" should count when they hate something that is so much a part of him. I did get the feeling that the mom, at least, would come around at some point after the end of the book.

During the talk with his parents and later when he is at church camp, Vincent does a lot of defending himself. In his own head. I love that he didn't have to stand up and be out and and proud right away or a spokesperson/defender of all people queer in his Baptist community. Sometimes that's all you can do, and it's great that Hardy provides this positive role model of someone who can only hold it together for himself but is still not weak. Outwardly, Vincent simply stops asking God to make him straight. Internally, he does a lot of building himself up, and that involves a lot of "God-talk." The religious over tones and general message of God loves the gays becomes a bit redundant and heavy-handed toward the end. This is definitely not a book for readers uncomfortable with Christianity. I appreciated the message, but it did kind of take over the book in a couple of places and pull me out of Vincent's story. But given how heavy-handed much of the anti-gay, religious literature can be, I had to forgive this repeated positive religious message.

Also, and this surprised me a bit, the book is set in the 70s. It's not overly obvious and so led to some confusing moments for me, such as when Vincent lists the TV shows he avoids and its clear that I should have recognized the titles. Other than that, only the feathered hair and continual Barry Manilow references tipped me off (and the title verso, which is where I got the actual decade of the setting from). And I do mean continual, with the Barry Manilow. You'll be singing Copa Cabana for days after reading this one.


Book source: Philly Free Library

The Full Spectrum for Nonfiction Monday

Levithan, David, and Billy Merrell, eds. The Full Spectrum: A New Generation of Writing About Gay, Lesbian, Bisexual, Transgender, Questioning, and Other Identities. New York: Alfred A. Knopf, 2006. Print.
[Book cover credit: librarything.com/work/1022264]

Awards:
Lambda Literary Award (Children's/Young Adult, 2006)
ALA Rainbow List (Young Adult Nonfiction, 2008)

Booktalk:

"This book would have been very different if it had been compiled fifteen years ago, when I [David Levithan] was in high school It would have been different ten years ago, or even five years ago. I have faith that in five years, times will have changed enough to alter our snapshot here. And in ten years. And in fifteen years. This is a remarkable time to be young and queer in America. There is progress, and there is backlash. There is love, and there is hate. There is hope, and there is despair. Things are changing fast, and they're not changing fast enough. ... But change is going to come. Maybe in five years. Maybe in ten. Maybe longer. Maybe sooner.

One way to effect change is to share truths. To tell our stories. To make our hears and minds heard."

Notes to the Reader

So David Levithan and Billy Merrell began collecting pieces written by queer youth under the age of 23. All the pieces are non-fiction (with some name changes). All of them represent the author's unique perspective on the queer youth experience. Together the submissions create a vast array of colors and light, The Full Spectrum.

Review:
The pieces in this anthology tackle a myriad of topics: coming out, religion, first love, unaccepting parents/peers, religion, supportive parents/peers, the Boy Scouts, the military, religion(!); in a variety of settings: high school, New Your City, college, junior high, Egypt. They are written by young people who fall under the umbrella term "queer," but identify as gay, bi, trans, lesbian, gender-variant, and more. Some of the pieces are positive and affirming, some speak of overcoming unbearable hardship and hate, some end as hopeless as they began. All of them are important and valid, just like the young people who wrote them.

As a collection, The Full Spectrum is ambitious. It strives to present a multitude of experiences and identities, and it does. The mix of guys and girls, trans or not, is great. The mix of topics is also expansive, and given how much religion is mentioned, the mix of opinions on it is also widely variant. Also the mix of poetry, prose, letters, and diary entries was great. I never felt bogged down in too much angsty poetry or journal writing; all was in balance. This mix of writing styles will, hopefully, make this book accessible and attractive to readers of all stripes.

My main problem was with the editing. Some of these pieces are beautiful bits of polished writing.* Some of them are not. I imagine this has a lot to do with the state they were in when they were submitted. Many of these pieces were written by young people about the most traumatic periods of their lives! Everything is in their writing and everything is raw. Everything. It is completely understandable that some of them lack polish. These pieces could have used the guidance of a good editor, and it is a shame that they didn't get it. That said, these stories are compelling, each and every one. If I, an almost-30-year-old, engaged, queer woman had such a strong reaction to this book, I cannot even begin to imagine how much solace and revelation this book could provide for someone still going through the experiences described there in. I saw myself in these stories. I saw my friends. Everyone deserves to be able to see themselves in stories like these too (even kids in New Jersey).


Book source: I bought it at a signing with some of the contributors when it first came out.
Full disclosure: One of my favorite people in the world has a poem in this book (it's awesome). There is also a piece by one of my least favorite people (not so great). Not only do these two biased opinions cancel each other out, but I also skipped both pieces when re-reading The Full Spectrum for this review.


*Jovencio d la Paz, I have the HUGEST literary crush on you. Please decide to spend the rest of your life writing stories so heartbreakingly beautiful that they make me cry!

Janes in Love

Castellucci, Cecil and Jim Rugg. Janes in Love. Lettering by Rob Clark Jr. and gray tones by Jasen Lex. New York: Minx - DC Comics, 2008. Print.
[Book cover credit: librarything.com/work/4867904]

Booktalk:
Almost a year since the attack that sent Jane and her parents to the 'burbs, Jane is still having dreams about the garbage can bomb in Metro City. As she tries to deal with these flashback, the P.L.A.I.N. Janes try to keep up their art attacks around town ... and get dates for a non-Valentine's Day dance.

Review:
Again, this is a cute top story with some seriousness underneath. All the Janes are secretly pining after someone, and a girls-ask-the-guys dance prompts them to act on their feelings. Main Jane is crushing on Damon, but afraid to talk to him after his arrest for her art attack. Miroslaw (formerly John Doe) is awake, and he and Jane exchange letters and care packages. He inspires Jane to apply for an art grant to make the P.L.A.I.N. Janes legit. Meanwhile another attack in Metro City scares Jane's mom into never leaving the house. In an effort to get her to come out, Jane's dad refuses to go in. Neither seems to notice that Jane isn't fairing well. And then Jane hears back from the grant people and has to sneak into Metro City to present her portfolio. Da da dum.

In this installment, the Janes are joined by James, the lone gay guy who was a walking stereotype in the last book. He gets to be a much more complete character here with interests beyond being uber-gay. Still, he bemoans the lack of gay guys in Kent Waters as the rest of the Janes set their sights on their dream guys. He doesn't get the happily ever after that some of the Janes do, but he does get to ogle the whole (hot) guys' basketball team. And no one thinks it's gross! James also plays a very important role when Main Jane starts to receive letters from a Secret Admirer. SPOILER: When it turns out that these letters might be from a girl, James has a little talk with Jane about how to let Secret Admirer down easy, emphasizing that Jane should do everything in her power to not make Secret Admirer feel weird for crushing on another girl. This little tidbit is added in without making any kind of a big deal or turning into too much of a "teaching moment." James' concern is genuine and natural. End Spoiler.

The Janes all deal with a little heartbreak, being in love will do that, and it brings them closer. Example:

"The thing about having a good true friend is that it's ok if you cry so hard that snot runs down your face. Because their arms are strong and their heartbeat is loud ... and you can be your smallest and ugliest in front of them."

p.53

Initially they were friends because they had no one else, then because they shared their passion for the P.L.A.I.N. Janes. Now they're just friends, who still sit together for lunch and sometimes dress in all black to put in a midnight art installation.


Book 1: The Plain Janes
Book source: Philly Free Library

Libyrinth

North, Pearl. Libyrinth. New York: Tor Teen, 2009. Print

[Book cover credit: librarything.com/work/8081104]

Booktalk:

"And what about you, Censor?" she asked. "Where does the evil of literacy reside for you?"

p234

Haly has always lived in the Libyrinth, surrounded by books and helping the Libyrarians, part of the Libyrinthian community. But Haly is different than everyone else in the Libyrinth. She can hear the books. They talk to her. She can't tell anyone because, well, they'll think she's nuts, but her ability to hear the written word enables Haly to uncover a plot that could destroy the entire Libyrinth. The willfully illiterate Eradicants, who assert their dominance every year at the sacrifice when they "free" words from the printed page by burning books, are looking for a "weapon" of legend, The Book of the Night, and it is up to Haly, along with her best friend Clauda and the Libyrarian Selene, to stop them.

Review:
Yearly book burnings! An Eradicant whose formal title is Censor! The destruction of a library so large it has been etymologically merged with a labyrinth! Aren't you mad? You're supposed to be. The whole premise of this book is set up assuming that we, the readers, will agree that the Libyrarians and their literate allies are right while the Eradicants, who are convinced that even viewing words on a page will blind them, are wrong. But we learn, right along with Haly who is captured by the Eradicants early on, that there are two side to every story. No one, no civilization, is all good or all bad, regardless of how they look to those on the outside. Much of our time with Haly is spent getting to know more about the Eradicant civilization and their interest in Haly. It is definitely tense and intense at times, but the real action is with those Haly left behind.

After Haly is captured, Clauda and Selene are left alone to save her and the Libyrinth. Their only connection, up to this point, is Haly. Clauda is a servant in the kitchen and Haly's best friend; they were children together. Haly is Selene's clerk, and Selene is the near the top of the Libyrinthian hierarchy (Oh, and a princess in her hometown, the only place still left outside of Eradicant control that can lend an army to defend the Libyrinth). She and Clauda practically come from two different worlds, even though they come from the same place. As they try to gather allies to the Libyrinth they uncover plot after plot and intrigue after intrigue. They have to learn to trust each other (because they can hardly trust anyone else) and work together.

Also, and this will be vague to avoid getting too spoiler-y, one of them is queer. There is ogling of hot female soldiers, there is thanking of Theselaides that they come from the Libyrinth where no one bats an eye at two girls or two guys together, and there is some major crushing that may or may not lead to lurv by the end of this story.*

And the books talk to Haly. They talk to her. She doesn't just hear a book start to finish; they offer useful quotes based on conversations in the room or what's going on in Haly's head. There are 10 pages of references for quotes that appear throughout the book. As someone who is constantly writing down and saving quotes from book of all kinds and who has always thought it would be both possible and amazing to tell a story using mostly quotes from other fictions (the soundtrack of a life, only books!), I find this unbelievably cool.

My only problem with Libyrinth is that it's the start of a trilogy. Now, I'm not freaking out because I Need to Know what happens; I'm upset because I don't. The ending was great and really satisfying. I really loved this book and I hope the sequels add to it rather than just dragging it out. Judging by the writing here, I'll also enjoy the next two books, even if I can't imagine where the story could possibly go from here.


Book source: Philly Free Library

*The best part? No one is or becomes friendless as a result of being queer. Our nameless lezzie is still good friends with Haly, among others, and her friends even know she likes girls! Maybe I've been reading the wrong YA (or any) books with lgbtq characters, but they all (save the Rainbow Boys) seem to be about a lone queer guy or girl who might have a friend of the opposite sex, who is possibly also queer, if they have any friends at all. Of my five most recent reviews, not including this one, with an lgbtq tag (Scars, The Midnight Guardian, What Happened to Lani Garver, M+O 4EVR, The Sweet Far Thing) only the last features a queer character with more than one close friend. The queer character in Libyrinth does not have a vast circle of friends that we get to know over the course of the story, but it is clear that if she weren't on the run for so much of the book, she would be surrounded by them. It is great to see a story about a queer character who has friends, multiple, and some of the same sex. And her friend aren't even all also queer! 
If I'm way off base here, and I truly hope that I am, please point me to lgbtq YA books that feature queer kids with friends of both sexes (or varying gender presentation) and/or varying sexualities!

Scars

Rainfield, Cheryl. Scars. Lodi, NJ: WestSide Books, 2010. Print.
[Book cover credit: librarything.com/work/9445693/book/57675127]

Booktalk:
Kendra is full of secrets. She let one big one out six months ago, when she started to remember and told her parents about the sexual abuse she suffered as a child. Now she's struggling to keep the rest of her secrets in: she wishes her therapist, her art teacher, almost anyone else, was her real mother; she's been cutting herself to deal with the pain that remembering the abuse has brought on; she has a crush on the toughest girl at school, who also sleeps with boys like it's her job; and the biggest secret of all, one she can't even tell herself, somewhere deep down in her memory, she knows who raped her and she knows that he'll kill her if she tells.

Review:
This book is wonderful and powerful. It is a book I read in a day and then took two days to digest. I highly recommend it. That said, this is a book about prolonged sexual abuse and self-injury, in addition to being a book about a girl whose mother is not happy about her daughter's new girlfriend. It is not for everyone, but it will undoubtedly be really important for more than a few someones.

Throughout the course of the book, the bulk of which spans what feels like only a week, Kendra relives her abuse, through flashbacks that hit her out of (almost) nowhere and with her therapist, as she tries to remember the identity of her abuser. She also cuts herself, repeatedly, to cope with the pain and the panic that these memories bring on. Rainfield portrays all of this realistically and sensitively. She lets us inside Kendra's head to see her pain, shame, insecurities, fear and more. More importantly, she shows how much Kendra appreciates and depends on those who support her, even if Kendra doesn't always show it herself. It is Kendra's chosen family, her therapist, her art teacher, her mentor, and her girlfriend, that make it possible for her to face her abuse and ultimately her abuser.

There were some moments in the book when the dialog seemed less than authentic. Using Carolyn, Kendra's therapist, Rainfield can realistically work phrases like "you're not the one who deserves to be hurt, Kendra. He is," into a conversation about Kendra's self-injury. Instead when Meghan, Kendra's girlfriend of a day, says it, it can be a bit jarring (139)*. However, it is the right things to say and important for readers to, well, read. While the few exchanges like this between Kendra and Meghan pulled me momentarily out of the story, they are easily outweighed by the cute wow-you're-pretty moments that these two more often share. Their budding relationship adds the happiness that Kendra so desperately needs and the normalcy that the average reader will need in order to relate to all the Kendra is going through.

Cheryl Rainfield has also included an annotated bibliography of web resources, help lines and crisis support, books, articles, and videos for victims of sexual and ritual abuse, those who self-harm, teens thinking about suicide, and teens in the process of coming out or dealing with homophobia. She also highlights resources specifically for friends, family, and other vital supporters of people dealing with these issues.


To read more about Scars, including a statement from the author and blurbs from some very well-known authors, check out the Cheryl Rainfield's website. Scars will be out and available to purchase March 24th.


Book source: Review copy from publisher.

*All quotes were taken from an uncorrected proof. Exact wording and page numbers may not match the final copy.

The Midnight Guardian

Stratford, Sarah Jane. The Midnight Guardian: A Millennial Novel. New York: St. Martin's Press, 2009. Print.
[Book cover credit: librarything.com/work/8970909]

Booktalk:
In this fantastical remembering of the beginnings of WWII, the vampires of Great Britain jump into the fray long before their human countrymen in an attempt to keep Hitler from decimating the food supply of European vampires.

Hitler, of course, has other plans. He puts together a group of men, the sister team to the SS, who hunt vampires instead of Jews, homosexuals and gypsies. They've been taught by true vampire hunters, men and women whose families have been keeping the vampire population under control for centuries, who have traded their family secrets for a promise of safety from the Nazis. 

Review:
This was a fun and engrossing read. It splits, very early on, into two storylines. One follows Brigit and the rest of the Millenial vampires, as they try to take down the emerging Nazi empire by infiltrating its ranks and/or seducing men in high places. Brigit is joined by Cleland, Mors, Swefred and Meaghan on her trip to Germany. It is only safe for vampires over a millennium old to voluntarily walk into a country quickly filling with vampire hunters. Swefred and Meaghan, together since the beginning of time it would seem, have each other and Mors has been single and loving it for his whole millennium long and more life, but Brigit and Cleland both have to leave their partners behind in London.

Much is made of Brigit and Eamon's love and heartbreak over their distance throughout the book, Brigit is the main character after all, but Cleland and his partner Padriac (both men, in case you aren't well versed in really old Irish names) also suffer through their separation. Cleland and Padriac's love is portrayed as just as true, long-lasting and, above all, normal as that of Brigit and Eamon's, even if it doesn't get as much page space devoted to it. The only "problems" that arise out of their homosexuality is Cleland's annoyance at having to seduce Nazi wives and the prison cell in which they found Padriac on his last night as a human hundreds of years ago.

The other story, the one that sucked me in, shows Brigit trying to sneak back to London on a train of German soldiers and possibly vampire hunters. She is escorting "precious cargo," which is why she has to take such a public route and is constantly in danger of being caught with forged papers, revealed as a vampire, or having to change trains in broad daylight. The way that loyalties change in the face of the force of the Nazis becomes so interesting in this storyline, but to talk about any of it would be to give too much away. Some liberty is taken with the vampire myth, what they can and cannot do, but it still remains a horror story of sorts. Except that you will side with the monsters.


This is an adult book and does have a few, um, sexy moments, but overall, I think that it would be suitable for mature teenagers with an interest either in vampires that don't sparkle or historical retellings. I don't think the slim bits of actual historical content would be enough for a WWII buff.


Book source: Philly Free Library

What Happened to Lani Garver

Plum-Ucci, Carol. What Happened to Lani Garver. 2002. Orlando, Fla.: Harcourt, Inc., 2004. Print.
[Book cover credit: librarything.com/work/68056]

Awards:
ALA Best Books for Young Adults (2003)
ALA Popular Paperbacks for Young Adults (Own Your Own Freak, 2005)

Booktalk:

"You need to go out in the waiting room and find yourself a floating angel."
"A what?"
"They come with you on visits like these. They hold your hand and they tell you good stuff and make sense of this world so you realize it's not so bad--"
"Oh, I came with a friend. He's out there." I jerked my thumb toward the waiting room. "Thinks he's at a family reunion. Not much help."
"That's cuz he's a friend. Floating angels aren't friends; they're real angels. They're real. Didn't you see any of 'em out there?" His beaming smile flashed, and I gathered he was pulling my leg, the other option being that he was nuts. I decided to be polite and not hate myself more.
"Uh, no. What do they look like?"
"Like faggots. ... Angels don't have a gender. So what they gonna look like?"

p. 89

Because Lani Garver looks like he might be one and because he makes Claire's life, which she's losing grip on, sane, Claire thinks Lani might just be her floating angel. Unfortunately, the rest of Hackett, a small island off the Jersey Shore, sees nothing angelic about a young, clearly queer boy invading their little island. Just as Lani brings new complications to Claire's life in the midst of all the goodness, his friendship with her is his lifeline on Hackett Island, but her popular cheerleader status makes it impossible to fly under the radar the fish frat, this small island's crew of good ol' boys.

Review:
This book was hauntingly good, in my opinion. You know right from the start that something horrible is going to happen to Lani, so everything in the book feels like foreshadowing. Watching Lani and Claire hurdle toward this inevitable end is heartbreaking, even as you cheer on Lani's continual "I don't care what they think" attitude. Claire is a bit more cautious than he is. As she grows and changes over the course of the novel she cares less and less what her friends and the fish frat think of her, but she knows what they are capable of doing to Lani and herself. However, her growing sense of the injustice of it all, in combination with her new-found temper, still trips her up. The way things end up happening in the end is not how you would expect, at least it wasn't the way that I had put it together in my head.

The best thing about What Happened to Lani Garver is its honesty. For example:

I shook my head, embarrassed by my curiosity but more embarrassed by how none of this made sense to me. "We're talking about a guy with a girl, who propositions you once, and then called you a faggot. What is a person like that?"
"Do you mean, is there a clinical name for someone like that?"
"Well...yeah."
"Dunno. I think they call it 'hypocritical.'"

p81

It's an honest question, one that I'm sure more people than fictional Claire would like an answer to. Small teaching moments like this are peppered throughout the book in a natural and conversational way. Also, the language, as I'm sure you noticed in both of the quotes, makes me cringe, but, as the girlfriend pointed out, this was how we all talked in high school, before we knew it wasn't PC. The dichotomy of the way words like "faggot" are used by the fish frat and the way they are used by Lani and his friends is very striking. And though the feeling that we can say it about our own but you can't say it about us is confusing (which is true of a lot of words about a lot of groups that are considered either derogatory or familiar depending on who is saying them to whom), it appears naturally here without forced explanations of why it is or isn't okay.

My only complaint about this book are the floating angels themselves. They're made up by the author. She explains in an interview at the back of the paperback version that she didn't want to alienate any followers of a specific religion by pulling from the traditions of another. While that is awesome, the concept of floating angels is an interesting one and I wanted to know more about them, but, of course, nothing else exists.

Warning: There are three chapters worth of the bad thing that happens to Claire and Lani. It's told from Claire's perspective and she goes in and out of consciousness for a lot of it, so it doesn't end up being graphic. It is still pretty upsetting and might be downright detrimental reading for someone who has gone through this type of experience themselves.

Book source: Philly Free Library

M+O 4EVR

Hegamin, Tonya Cherie. M+O 4EVR. Boston: Houghton Mifflin Company, 2008.
[Book cover credit: librarything.com/work/4865438]

Awards:
ALA Rainbow List, Young Adult Fiction (2009)

Booktalk:
M(arianne) and O(pal) have been friends for as long as either can remember; their mothers were friends before that. M is only half black to O's plain-old black, which matters in their teeny Pennsylvania town. She ditched O to gain popularity and is now the first black Homecoming Queen the county's ever seen. When she dies shortly after the homecoming dance, the loss is too much for O. Though she feels like she lost M a long time ago, she's really gone this time.

Review: full of spoilers this time, but this book isn't really about suspense or the revelation of facts, so it shouldn't hinder the enjoyment of the read.

I wouldn't have even picked up M+O 4EVR if it hadn't been for Daisy's blurb about it over on her QueerYA blog. I thought the title held the promise of a book full of text-speak. It doesn't. M+O 4EVR is written in hearts on many of the places important in M and O's childhood: their tree and the backseat of O's Grandma's car, for example. It would be sweet if it weren't so sad. M is dead by the end of the second chapter, and the rest of the book is told in O's heartbroken voice. Her rememberances of their relationship and the way she deals with M's death are interwoven in a way that is realistic. Unfortunately that doesn't always do much to help the reader's understanding of the story.

We know from the beginning that O is in love with M and has been for a while. Whether M returns that affection is pretty unclear for a lot of the book. What does become clear is that everyone who is important in O's life knows that she has just lost the love of her young life in a really horrible way. The support she receives from her Grandmother, who she lives with while her parents each travel separately for work; Drippy, her grandmother's boyfriend; and her mom and dad, who each return home for M's funeral and to be with O; is really wonderful. Even M's mom, who did not approve of M and O's relationship once it moved beyond a close friendship, breaks down and apologizes for trying to ban O from her house in the face of her grief.

Interwoven through the story of O and M is the story of Hannah, a runaway slave who either died in or flew over the ravine that claims M's life so many years later. At first her story, which O's grandmother told to O and M when they were little, doesn't seem to have any connection to O's grieving other than that she heard it with M and they talked about it growing up. As each story unfolds, we learn that M initiated the move from friendship to romance at the same time that we learn that Hannah fell in love with the Native American, who she calls Mine, helping her travel north to freedom. Still, I didn't necessarily feel that one story needed the other, though both were really sad love stories that ended very similarly.

This slim little volume is very complicated. The whole thing spans maybe a week at the most in O's life, really getting into her conflicting emotions and the ups and downs of her early grieving process. Though the reactions and feelings in this book are very real, I would hesitate to give it to someone who has just lost a loved one. It's almost too real to be comforting. It would, instead, be a good resource for someone hoping to comfort a grieving loved one.

Sweet Far Thing

Once again, don't read this unless you've already finished Rebel Angels. Unless you like to ruin things for yourself, in which case, go right ahead.
Bray, Libba. The Sweet Far Thing. New York: Delacorte Press, 2007.
[Book cover credit: www.librarything.com]

Awards:
Books With Bite: Teen Read Week, Teen Picks (2008)
New York Times Bestseller, Children's Series (2008)

Teaser:
When Gemma, Ann and Felicity return to Spence, construction has begun on the East Wing to restore it to its past glory. This has brought many protests from Mother Elena, which would usually make Gemma rush to the realms to check on things, but she hasn't been able to make the door of light appear since she bound the magic to herself and trapped Circe in the Temple well. Added to this frustration is a new recurring vision. One of a woman in lavender that will not speak, but whose horror and urgency are communicated to Gemma regardless.

But, as always, there are more pressing matters, such as perfecting one's curtsy for her debut before the queen, a feat which, if unaccomplished, has the potential to rob Felicity of her inheritance and her freedom. Ann must face her future life of servitude and torture at the hand of her young charges as her time at Spence comes to an end. And Gemma, who feels so trapped in her destined future of debut->balls->marriage->endless tea, must sort out her feelings. Does she desire Simon, who is still so handsome, especially now that he no longer desires her, or does she have the courage to admit that she truly desires Kartik, who is still the star of her dreams even though he has not honored his pledge of allegiance to her by returning to the woods behind Spence to be near her, woods that seem to be suddenly overfull with crows.

P.S. - The real teaser, at the end of Rebel Angels (in paperback), is a complete and utter lie. Completely and utterly. I loved The Sweet Far Thing anyway, so much so that I finished its 848 pages in roughly two days.

Saints of Augustine

Ryan, P.E. Saints of Augustine. New York: HarperTeen, 2007.
[Book cover credit: www.librarything.com]

Summary:
Charlie and Sam, former best friends, each spend the summer dealing with problems that are much too big for either of them to handle alone. They will either drown in them or learn to be friends again to get through them together.

Booktalk:
Charlie spends most of a great summer painting houses, working on his car, making out with the girl of his dreams and getting high. If he could only ignore the facts that his father hasn't left the house since his mother died and that he owes his dealer a lot of money, everything would be perfect. Almost. He could use someone besides his perfect girlfriend to talk to, and his ex-best-friend Sam hasn't spoken to him in a year.

Sam spends the summer hiding from just about everyone. When a new guy in town forces Sam to confront what he has been hiding from himself, he realizes that he could use a friend too. Read Saints of Augustine to see if Sam and Charlie can learn to trust each other again after so much has changed for both of them.

Hard Love

Wittlinger, Ellen. Hard Love. New York: Aladdin Paperbacks, 1999.
[Book cover credit: www.librarything.com]

Awards:
Lambda Literary Awards, Children's/Young Adult (1999)
ALA Best Books for Young Adults (2000)
Michigan Library Association's Thumbs Up! Award (2000)
Printz Honor (2000)

Summary:
John has been reading zines for a while, especially Escape Velocity, when he finally decides to publish his own. He stalks, then meets, then gets advice from, then becomes friends with Marisol, Escape Velocity's creator as he becomes further steeped in zine culture.

Booktalk:
John has never really been into girls; he's more into writing his zine, Bananafish. He finds inspiration in another zine, Escape Velocity, written by Marisol who he meets while both are dropping their zines off at Tower Records. After these two loners gain each others' trust and become close friends, John realizes he's finally fallen for a girl. And she's a lesbian.

The second book in the series Love & Lies: Marisol's Story is now out in hardback.