Sisters Red

Pearce, Jackson. Sisters Red. New York: Little, Brown and Company, 2010. Print.
[Book cover credit: librarything.com/work/8547268]

Booktalk:

"Versteck euch!" Oma March whispered hoarsely, pointing urgently toward her bedroom in the back of the cottage. Hide. Hide now.
...
"Schatzi, my treasures, I won't let him have you!" Oma March murmured under her breath, like a prayer. She dashed for the telephone and began dialing.
"Charlie? Charlie, one is here. Outside," Oma March whispered frantically to Pa Reynolds, the woodsman who lived down the road. "Oh god, Charlie, hurry," she pleaded.

p.4-5

But Pa Reynolds didn't make it in time, changing the lives of Oma March's granddaughters, Rose and Scarlett, forever.

Review:
Everyone was raving about Sisters Red when it came out last year, and I, ever the cynic, figured no book could live up to that much hype. So I skipped it. Even though it's a fairytale retelling of sorts. Even though it's a fairytale retelling of Little Red Riding Hood.

Sometimes I'm dumb.

Luckily, I'm willing to admit my mistakes, so when I overheard someone in the bookstore telling her friend how much she loved this book, I snuck up and grabbed a copy for myself. By "myself" I mean "my library,"* but Sisters Red is a book I would gladly spend my own cash monies on. I loved it, and my gushing while reading has already prompted a holds list, which is pretty unusual for a YA novel in my academic library. Here are just a few of the things I was gushing about:

• Scarlett is so tough. She's deadly with a hatchet and harshly truthful and fiercely loyal and secretly proud of while being secretly self-hating because of her many battle scars. She feels overwhelmingly obligated to do the work that she does, and she's good at it. She's generally kick-ass.
• Rose is so conflicted. She wants Scarlett to trust her to hunt alone, but she also wants Scarlett to need and protect her. She wants to remain half of a pair, but she also wants to break away into a different life. She's got wicked aim with throwing knives, and she holds Scarlett together when no one else can. She's generally kick-ass.
• Silas is quite literally the boy next door. As such, he's managed to win the crushes of both Scarlett and Rose over the years. But he is first and foremost Scarlett's partner; they are a team and they act like one. He also manages to be first and foremost Rose's support. He pushes Scarlett to trust Rose on the hunt, and he pushes Rose to break away from hunting and live her own life. And he does all of this without being two-faced or playing one sister against the other. He totally gets that no matter how much Rose might swoon over him or how much Scarlett depends on him, he will never be able to compete with the relationship Scarlett and Rose have with each other. So he doesn't try.
• The twist that Pearce puts on werewolf mythology is great. They're still totally evil people-eaters (unlike some other werewolves you may be familiar with), but they're not the werewolves of B-rated horror films (or Harry Potter) either. How she weaves the girl in the red riding hood into this mythology made me giddy. She's created a werewolf that is, a lot of the time, victim to his own senses and sensations. In showing how Scarlett and Rose manipulate these monsters, she completely immerses the readers in a rich fantasy: the one that Scarlett and Rose (with help from Silas) nightly create. 
• None of this compares to the twist Pearce has put on the ending of her own story. I thought I had it figured out about halfway through the book, then I lost it, then I figured it out again, but by then things were so complicated that I didn't know how Scarlett, Rose, and Silas were going to pull it off.

Seriously guys, I loved this book. The opening hook worked like a charm, and by the end, I was reading with my heart in my throat. I was so invested in these characters. Pearce's second book, Sweetly, came out last month. I will not be skipping it.


Book source: bought it for and then checked it out from work!


* And, of course, i couldn't just get one book... They'll never let me out with the library credit card again.

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Texas Gothic

Clement-Moore, Rosemary. Texas Gothic. New York: Delacorte Press - Random House Children's Books, 2011. Print.
[Book cover credit: librarything.com/work/10612398]

Booktalk:
When Amy agreed to ranch-sit for her aunt, she envisioned a quiet, normal summer relaxing and feeding the goats. Unfortunately, her sister Phin, along with all of Phin's half-magic half-physics experiments, are also spending the summer at Aunt Hyacinth's ranch. And the goats climb trees. Amy has been balancing her normal self and her white magic family her whole life, so she's not going to let Phin and some misbehaved goats ruin her summer. The ghost that's taken a liking to her from the next ranch over, on the other hand...

Review:
There are two things that Clement-Moore does fantabulously: community and swoony guys. The ranch town in which Amy and Phin are spending their summer is great. It's not the setting, really, that's great; it's the people in it. They make this small town believable. There's the crazy grandad, the close-minded town folk, the local pothead, the nerdy college students, the local "royal" family, and the brooding son of those royals. We don't get to know all of these characters well; this is not a crowded book. And yet, these are not stock characters. Altogether, they are the town. They give the town a feel and a history. They make it a place. The town bar and the community picnics are just where they hang out.

And then there's the guy. Le sigh. Now, I'll be the first to admit that I have a weakness for rugged folk who wear cowboy hats unironically. But even if that's not your thing, this guy is sooo great. Ben McCulloch, literally the guy next door, is so swoony and angsty and responsible and gentlemanly. I fell for him, and hard, long before Amy figured out why Ben made her feel both frustrated and fluttery at the same time. Mark, one of those nerdy college students, isn't so bad either. His sweet and awkward flirting with Phin is so cute! The best part about both of them, though, is that they are both completely devoid of cheese. There is no heavy-handed romance talk or gazing into one another's eyes.

So the guys and the cast of characters are what made Texas Gothic great for me. Amy and Phin's relationship, the complicated ghost story, the small town rumors and legends, and the ranching drama were all added perks for me. These aspects of the story were just as strong as the ones I loved, and they might be what makes this a great book for you.


Book source: Philly Free Library

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Almost Perfect

Katcher, Brian. Almost Perfect. New York: Delacorte Press - Random House Children's Books, 2009. Print.
[Book cover credit: librarything.com/work/8205913]

Awards:
ALA Best Books for Young Adults (2010)
ALA Quick Picks for Young Adult Readers (2010)ALA Rainbow List (Fiction, 2010)
ALA Stonewall Book Award (Children's and Young Adult Literature, 2010)

Booktalk:

     She turned to me. "Hi," she said. "I'm Sage Hendricks."
     Sage had a deep but sexy, feminine voice, the kind you hear on ads for 900 numbers. I waited for her to say something else.
     "Dude," whispered Tim, jabbing me with a chocolaty finger. "Your line."

p.18

As soon as she walked through the classroom door, Logan became enamored with Sage. But love is seldom without complications, and Sage's hard-to-get act is hiding a doozy of one.

Review:
Almost Perfect, how do I love thee? Let me count the ways.
I love thine characters in their complexity and their completeness,
From their talk of motorboating to their genuine concern for each other
They make me think of actual teenagers rather than teen-aged "types."
I love Tammi's fierce love for her sister, masquerading as aloofness:
Most quiet need to protect and hope at the same time.
I love Logan's mother, who has done her best in trying circumstances.
I love Logan's cool and supportive older sister (who tries to help him get laid).
Logan, I love thee. Insecurities and bravery and insecurities again
In situations never expected, and with grace unmatched by peers.
I love every characters' flaws; none is the pinnacle of righteousness or political correctness.
Sage, the object of Logan's affection and mine, shines as brightly as her braces.
She lives in the belief that the world can be better and love worth the risk;
And, if God choose, she is right.*


Seriously guys, this is an amazing book, and Brian Katcher is an amazing author.** That might explain why I've been waiting for my turn to read it from the library since it was announced as the winner of the Stonewall in January. It was more than worth the wait. Everyone has talked about the Big Issue that Almost Perfect addresses, but I have yet to see someone talk about how the issues (more than one, even) are in perfect balance with the flirting and the humor and the sexiness and the teenage-guy-ness of the book as a whole.

I loved it. You probably will too.


Book source: Philly Free Library (but I'm gonna go buy my own asap)


*  To Elizabeth Barrett Browning, I extend my greatest thanks for the inspiration. And my apologies.


** And also a practical genius! The standard has been set, folks, any author's note containing lists of websites that offer support to queer or genderqueer or drug addicted or suicidal or [insert thing you don't want your parents to know about here] kids should also contain detailed instructions for how to clear your cache history.

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Guardian of the Dead

Healey, Karen. Guardian of the Dead. New York: Little, Brown and Company, 2010. Print.
[Book cover credit: librarything.com/work/8574661]

Awards:
ALA Best Fiction for Young Adults (2011)
William C. Morris YA Debut Finalist (2011)

Booktalk:
Ellie can't seem to get control of her life lately. She's let her best friend Kevin "convince" her to drink on school nights and even to let him sleep in her room. She's made a fool of herself in front of the guy of her dreams, Mark (did she somehow mistake her secret fantasy that he actually wanted to interact with her for real life?). She's even starting to get along with Iris, Kevin's other best friend. And, as if that wasn't bad enough, she has a nagging feeling that the Eyelasher killings that have been terrorizing the North Island have something to do with her. This feeling goes way beyond the connection that everyone who's lived on the North Island feels to the murders, and that feeling might have something to do with Mark. Unless that's just her fantasy life invading reality again.

Review:
There is a lot to love about Guardian of the Dead. Here's the shortlist:

• a smart, kind of nerdy heroine
• the freedom/restrictions of boarding school
• use and explanation of Maori myth (by a white author who has the balls to point out in the text the colonial nature, possible inaccuracies, and just plain wrongness of Maori myth written down by white people)
• high school use of a university library, because serious shizz calls for serious research
• patupaiarehe (fairy-type creatures), one of whom is Titiana in Iris's production of A Midsummer Night's Dream -- because I'm not the only one who likes art to imitate life
• casual treatment of varying sexualities*
• a hottie who is half-Maori, half-...well, something else

and I could go on. But do you want to know what I loved the absolute most about this book? The ending. I won't go into detail (or talk about the "action" ending) because I don't want to ruin it for you (cause oh-my-gosh is it cool), but I can still tell you why I love this ending.

Things go crazy, Ellie falls in lurv which may become love in the future, and Ellie and love-interest have to save the world. It's life-changing, obviously, but Ellie doesn't let it derail her life completely. She doesn't possibly blow off her art school application or get married right out of high school or ditch her best friend in the face of tru lurv and harsh circumstances or even, and this is the big one, drop out of school in order to save the world which apparently cuts off the possibility of being a brilliant academic and instead becomes a mostly silent side-character.**

Instead, Ellie keeps going, gets excited about going to college and majoring in Classics, and tells love-interest that she'll visit him when she's on break. She simply takes all that she's learned from these life-changing events with her, because that's what smart girls do.

So, if you want to read an urban fantasy (a little light on the urban grit) or paranormal romance (a little light on the romance) that's headed by a smart girl, this is your book. It's also your book if you want to read the Maori Percy Jackson equivalent, a good boarding school romp, a murder mystery, a different kind of fairy book...


Book source: Philly Free Library


*How often do you see YA books with a teen character who is asexual? Not often. I'm not going to lie and say it's not a big deal at any point, but it is not THE big deal. And it is not a problem ever, except to the people crushing on the character. :)

**Was this anyone else's take-away message from Hermione's whole 1 or 2 lines in that horrible epilogue?!? I know Ginnie's important and everything, especially cause she's the mother of Harry's children, but why does she get all the speaking parts? Since when does Hermione let everyone around her do all the talking?

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Please Ignore Vera Dietz

King, A.S. Please Ignore Vera Dietz. New York: Alfred A. Knopf, 2010. Print.

[Book cover credit: librarything.com/work/9822588]

Awards:

ALA Best Fiction for Young Adults (2011)

Edgar Award Nominee, Young Adult (2011)

Printz Honor (2011)

Booktalk:

Kid bullying you at school? Ignore him. Girl passing rumors? Ignore her. Eighth-grade teacher pinch your friend's ass? Ignore it. Sexist geometry teacher says girls shouldn't go to college because they will only ever pop out babies and get fat? Ignore him. Hear that a girl in your class is being abused by her stepfather and had to go to the clinic? Hear she's bringing her mother's pills to school and selling them to pay for it? Ignore. Ignore. Ignore. Mind your own business. Don't make waves. Fly under the radar.

p.43-4

And while you're busy taking that advice and ignoring everything else that's going wrong, Please Ignore Vera Dietz too.

Review:
Ever since her best friend Charlie died, Vera's had a hard time dealing with life. Wait, back up. Ever since Charlie ditched Vera for the detentionheads (and THEN died), Vera's had a hard time dealing with life. And her dad, the biggest proponent of the "just ignore it" philosophy, is slow to notice, or at least slow to show Vera that he's noticing. And somehow Vera is stuck living life as a full-time high school student/full-time pizza delivery technician.

Even describing the book is a little confusing and wrapped up in itself. But King pulls it off in a way that only she can, by allowing the pagoda on the hill (yes, a building), Vera's dad, and Vera's dead best friend to all weigh in, along with Vera herself, on Vera's life. Through their joint narration, we get a glimpse of the real Vera (and the real Charlie and the real Vera's Dad). They're all flawed. There are no knights (or supernatural beings of your choice) in shining armor here. They're all just trying to make it through. Even Charlie, who is doing so from beyond the grave.

Though this is part mystery (we know Charlie's dead, but we don't know how or why), part "issue" book (Vera drinks a lot, much to the concern of her recovering alcoholic dad), part dangerous relationship (1-Vera's crush is in his twenties. 2-the flashbacks contain a guy who wants to take grade school Vera and Charlie's pictures. 3-Vera is herself the product of a young high school romance gone wrong), it is mostly a darkly funny book about grief. Everyone, except maybe the pagoda, is grieving someone. It's the way that they each deal with their grief, Vera and Charlie over the loss of each other and their friendship, Vera and her dad over the abandonment by Vera's mom, that makes this such a compelling book. There is plenty of the weird, the funny, the snarkiness, and the romance to keep the book fun, but it is the way that Vera et. al. deal with the more serious aspects that made me care about them.

It sounds all over the place, and I wish I could write a more coherent/convincing review. You'll just have to trust me that Please Ignore Vera Dietz is one that you really should pick up. Either that or check out the multitude of positive reviews already out there. We can't all be wrong.


Book source: Philly Free Library (Though I've finally convinced my director that as an academic library that (1) religiously collects Newberry and Caldecott winners/honors and (2) is serving a school with a Master of Education program that has a high school English track, we should also collect Printz winners/honors, so we have a copy at work too!)

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One Crazy Summer - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. This week's book is:


Williams-Garcia, Rita. One Crazy Summer. New York: Amistad - HarperCollins Publishers, 2010. Print.

[Book cover credit: librarything.com/work/9160752]

Awards:

National Book Award Finalist, Young People's Literature (2010)
Coretta Scott King Award, Author (2011)
Newberry Honor (2011)
Scott O'Dell Award for Historical Fiction (2011)

Booktalk:

     Mother is a statement of fact.
...
     Mommy gets up to give you a glass of water in the middle of the night. Mom invites your friends inside when it's raining. Mama burns your ears with the hot comb to make your hair look pretty for class picture day. Ma is sore and worn out from wringing your wet clothes and hanging them to dry; Ma need peace and quiet at the end of the day.
     We don't have one of those. We have a statement of fact.

p.14

It is not without a little trepidation that Delphine boards a plane with her little sisters to visit their mother in Oakland, California. When they get there, they're presented with a single room to share and told to walk themselves to get their own Chinese take-out for dinner. The end of their 28 day stay could not come soon enough.

Review:
This is a book that I want to tell you all about in quotes, because even in soundbites, it's so so good.

     My sisters and I had stayed up practically all night California dreaming about what seemed like the other side of the world. We saw ourselves riding wild waves on surfboards, picking oranges and apples off fruit trees, filling out autograph books with signatures from movie stars we'd see in soda shops. Even better, we saw ourselves going to Disneyland.

p.3

But they don't go to Disneyland just like they don't find a Mom or a Mommy in Oakland. They go to Black Panther Summer Camp. Delphine, Vonetta and Fern learn about the movement, about the Panthers themselves (who they've only seen in news stories), and about each other. Delphine, the only of the three who remembers her to begin with, also gets to learn about the mother that abandoned them.

But, as Liz B. points out, this isn't necessarily a book about the Black Panthers or the 60s or even finding a mother. This is mostly a sister book. There's Fern, the baby, who has carried around a (white) baby doll for as long as anyone can remember and is always ready to throw out a "surely" in support of her sisters. Vonetta constantly seeks attention like the middle child she is, and she's desperate to make friends with the most fashionable girls at camp, even at the expense of her sisters. Then there's Delphine. She promised her Pa she would take care of her older sisters, like she always has, and it's her job to keep them out of trouble (and keep them from killing each other). She's saved up money to pay the fines on the books she checked out from the library to read to her sisters each night before bed. She plans activities for the three of them to do in order to make the most of their trip to California (I looked forward to their field trip to San Francisco almost as much as Delphine did). She tries to stand in between her sisters and her mother; she remembers how crazy her mother can get. She's the leader.

     She gave another "Hmp" and a headshake. "We're trying to break yokes. You're trying to make one for yourself. If you knew what I know, seen what I've seen, you wouldn't be so quick to pull the plow."
     I sort of knew what she meant, but someone had to look out for Vonetta and Fern while we were here.
     I stacked the plates in the sink and ran the hot water.
     "It wouldn't kill you to be selfish, Delphine," she said, and moved me out of the way to wash her hands. Then she went back to praying over her puzzle pieces.

p.110

It's Delphine, Vonetta and Fern, their relationship and interactions, that drive the story. They help each other get through what looks like a horrible situation until it becomes kind of fun. Together they're the Gaither sisters. They finish each others sentences, each knows just how to get under the other two's skin, and though they take sides two against one all the time, they all always stand up for each other in the end.

Though the story is, clearly, centered around Delphine and her sisters, the "supporting cast" is fleshed out and important. There are tons of people at the People's Center while the girls are at camp, but their teacher Sister Mukumbu, who Delphine recognizes as a "real teacher" right away, lends the tiny bit of normalcy that Delphine needs to settle into the camp and Oakland. There's also a boy, Hirohito. Though it's no where near a major storyline, I loved the awkward crushing that went on all around him. And, of course, there is the girls' mother. As the story progresses, she becomes more of a real person than the dismissive, nervous woman who picked them up (late) from the airport. We also find out just how much Delphine remembers about her and how much she misses having a mother (even if she won't admit it). The relationship between Delphine and Cecile (their mother) is built on more understanding than either of them want to admit, and watching it unfold was one of the most moving parts of this story.

Overall, One Crazy Summer was a wonderful book and totally deserving of it's numerous awards! It has it all: history, humor, emotion, drama, and annoying but lovable little sisters!


Book source: Philly Free Library


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The House You Pass on the Way

Woodson, Jacqueline. The House You Pass on the Way. New York: Speak - Penguin Group (USA) Inc., 1997. Print.
[Book cover credit: librarything.com/work/248239]

Awards:
ALA Popular Paperbacks for Young Adults, GLBTQ (2006)
Lambda Literary Award, Children's and Young Adult (1997)

Booktalk:
Staggerlee has never had many friends. Her classmates think she's stuck-up, her ex-best friend ditched her when she found out about Staggerlee's famous grandparents, even her older brother, Charlie Horse, has left home and Staggerlee to go to college. Now, at least for the summer, she has Trout. Will she, too, leave Staggerlee behind? Staggerlee, who always stays in The House You Pass on the Way to somewhere else.

Review:
I'm always amazed by how quickly I get sucked in to Jacqueline Woodson's books. The House You Pass on the Way is barley over 100 pages, and yet it is full of growth, a well-rounded cast of characters, and so  much emotion. It even covers enough time to be both a little bluesy and a little hopeful at the same time. It's the perfect book for a rainy afternoon.

Staggerlee is kind of a loner, and, for the most part, she likes it that way. It gives her space to think and to play her music. In a town that is mostly Black, her mother is white. The statue in the center of town is of her grandparents, and it marks Staggerlee and the rest of her family as "special," something her classmates see as "better than." Also, we find out early on, Staggerlee was in love (in a sixth grade kind of way) with her ex-best friend Hazel. She has no words to describe the feeling she had for Hazel, but she knows she should keep them a secret. She feels different and out of place in her small town.

She looked so different from everyone. Her clothes, the thick-soled hiking boots, her hair. And she felt different too--off-step somehow, on the outside. What did it sound like, Staggerlee wondered, having someone call your name across a crowded school yard? How did it feel to turn to the sound of your name, to see some smiling face or waving hand and know it was for you and you alone?

p.43

And this is where Staggerlee's cousin Trout comes in. They understand each other in more ways than they could have predicted at the beginning of their summer together. They spend that crazy, transformative summer between middle school and high school together, and they each gain from the other the strength to figure out who they really may be.

Though the circumstances may not be universal, Staggerlee's feeling of being on the outside is something just about everyone has experienced at one time or another, and her friendship with Trout, the way it helps Staggerlee to define herself and the vulnerability that creates, is beautifully rendered in the text. Even though The House You Pass on the Way can be read as an overall sad book, the melancholy is never overwhelming. And the writing, oh the writing, is so lyrical, emotional, and just plain gorgeous.



I can't remember who suggested this book on the yalsa-bk listserv. I also can't remember if it what suggested to someone looking for books about African American teens in non-urban settings or someone looking for LGBTQ titles. The House You Pass on the Way would fit nicely on either list (yay!).


Book source: Philly Free Library




Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

I Am J

Beam, Cris. I Am J. New York: Little, Brown and Company, 2011. Print.
[Book cover credit: librarything.com/work/9923971]

Booktalk:
Coming out sucks. Whether you're coming out as someone who eats peanut butter out of the jar (and double dips), kind of likes Taylor Swift's new album, or is some permeation of queer, admitting that you fall outside of what everyone around you expects is awkward, emotionally draining, and often terrifying to think about.* Sometimes it just seems easier to go live your life somewhere far away where no one will know you as anything but a queer Taylor Swift loving peanut butter fiend. That's why when J decides that he has to bite the bullet and start living life as the man he knows he is inside, he runs away. His Puerto Rican Catholic mother and his super-macho dad will never understand or accept him. Better to start over on the other side of town.

Review:
I was a little scared of this book. I knew that Beam had it in her to realistically portray the transgender experience, so my expectations were super high. I also knew that a book like this has the potential to be filled with well-meaning stereotypes in order to present the most inclusive picture: of trans folk, of Puerto Rican New Yorkers, of the dream of being a "real boy," and more. I loved this book. J really rang true to me as a character and as a transguy, and his experiences, though not universal (thankfully not everyone has to move out or change schools in order to transition, though some undoubtedly do), were realistic. I Am J was everything I hoped it would be.

But I did have a couple of problems. I found it hard to believe that J, who has been looking around on the internet for information and support since he was eleven, hadn't heard about T (testosterone injections) or a (chest) binder until he was seventeen. I'm willing to let that go as it allows the reader to learn about these things at the same time that J does. I don't think it would have been such a problem if the book wasn't so obviously written by someone who, like J's support group leader, "talk[s] about the 'gender binary' and 'those of trans-masculine identification' as easily as reciting the alphabet" (243).** There were so many terms and concepts, including terms that confuse J, that were not defined in the text. A couple of them were even written in abbreviated forms, something that gives me hope that they'll be fleshed out and this won't be an issue in the final copy. Still, Beam is a very very knowledgeable woman, as evidenced by her previous work of non-fiction Transparent. She seemed to have a difficult time balancing her wealth of knowledge with the naiveté of her narrator.

I'm also hoping the list of resources at the back of the book will be more complete in the final copy. I don't think anyone could put together a concise list of resources on any topic, but especially a fairly new (to the public) one like this, that every reader would find complete. That said, I was still dismayed to see only female-to-male resources, especially as the separation between ftms and mtfs is bemoaned by Beam's characters. I was also sad to see TYFA (Trans Youth Family Allies) left off the list. Though their main focus is on kids much younger than J, the ladies at TYFA are rockstars at convincing school administrators of the necessity of single-serve, gender-neutral bathrooms for the safety of all students, not just those that are transitioning. Though bathroom issues are only briefly touched on in I Am J, they are some of the most distressing of day-to-day concerns for many gender-variant people, and organizations or websites that help gender-variant youth deal with these problems belong, in my opinion, on the list of resources in the back of this book.

This may look like more criticisms than praise, but it's really not! I loved I Am J, and I applaud Beam for taking on the issue of transitioning in the context of cultural and familial expectations, and the fallout from not meeting those expectations, in an accessible and authentic way. Not to mention that she wrote a pretty great story of a teen trying to find his direction and place in the world, regardless of all the issues that J has to deal with. I think this is a must buy for libraries serving youth; it's Luna for the guys.


I Am J comes out March 1st!


Book source: ARC provided by the publisher.


* By the way, now you know all my secrets.


**Quotes and page numbers are from an uncorrected proof and may not match the published copy.


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Will Grayson, Will Grayson

Green, John and David Levithan. Will Grayson, Will Grayson. New York: Dutton - Penguin Group, Inc., 2010. Print.
[Book cover credit: librarything.com/work/8463786]

Awards:
ALA Best Fiction for Young Adults (2011)
Stonewall Book Award for Children's and Young Adult Literature, Honor (2011)

Booktalk:
Somewhere far away, in an alternate universe or something, there might be another you who is a lot like you but also a lot different. I mean, he's not really you. But what if that other you was only on the other side of Chicago? And then he started dating your best friend? Welcome to Will Grayson's life. When he meets will grayson in a porn shop, a simple name mix-up is the least of his problems.

will grayson is in a panic when he goes to meet his internet boyfriend in chicago. the only thing worse than realizing that they're supposed to meet at a porn shop is having his name yelled out from the front counter...but not at him. and so he meets owg (other will grayson) and owg's best friend tiny cooper who might just have a thing for sad freaked out guys sitting on the curb outside a porn store.

Review:
To echo so many that have come before me, this book is full of awesome and I loved it! I have never not become obsessed with a John Green guy (where were these guys when I was in high school?!?), and his Will Grayson did not disappoint. He was classic nerd/cool/snarky/insecure/intelligent/good guy. This is the first fiction by Levithan that I've read, and it was a great intro into his work. His will grayson was horrifically depressed throughout most of the book, but he was still funny and mean and self-deprecating in a way that insults everyone and, you know, hiding his soft gooey center behind all his built up toughness. The secondary characters in each of their separate lives were relatively well-fleshed out for how important they were to both the story and their respective WG. The fact that will grayson's friends are kind of one-dimensional says more about will than it does about Levithan; the reverse is true for Green and his Will. And the one character they share, Tiny Cooper, is always larger than life.

Tiny Cooper is fabulous. He's a bit self-centered, but he's also all over the place for his friends. It all revolves around him, but he wants them there and involved, not because he wants them to witness his fabulosity but because they mean the world to him. But here is how Tiny is always described:

Tiny Cooper is not the world's gayest person, and he is not the world's largest person, but I believe he may be the world's largest person who is really, really gay, and also the world's gayest person who is really, really large.

p.3

That's fine, but it immediately reduces Tiny to a caricature of himself (or the guy from Mean Girls). And they do it over and over again. Every time someone mentions him, sees him, thinks about him, even apologizes to him, they reference his size, and not just his height, they gotta throw "300 pounds" in there or something. Calling your best friend (or your boyfriend) fat all the time as if that's his only personality trait (or is even a personality trait to begin with) makes people cringe a little. Tiny has the illustrative joy of being both big and gay, something that is used a lot to describe people's personalities without any irony at all, as if that's even a personality trait to begin with. It's not as obvious as, say, the new "That's So Gay" ads (which I love for their obviousness, but it only works because it's 30 seconds and not 300 pages), but the message is there without the feeling that there is a Message or Important Lesson.

And this book, secret lesson and all, is hilarious. It is embarrassing to read on public transportation hilarious. And there's a musical, written by Tiny Cooper about his life. And there's tender first love (complete with Green's trademark awkwardness) and crushing first heartbreak (complete with Levithan's snarky gloom and doom). And there's bad emo poetry that is recognized as being bad emo poetry. And the WGs have some of the best parents in YA I've seen in a while. And if you need more reasons than this to go pick up Will Grayson, Will Grayson, well then, I don't think we can still be friends. :)


Book source: Best Christmas present ever!


Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Princess of Las Pulgas

McKenzie, C. Lee. The Princess of Las Pulgas. Lodi, NJ: Westside Books, 2010. Print.
[Book cover credit: librarything.com/work/10735832]

Booktalk:
After the death of her father, Carlie's mom has to sell the beach-front home that Carlie and her brother grew up in and move the family to low-income Las Pulgas, literally The Fleas. Carlie is unwilling to fit in with the kids at her new high school, embarrassed to let her old friends see her new reduced circumstances, and unable to hold a real conversation with her mom or her brother. Even her cat runs away leaving Carlie completely alone. The only thing she has left are the memories of her father's advice in her head.

Review:
Poor Carlie. After watching her father slowly die of cancer, a move across town might seem trivial; upsetting, but trivial. Fights with her mom, not getting asked out, rude neighbors, or a "pushy" English teacher (in the Tina Fey Mean Girls way) might also seem trivial. But all together? Carlie is helplessly watching her life fall apart around her.

Carlie's main problem with her new life in Las Pulgas is all the "poor people," as she sees them. Almost everything she dislikes about the people around her can be attributed to, in Carlie's mind, the fact that they are poor, or at least more poor and classless than the people she new in Channing. Even though Carlie and her family are in Las Pulgas because of financial problems, she doesn't see anything that she could have in common with her new neighbors and classmates. She puts on a tough front, but it's pretty obvious (to everyone) that she's just scared. McKenzie portrayed this beautifully. Even though we see the whole thing from Carlie's point of view, we can see (though Carlie cannot) that the people she interacts with in Las Pulgas can see that she's just trying to make it through without ever trying to fit in. She holds herself apart both because she feels she's better than those around her and also because the kids at her high school terrify her, something they pick up on all too easily. Eventually she makes a couple friends, but there is no Big Lesson about class consciousness. ::sigh of relief::

And through all of this growing and learning on Carlie's part, there are play rehearsals. The junior class is putting on Othello, and Carlie has been cast, against her will, as Desdemona. Opposite smokin' hot Juan. And Juan, very sweetly, refuses to take Carlie's crap. He calls her out on her assumptions about her classmates and about him. He drives her nuts (in good and bad ways), but he also protects her from some of her other, scarier, problems at Las Pulgas High.

For a while, this pile-up of problems distracts Carlie from the pain of losing her father. It's not as though she forgets about him or even stops being sad. She's just dealing with all of this other things first. But her father's advice keeps sounding in her head telling her to be strong, something she doesn't know if she can do anymore. When she finally faces her feelings about her father (with the help the scene in which Desdemona must say goodbye to her father), it is so real. Spoiler: And I love that she is mad at him for dying at the same time that she feels guilty for wanting him to die in order to end his pain. Anger towards a deceased love one, simply because they're gone, is something that is not shown all that often, though it is somewhat normal. Carlie doesn't rage against God, she rages against her father in the course of her grief.

The Princess of Las Pulgas is an honest look at how Carlie deals with huge upheavals in her life, both a huge change of lifestyle and the death of her father. It still manages to be a suspenseful, romantic, and uplifting read.



The Princess of Las Pulgas is available for purchase now!


Book source: ARC provided by the publisher.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

The Girl Who Could Fly for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. This week's book is:


Forester, Victoria. The Girl Who Could Fly. New York: Square Fish - Feiwel and Friends, 2010. Print.
[Book cover credit: librarything.com/work/4147503]

Booktalk:

"I'm a flier," she whispered and felt a strong sense of relief and pride. It felt so natural to be in a sky full of clouds and have birds flying past. Like a homecoming. She also noticed that flying up high made all of the things she left behind on the ground seem not as important. They were so small, after all, and the sky was so big.

p. 24

But things on the ground have a way of catching up with Piper McCloud. Eventually her special talents land Piper a spot in the prestigious, yet unheard of, I.N.S.A.N.E.. And even though Piper is exceptional and anything but normal, she goes to the Institute of Normalcy, Stability, And NonExceptionality in the hope that she'll finally have a place where she can be a flier and still fit in.

Review:
If you can't tell from the above quote, The Girl Who Could Fly is a beautifully written book about an introspective girl. Except that this introspective girl also has a bit of a temper, an inability to lie convincingly, and the bad habit of sticking up for what is right even when it has the potential to ruin her. I loved reading this book. Piper's adventures at I.N.S.A.N.E. were both the normal kinds of things a young girl who has never been allowed to attend school might have (if you've never seen a bully, how do you react to a mega-bully in a mixed-age classroom?) and the kinds of things that you'd expect to happen at a school for kids with superhero abilities.

Before things go south at I.N.S.A.N.E., Piper is the poster child for doing what she's told and standing up to bullies, or kids who like to electrocute littler kids, just as an example. Having grown up on a farm with only her parents for company, Piper is in many ways older than her 10 years. This might be a problem for some readers, especially when Piper waxes poetic about how they should all have goals in life and take the hard road as long as it's the right one. But Piper is just so genuine that I couldn't manage to be bothered by it. Her conviction (some might call it stubbornness at times) comes through the page, and it's easy to see how the other kids can go along with her, even when they think she's a little odd.

Unlike similar books, TGWCF has some more fantasy to it. Each of the kids at I.N.S.A.N.E. has some kind of special ability, each of which is important to the story and important to their plans. Other than their abilities (and little bits of backstory), many of the other kids are pretty one-dimensional. Still, Piper manages to make friends, and those friends are fully realized characters. This book definitely has a lot of precocious kid elements to it, especially when the kids all start working together. I think it will be a good fit for fans of the Lemony Snicket books or The Kneebone Boy.


Book source: I bought it.


Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

My Invented Life

Bjorkman, Lauren. My Invented Life. New York: Henry Holt and Company, 2009. Print.
[Book cover credit: librarything.com/work/8212420]

Booktalk:
Roz and Eva have always been best friends as well as sisters. Secrets, giggles, pillow fights, the works. Sure, Roz has always lived in Eva's shadow, but it's an impressive shadow so she doesn't mind too much. That was before Eva removed Roz from her life. Now, PD (Post Deletion), Eva is doing a pretty good job of pretending Roz doesn't exist, and Roz thinks she knows why. Eva MUST be a lesbian and she MUST be terrified of coming out. Even though Eva is being horrible to Roz, she wants to do something nice for her, to help her. So Roz pretends to be a lesbian and comes out at school, both to show Eva how it's done and to snag a bit of that spotlight for herself.

Review:
I checked out My Invented Life after reading Libyrinth and being overjoyed at reading about a queer character with friendS. It seems like such a simple thing, to give a queer character more than one friend and/or a friend who is NOT another queer character of the opposite sex so that none of the real life problems of one-sided-lovey feelings between friends get in the way of the story arc. My Invented Life was suggested (by the awesome MissAttitude) as another book featuring queer teens with (gasp) friends of both sexes and multiple sexualities. On that basis alone, this book is already a win!

My Invented Life is a modern retelling of Shakespeare's "As You Like It," but instead of mistaken genders, we have mistaken sexualities. In case you don't get that similarity right away, the characters are also auditioning and rehearsing for a school showing of the play. Much of the book takes place in the big barn behind the school where the theatre geeks hang out and practice. The characterizations of the drama club crowd are pitch-perfect. The major players range from Eva, popular cheerleader who always gets the lead, to Eyeliner Andie, the showy goth chick with the super-skinny, shy boy toy. Amazingly, up until Roz decides to pretend to be queer, there doesn't appear to be any other non-hetero folks in the group.

Right before auditions, this tight-knit group (which also includes Roz and her arch-nemesis Carmen) is joined by the drama teacher's nephew, Jonathon. He's new (read: automatically crush-worthy for most of the group), has done something that has gotten him kicked out of his parents house (mysterious bad boy with a serious chip on his shoulder), and African-American (a fact which seems to surprise only Roz). Roz lays claim to him on the basis that he's her next door neighbor, she's the drama teacher's favorite, and she could use a friend. Coming out does not go as she hoped. She gets attention, RoZ iZ a leZ on the bathroom wall, but not the outpouring of love and support she was hoping for:

"None of my friends hugged me, not even once." We theater geeks touch a lot -- hug, polka around the room, and smoosh cheeks together for pictures. ..."They probably though I would fondle their breasts."

p.63

So Roz starts a campaign to educate her classmates about the Kinsey Scale and to make them accept her as a lesbian. For Eva's sake, of course. Even though Eva still won't admit that she's queer (no matter how much Roz tactlessly badgers her about it), Roz keeps up the facade. She and Eva begin to bond again over The L Report (Roz's nightly updates on her "experiment" with lesbianism), Roz gains some new friends (including Jonathon and Eyeliner Andie) and a new understanding of what all those people online mean when they say "sexuality is fluid," and secrets come out of the woodwork and from all directions.

This is a cute story with an engaging and memorable cast of characters and a predictably happy ending (if you're familiar with "As You Like It"). It's also a great book about being the only "one" in a crowd, whether by "one" you mean POC, queer, poor kid, goth, whatever.


Book source: Philly Free Library

Buddha Boy

Koja, Kathe. Buddha Boy. New York: Frances Foster Books - Farrar, Straus and Giroux, 2003. Print.
[Book cover credit: librarything.com/work/91406]

Awards:
BCCB Blue Ribbon Book (2003)
Book Sense Summer Pick Teen Readers (2003)
ALA Best Books for Young Adults (2004)
ALA Popular Paperbacks for Young Adults - Religion: Relationship with the Divine (2007)

Booktalk:

"What is that?" from Megan in her usual drama-queen way: but it was a sight, really, this skinny bald-headed kid in a size million T-shirt, backpack humped and lumpy as a turtle's shell, making his way across the cafeteria like a rabbit crossing the freeway: this way, that way, looking all around. "An exchange student? From Mars?"

p.5-6

But Jinsen is no alien. He's just a new kid with an outlook on life that differs from everyone else at Rucher High. Associating with Jinsen, quickly dubbed "Buddha Boy," would be social suicide, which is why Justin is dreading their new group assignment, the one that requires him to meet Jinsen at his house after school. But  Justin and Jinsen have more in common than they think and, social suicide or not, Justin finds himself standing up for Jinsen, even when he won't stand up for himself.

Review:
Buddha Boy reminded me a lot of What Happened to Lani Garver. It has that same feeling of hurtling towards disaster running along in the backgroun of the whole thing. In the forefront, however, there is a great story about Jinsen and Justin. Jinsen seems not to care what anyone thinks of or does to him. Good thing, too, since he dresses, looks and acts odd, none of which gets him a bunch of friends. He practically invites kids to bully him when he starts to beg for lunch money in the cafeteria. Most of the kids do just that, either actively by throwing pennies or worse or passively by ignoring Jinsen altogether. Justin, instead, asks him why he's different.

The two boys have more in common than Justin had originally thought; they are both artists. Koja's use of language, especially when describing the boys' artwork, is beautiful. You can really see the works of art that Justin and Jinsen are creating as you're reading. Stemming from that, the rest of the book is simply lyrical. The story, even though it is set in a contemporary high school and deals with some pointedly cruel bullying, has the far away feel of a fairytale. Justin tells this story and it somehow manages to feel like it's happening in the present tense and like it's already happened at the same time. Regardless of the subject matter, it's beautiful. When you add Jinsen's attitude and actions, and the way he affects and changes Justin, the whole thing is really breathtaking.

I only had one complaint, and it's not exactly a deal-breaker. During the course of Justin and Jinsen's growing friendship, Jinsen explains a few things about Buddhism, but mostly smiles and lets Justin figure things out for himself. Jinsen lives by example. This is great and fits well with his reaction to the bullying in the story, but I did wish every once in a while that Jinsen would give a straight answer to Justin's questions. There doesn't seem to be a lot of young adult fiction dealing with Buddhism,* so it would have been nice for this one to be a bit more informative.

I loved Koja's writing and have since picked up a few of her adult books from the library just to get more of it (in addition to special ordering Under the Poppy).



Book source: Philly Free Library


*Or at least I couldn't find very many. I really wish librarything or goodreads allowed boolean searching...

Five Flavors of Dumb

John, Antony. Five Flavors of Dumb. New York: Dial Books - The Penguin Group, 2010. Print
[Book cover credit: librarything.com/work/9872355]

Awards:
Schneider Family Book Award, Teen (2011)

Booktalk:
Have you ever had one of those moments where you fly off the handle a little and tell everyone just how dumb they are, how they're doing everything wrong, and how you could do it better? Piper has. But instead of being told to shove it after telling off the lead singer of Dumb, the most recent winner of a Battle of the Bands competition no one's ever heard of, she's offered the position of band manager. Now Piper, who knows nothing of rock music having lost most of her hearing at an early age, is in charge of promoting and controlling the bands' members, so different that they amount to Five Flavors of Dumb.

Review:
I've known more than my share of garage bands and "artistic" types in my life (Hi guys!), and I loved how John showed off the different types of high school musicians (I'd say stereotypes, but these folks are real, dude). First there is Will, the bass player. Like all bass players, he's an enigma unto himself. There's Tasha, the angry grrl guitar player who is in love with Will. Ed, a classical musician, plays the drums and basically adds the stability of years of musical training to the group. Kallie's hot. Girls want to be her and guys want to do her, and every band needs someone like that, right? And then there's Josh, the lead singer. He's all ego and jumping around and hogging the spotlight. And wanting to do Kallie. He also hires Piper, who is in way over her head, in the hopes of getting a paying gig for the band.

John could have made that set-up a whole book in and of itself, albeit a much less satisfying one. Instead of being a book all about the band, this is a book all about how Piper deals with them. But it's also a book about Piper and her life at school and at home. Woven through her parents reactions to Dumb are Piper's reactions to her family. Her maternal grandparents (now deceased) were both deaf and very into deaf culture. They instilled a sense of pride in Piper, along with the sense that she has the ability to do anything she wants to do regardless of her lack of hearing. Piper's mother and brother are both fluent in ASL (American Sign Language), but her father does not sign at all. Her infant sister was born deaf. In her, Piper saw a kind of ally. Or, she did until her parents raided Piper's college fund to get her sister a cochlear implant (a surgically implanted device that can restore hearing to severely deaf persons). Betrayal and closing doors all in one. She hopes Dumb will be her ticket out of town and to the college of her dreams.

The juxtaposition of why Dumb's different members, Piper included, are in the band, money, fame, the music (said very seriously), and various crushes on other band members, cause problems. All the band drama keeps this from turning into a problem novel about a moderately severe deaf girl in a hearing family and high school. Though the fact that Piper is deaf comes up over and over and over again in her dealings with various people in the music business as well as with the band itself (and, sadly, her family), it is never Piper's defining characteristic, just as Kallie's skin color is never hers (though she is proud of her mother's self-proclaimed status as "the first African American to go grunge" (p160)*).

The best part about Five Flavors of Dumb really is Piper herself. She has such a strong voice, sense of herself, and talent for sarcasm. I also loved her developing relationship with the girls of Dumb, Tasha and Kallie. I LOVE great girl friendship books, and by the end this one totally fit the bill. And watching Piper's rock music education was fabulous (the Seattle setting helped a bit). I grew up listening to Hendrix and other musicians of that era (thanks Dad), and I was in middle school and just getting into Nirvana when Kurt Cobain killed himself (thanks Johanna). I can't imagine coming to these musicians as a senior in high school. Seeing them through Piper and the rest of Dumb was like "meeting" them all over again.



Five Flavors of Dumb came out earlier this month!



Book source: ARC picked up at ALA


*Quotes and page numbers are from an uncorrected proof and may not match the published copy.

Personal Demons

Desrochers, Lisa. Personal Demons. New York: Tor, 2010. Print.
[Book cover credit: librarything.com/work/9527854]

Booktalk (kind of):
I want to think of something clever and interesting to sum up the plot of the book and get you interested, and I almost never use the jacket copy or internet summaries, but what it says right on the cover is just too good to pass up:

If you had to choose between Heaven and Hell, which would it be?

...Are you sure about that?

Awesome, yes? But in order to give you a little more info about the set-up, I'll try again:

Frannie Cavanaugh is a pretty average girl: one of 5 sisters all (really) named Mary, kicked out of Catholic school, expert in Judo. Like I said, pretty average. Until Luc shows up, shortly followed by Gabe. Two new guys at school, one smolderingly hot and sexy, the other the real life embodiment of what Calvin Klein was trying to do with all those blond male models in tighty-whiteys. And both seemingly enamored of Frannie and determined to win her for his own. But this is no (un)friendly rivalry or game to get the girl. Luc and Gabe are battling each other to win Frannie to their side, and who she picks may determine the fate of the world.

Review:
Look at that cover and then look at my little blurb again. It seems like Personal Demons could be an overly dramatic teenage bodice-ripper involving "heavenly bodies" with "hellish consequences" (it's a euphemism if it's in quotes) among other things. It's not. True, there are some Very Big Things going on here, and the potential to be over the top about it is high, but Desrochers manages to make this story focus on Frannie and her inner turmoil about these two guys who suddenly want her, her unwillingness to let people in, and her discomfort around religion in general.

Told in alternating points of view, Frannie and Luc's, Personal Demons is not only really damn steamy, it's also a refreshing look at the start of a relationship. In YA lit, it seems that we're always treated to the girl side of the equation, and more often than not, that girl is insecure about where the relationship is going. We get that here, and Frannie certainly has a LOT to be worried and insecure about with Luc, but we also get the other side. The parts of the book from Luc's point of view were my favorite. Not only has he had centuries to perfect his wit, making him both funny and insightful,* but he's also just as insecure as Frannie. She's supposed to be his mark; he's been sent from the depths of Hell to tag her soul for eternity. He is knocked on his butt by his genuine attraction to and feelings for Frannie. I love seeing a guy in YA go all googly eyed (without turning stalker or otherwise creepy) over a girl...even if this guy is a demon.

There is so much else that Personal Demons has going for it. I don't want to make this unreadable long, so I'll try to just touch on a few other points of greatness here:

• Frannie has awesome friends who threaten to beat up Luc if he messes with her. 
• Frannie has hilarious sisters (all named Mary) who aren't so fleshed out that they crowd the story, but are all there and manage to be supportive anyway.
• Frannie's Grandpa! He's great. Just so so great. He's supportive of Frannie in a way that the rest of her family is not. They all want what's best for her (which is wonderful); he trusts her to figure out what that is for herself.
• There are multiple deep discussions about forgiving oneself as well as a serious look at whether or not there is anything that is unforgivable.
• Frannie's discomfort with religion is explored in a sensitive way along with why bad things happen to good people.
• By the end of the book, Frannie, Luc, and Gabe all learn a lot about love and sacrifice.

I really loved Personal Demons, and I wasn't sure I would just by looking at it. It fits in nicely with other paranormal romances (though it's way sexier than most), but it also looks at some more serious issues. The paranormal aspect brings all of Frannie's existing issues (religion, forgiveness, her inability to let her guard down) to the forefront, but the hot demon and sexy angel roaming the halls of her high school do not cause her story to exist.


Book source: Review copy provided by the publisher.


*Best line in a book EVER (with some context):
Because I love her.
That's got to be what this feeling is--the giddy rush I feel when I look at her, the way all my insides scream when I think about Belias taking her, the insatiable need I have to be with her. How is that possible? There's no crying in baseball and no love in Hell. It's just the rules.
p.193 (bold emphasis is mine; the italics are all Desrochers)

Penny Dreadful - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Snyder, Laurel. Penny Dreadful. Drawings by Abigail Halpin. New York: Random House, 2010. Print.
[Book cover credit: librarything.com/work/9761350]

Booktalk:
After spending most of her life living in a mansion with a tutor and a chef and "approved" friends with impeccable manners and hardly any personality, Penelope wishes, at the wishing well in her backyard of course, for something, anything interesting to happen to her. But interesting is not always as fun as it looks in the books Penelope spends her days reading. When her dad quits his job and her family runs out of money, Penelope quickly makes another, more specific wish. Instead of wishing for anything, she wishes for something to fix the multitude of problems left behind by all the "interesting" going on in her life and suddenly finds herself moving to Thrush Junction in the country, which for Penelope, might as well be a whole new world.

Review:
This is a hard book to summarize because the beginning is so incredibly different from the rest of the book. It all goes together. The difference doesn't cause any jarring shifts for the reader, and circumstances in the opening make the rest of the book make sense, but this is not a book about a little rich girl who moves to the county, as the first couple chapters would have you believe. Yes, Penelope has grown up rich, but finances quickly deteriorate in the Grey household after her father leaves his job. As the whole family figures out how to live without a chef, a housekeeper, or even a steady income, this becomes a book about figuring out what is really important. Houses and furniture can be let go; your family (and your books!) you take with you. Once that family gets to Thrush Junction, however, this becomes a book about finding yourself, making friends, and feeling and helping others to feel welcome. It's about community.

But I didn't think any of this while I was reading. While reading Penny Dreadful, this was just a book about Penelope, who wanted to go out and experience life. She needed to become Penny instead, and in Thrush Junction, she finds just the right people to help her do just that.

Thrush Junction is populated with a bunch of oddballs, many of whom live at Whippoorwillows with the Greys. Penelope, who has never really had friends before, must come out of her shell, and Luella is the perfect girl to drag her out. As Penelope, now Penny, learns how to have and be a friend, Luella introduces her to the rest of their little town. There's Down-Betty who was in vaudeville, Duncan who might be allergic to EVERYTHING and so is barely allowed to eat anything, Kay who runs the town diner, Jasper who is Luella's other best friend, Twent who can't say his r's (and has two moms!), and a whole bunch of other folks. The whole thing reminded me of Because of Winn-Dixie, but with a buried treasure legend instead of a dog. It has a feel-good feeling throughout that is infectious, even though the Greys money worries are a constant hum in the background. Things can be a bit episodic, but that's because that's how summer is sometimes. It's all about the people that come and go and the fun things that you get to do together for one day.

It's great to see so much diversity in the characters. In addition to Twent's two moms, Luella and her family are black, there is a wide range of ages at Whippoorwillows (and not all the old folks are grandparents), non-traditional gender roles within otherwise traditional family units, and a character who is deaf (can't tell you which without a spoiler). And there are no big deals made about any of it. These are all simply people that Penny meets during her adventures in her new town, and it's great to see them represented in literature just because they exist in real life rather than to Teach a Lesson to readers about how Everyone's the Same on the Inside!

I should also add that Penny Dreadful is also peppered with drawings by Abigail Halpin. Rather than distracting from the text, as I often think in-text illustrations do in chapter books, they add to it. My ARC only has preliminary sketches, but from those, I can tell that they're going to be awesomely full of life and emotion. My favorite one is of Penny is straggling behind Luella and Jasper on the sidewalk with the most sour look on her face ever, though the drawing of Twent "wahwing" is a close second. :)


Penny Dreadful comes out in hardback today!


Book source: ARC picked up at ALA.

The Duff

Keplinger, Kody. The Duff (designated ugly fat friend). New York: Poppy - Little, Brown and Company, 2010.
[Book cover credit: librarything.com/work/9731272]

Booktalk:
Bianca is having a rough time of it. Her mom is out of town a lot. Her two best friends insist on dragging her to The Nest, a teen nightclub, every weekend. She still can't form coherent sentences in front of her long-time crush. And then Wesley, a world-class sleaseball sits down next to her at the "bar," and tries to make friends. It'll up his chances of nailing one of Bianca's hot besties, he says, being nice to their Duff, their designated ugly fat friend who they only keep around to make themselves look hotter. So Bianca does what any self-respecting girl would do: she throws her cherry coke in his face. And then she makes out with him?

Review:
I started this book ready to be disappointed. There's been so much hype, and not all of it good, that I didn't think The Duff could possibly live up to it. Then I opened it and found a pessimistic, foul-mouthed main character that I didn't think I'd grow to care about. I brought an extra book with me to read on my commute so that i could put this one down as soon as I'd read the obligatory 50 pages (this is my personal rule for books sent to me for review). Next thing I know, I'd almost missed my train stop because I was so sucked in.


Bianca's relationship with Wesley is clearly complicated, though she tries to play it off as the simplest thing ever: just sex. Wesley seems okay with this arrangement and helps Bianca keep up appearances at school and everywhere else for a while. They hate each other. He's a man-slut, womanizing, cocky little brat, representing everything that Bianca, a smart and confident young woman, despises. And he calls her "Duffy," constantly reminding her that he's way out of her league and that their relationship could never go public. For the most part, they maintain a snarky banter both in and out of the bedroom (it's very 10 Things I Hate About You). Until they don't. Bianca is having some very real problems at home that she's avoiding by spending all of her time with Wesley. She can ignore things when she's with him; her friends will want to help and make her talk about it. Wesley just asks her if she's okay and then listens; he doesn't push. Maybe this is because he doesn't actually care (likely in Bianca's opinion) or maybe, as she comes to figure out, it's because he has real problems that he doesn't want to talk about either.

Other reviewers have said that the relationships between Bianca and her friends is what "saved" this book for them. Their friendship is sweet, fierce and awesome. They build each other up with nary an insult. Bianca ditches her friends for Wesley and doesn't even tell them about him. I think this happens a lot (it certainly did when I was in college), and to see it portrayed here was great. Bianca's friends are both pissed and worried, and both those sentiments are clearly expressed. No one is one-dimensional. When Bianca finally spills all to her friends, they (mostly) forgive her. Casey decides to make the word duff theirs. Instead of having a fat day or a bad hair day or even a zit, they say it's their turn to be the Duff. Though the word catches Bianca off guard throughout the book, it loses it's power to make her feel ugly and fat, exactly what the word is supposed to imply.

Overall, I enjoyed this book. It's all about relationships, between Bianca and her friends, Bianca and her parents, Bianca and Wesley, but it's not weighed down by emotional drama. Sure, there are really emotionally draining parts of this book, especially when it comes to Bianca and her parents, but they are tempered by sarcasm, sex, and Bianca's own personality.


Book source: ARC provided by the publisher.


Now, about the SEX:
Feel free to skip this part. I wrote my thesis on Forever... by Judy Blume and its effect on the uses and appearances of sex in literature for girls, and I saw in an interview (that I can no longer find - if it was on your blog, let me know so I can link to it!) that Keplinger was inspired by the frank discussions of sex in Forever... when writing The Duff. I can't let that just go without comment and comparison.

Now, in Forever..., there is a whole chapter about going to Planned Parenthood for birth control. There is an author's note in every edition published since AIDS became known and prevalent about how birth control is no longer enough, protecting oneself against STIs is just as important as preventing pregnancy. This information, both in the PP chapter and the author's note, are pretty separate from the story. Yes, going to PP is a turning point for Katherine, showing that she's ready to have sex, but the wealth of information about exactly what happens in a birth control appointment has nothing to do with the story. It's there so that readers aren't afraid to make that appointment themselves; it's showing them how to do it in real life.* It's very didactic. It's very 80s. For a book published in the 70s, it was very ahead of its time.

We don't get that in The Duff. This book has boatloads of sex, but it's not the this-is-how-it's-done sex that appears in Blume. The sex in The Duff is not graphic. It doesn't happen "off-screen," but the reader is not treated to a play-by-play all that often. What is present, however, is the word condom every time Bianca and Wesley do it. It's much more subtle than Blume's way of telling readers to use precaution, but because of that, it's less likely to be skimmed. It's right there in the story. It's natural, almost taken for granted, that Wesley and Bianca will use a condom every time. Later on, Bianca mentions that she's been on birth control for years. It's no big deal. She went on birth control (with her mother's knowledge) when she started having sex. It's just what you do.

Unfortunately, I don't think either approach is all that realistic. It is for some teens, thank goodness, but not for all. Both books also show a teen pregnancy or pregnancy scare. Blume is, again, way more obvious about it. If you don't do as I've shown you, you'll have a baby instead of going to Smith! But Keplinger, too, aims to show consequences. When Bianca is talking to Vikki, the school slut, about her pregnancy scare she thinks, "Had all of this made her realize the consequences of her choices? Our choices" (256).** Even though Bianca is on birth control and is sleeping with a guy who buys condoms in bulk, she recognizes that she and Vikki could easily be in the same boat. It's a huge a-ha moment for her. Calling Vikki a slut doesn't make Bianca anymore of a virgin or less likely to get knocked up. Calling someone else a duff doesn't make her more beautiful. The lesson is different, but it's told in the same way.

Something that I did think is way too realistic in The Duff was the treatment of oral sex, something that isn't even broached in Forever.... The thing that bothered me is that when Wesley, who always always has a condom in his pocket, goes down on Bianca, he doesn't use any kind of protection. The idea that oral sex isn't real sex is prevalent among teens. It's dangerous. I was a little disappointed that Keplinger had been SO GREAT throughout the book with the condoms and the birth control (and all without breaking up the story!), but didn't even mention a dental dam here. But turning a condom into a dental dam would have created a "let's go to PP" chapter in an otherwise clever and not remotely heavy-handed book about safe sex. It's still a little upsetting though.

I don't know if Keplinger meant for The Duff to be about safe sex so much as it was about how running away from your problems doesn't solve them (with a lot of sex). Regardless, I applaud her efforts to portray responsible choices even in the midst of an "enemies-with-benefits" relationship where sex is had for all the wrong reasons.



*For a more extreme example of this tactic of providing information about something some might think is squicky or controversial for young readers, see the "I'm bleeding to death from between my legs" chapter in the Alanna: The First Adventure. Getting her period has nothing to do with the story, but everything to do with being a preteen girl, as Alanna is.
**Quotes and page numbers were taken from an uncorrected proof and my not match the published copy.

Extraordinary

Werlin, Nancy. Extraordinary. New York: Dial Books - PenguinGroup, 2010. Print.
[Book cover credit: librarything.com/work/9701860]

Booktalk:
Seventh grade is a chance for Phoebe Rothschild to make a new start for herself. Yes, she's one of those Rothschilds. They're all wealthy, powerful, and leading almost charmed lives. There is nothing Phoebe can do to get away from her prestigious name, but she can make sure that her privilege doesn't make her a horrible person. As a huge step in this direction, Phoebe ditches her Mean Girl crowd in order to befriend new girl Mallory. Mallory, who shows up to school in a faerie costume. A see-through faerie costume. While not wearing underwear. Phoebe is going to help Mallory survive middle school and use the power that comes with her famous last name to provide aid for Mallory and her mentally unstable mother. Mallory is touched by Phoebe's kindness, but she's still hesitant. One should never develop feelings for one's mark. Especially since Mallory is not only trying to con Phoebe, she's trying to break her.

Review:
Yes, this is another faerie book. But instead of a human protagonist being plagues by faeries or sucked into their world, most of this book is story about two girls who are the best kind of best friends. They share everything, build each other up, and act like sisters from a fairytale rather than like siblings in real life. Phoebe is a Rothschild as in the actual real-life Rothschilds (the author's note explains the significance of the real Rothschilds and that Extraordinary is only based on a real family not real people). Phoebe is loaded and Mallory has almost nothing, but that never seems to come in the way of their friendship, even though Phoebe's mom is paying for Mallory's mom to have around the clock care. There is never that you-owe-me sentiment that can sometimes creep into those kinds of relationships. Everything is perfect. Except...

This story is broken up by numbered conversations with the Faerie Queen. It seems Phoebe is very important. She is needed desperately by an ailing Faerie Court and it is Mallory's job to prepare Phoebe for whatever it is that she must do. Though we see most of the story (everything but these Faerie Queen convos) from Phoebe's point of view, it is Mallory's conflicting loyalties that are the real meat of this story. She loves Phoebe in that intense way that teenage girls have, where your best friend is your whole world, but she knows that if she doesn't do what she's been sent into the human world to do, the Faerie Queen and her Court will fade away, along with Mallory and all of her people. Mallory struggles with this for years, putting off her choice between her family and her best friend. In the mean time, she hides her assignment and helps Phoebe come into her own, not as a Rothschild, but as Phoebe. But that's not what Mallory was sent to do. Seeing Mallory's struggle, the Faerie Queen sends in the one person who can break up Mallory and Phoebe's all encompassing girl world: a smokin' hot guy who just happens to be Mallory's older brother.

With the addition of Ryland, Phoebe has her own conflicting loyalties to contend with. She's drawn to him inexplicably, but she knows it would hurt Mallory SO MUCH to find out that she's in love with him. Let me take a moment to say that this never strayed into the paranormal romance trope of intense, surprising (only to the character), and irrational tru lurv at first sight. Ryland is an ass. He really is a horrible guy. But he's a faerie, and a pretty powerful one at that. He glamours Phoebe. So even though smart, funny, confident Phoebe knows that she shouldn't date a guy who treats her like a child, constantly tells her she could stand to lose a few pounds, and whose whims make him either enchanting or incredibly hurtful, she can't seem to stop seeking him out. When he's not there, she knows he's bad for her; when she sees him, no matter what comes out of his mouth and how much it wounds her, she's convinced that she can't survive without him. You can almost see the magic that Ryland is throwing at Phoebe drown out her rational self, a self that used to be supported by Mallory. Except that Mallory can't seem to forgive Phoebe for dating her brother. And no matter how cruel Ryland is to her, it is Mallory's abandonment that breaks Phoebe's heart.

In the end, this is a story about an amazing friendship that is so convincing and alive. Werlin's portrayal of both girls and their relationship is what makes this story great; the faeries are simply a fascinating and (amazingly) original plot device to show how far each girl is willing to go for the other. Phoebe and Mallory have the kind of friendship where you say I love you and mean it; the kind that you would sacrifice anything for. And in the end, one of them has to.



A note about the cover and internal illustrations:
Oh.My.Gosh. I hope they keep them. The cover of the ARC is a-maz-ing. It doesn't look like much in the above picture, but on the actual ARC it looks like it's over-dyed or super-saturated or something (why will my graphic designer sister not answer the phone when I need real words for things like this?). The colors are totally and unnaturally bright and deep. On amazon it looks like they've toned it down a bit, but I'm hoping that's just amazon doing some over zealous color correction or something. The unnatural beauty of the grass, the dress, the shoes(!), everything is so important to the story in ways that I cannot tell you for fear of spoiling. Just suffice it to say that if the grass on the published copy looks like something you could grow in your own yard, do yourself a favor and imagine that it's actually the color of really good astro-turf, but still alive! As for the internal illustrations, they're great too and really help to off-set the conversations with the Faerie Queen.


Book source: ARC provided by publisher through the LibraryThing Early Reviewers program