Showing posts with label unsung. Show all posts
Showing posts with label unsung. Show all posts

Tuesday, May 11, 2010

To Dance - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge!* This week's book is:

Siegel, Siena Cherson. To Dance: A Ballerina's Graphic Novel. Illustrations by Mark Siegel. New York: Aladdin Paperbacks - Simon & Schuster, 2006. Print.
[Book cover credit: librarything.com/work/1604483]

Awards:
NPR's Complete Holiday Book Recommendations (2006)
School Library Journal Best Book of the Year (2006)
ALA Great Graphic Novels for Teens (2007)
ALA Notable Children's Book (2007)
Booklist's Top 10 Graphic Novels for Youth (2007)
Sibert Honor (2007)

Booktalk:
Big empty spaces always made me dance. A long hallway or a parking lot just begged for dance ... like it wanted to be filled ... and I wanted to put dance in it.
(unpaged)

So young Siena decides, like so many others, that she wants to be a ballerina. And then, for a time, she is.

Review:
To Dance tells the familiar story of a young girl, in this case Siena when she was a child, who wants to grow up to be a ballerina. She starts ballet lessons, shows a real talent, and makes it to New York City where she trains in a feeder school for a big ballet company, in this case New York City Ballet’s School of American Ballet, where she is discovered. Mark Siegel’s illustrations allow the reader to share in Siena’s wonder and sometimes confusion with this whole new world in which she finds herself. He is also a kind of translator for the “uninitiated” in ballet lore and jargon, providing illustrations and examples of being en pointe and or dancing a pas de deux to name a few. For this reason, the format of the graphic novel works very well here. It elevates the reading level beyond that of a picture book without wordy explanations that detract from the story. Those who are more familiar with ballet will find the illustrations amusing and beautiful with gorgeous renditions of the varying levels of ballet classes and some “cameo appearances” of the big names of the New York City Ballet in the 1970’s to early 1980’s.

This basic story has been told many times. Two examples that jump out from my reading history are Ballerina Dreams, an easy reader by New York City Ballet’s Diana White and Gelsey Kirkland’s only-for-grown-ups memoir, Dancing on My Grave. The big difference between these books and To Dance, aside from format, is that even those well-versed in the recent and current ballet world will not recognize the name Siena Cherson Siegel; she is not a ballerina. As chronicled in this graphic novel, Siegel dances in a few performances with the New York City Ballet in pre-professional roles, but then goes on to attend college at Brown and dance for her own enjoyment rather than dance professionally. The ending to this story is very rarely told, though much more common. To Dance emphasizes how dance can mold one’s life while at the same time, showing how Siena takes the time to be a “normal” kid as well as positively showing her choice not to dance professionally. By sharing her story in To Dance, Siegel is affirming anyone who wants to use anything that they are talented at or simply enjoy as a hobby, an enjoyment, rather than a career choice. For this reason, along with the beauty of the illustrations and Siegel’s writing, I highly recommend this book.


Book source: Birthday present, years ago, from Nanna. :)

*Except that I'm not counting this one, as it's a re-read. I'm posting this review so that I'll have a complete list of reviews for my Unsung YA Heroes post.

Thursday, March 4, 2010

Year of the Horse

Allen, Justin. Year of the Horse: A Novel. New York: The Overlook Press, 2009. Print.
[Book cover credit: librarything.com/work/8981909]

Booktalk:
Every boy in St. Francis knows who Jack Straw is. Every boy in the country probably knows who Jack Straw is. He's the fastest gunslinger in the West. When he shows up at Lu's family's shop to visit with Lu's grandfather, Lu naturally eavesdrops so he'll have stories to tell his friends at school the next day. Instead, he's woken up early the next morning to leave with Jack as his explosives expert, a title that both this grandfather and late father each held, but that Lu himself does not identify with and feels he can't live up to.

Review:
Lu, the child of Chinese immigrants; Henry, first a slave then a Union soldier and now free; Chino, once just a Californian and now a Mexican with no homeland; and of course Jack Straw, also a former Union soldier and now a privateer of sorts; are all hired by John MacLemore, former Confederate loyalist, and his daughter Sadie to get their gold mine and homestead back from the man who murdered Sadie's mother. They travel across mountains, canyons, plains, and deserts. They also deal with Mormons (one of whom really wants to make Sadie one of his wives), dwindling supplies (Oregon Trail style), fatal weather, Confederate soldiers, many forms of racism, and, of course, actual demons.

That's right. This is a Western/fantasy, and as such, it's pretty unique.

I'll be honest, the first half, almost pure Western, was a bit slow for me. I liked getting to know the large cast of characters and found their trials pretty interesting, but I wasn't truly hooked until the fantasy set in. When it did, I felt the need to devour the second half of the book to find out what would happen to everyone. At the expense of my beauty sleep. The forgotten journal of a man no one remembers that is covered with Lu's grandfather's Chinese writing, ghost-riders that pretend to be shooting stars, were-coyotes in the middle of an unlivable desert. And none of that even begins to encompass what Lu, et al. are really up against. It's good stuff. I highly recommend this book for fantasy readers who are sick of paranormal romances taking up all of the magic in young adult lit right now and for adventure readings who might be willing to let the truth stretch a little. Neither group will regret the small step outside of their comfort zones.


Now on to the serious stuff. One of the greatest things about this book is the large cast of multicultural characters. We are also given main characters that hail from both sides of the recently ended Civil War, in addition to soldiers in saloons with differing loyalties. This book does NOT use the /fantasy part of its description to make all of these people live together harmoniously. From the author's note:
"Not all of the characters in this book are to be admired, however. History, as it turns out, is littered with men and women (and boys and girls!) possessed of vile, even shocking beliefs, language and manners. As your narrator I will admit having felt tempted to censor the more disturbing bits of racism from the nineteenth century folk that people these tales. But as fact is my watch-word, I have resisted that temptation."
p.7
And it's true, Allen doesn't remove the racism from the story. I don't think the n-word makes an appearance (not that Henry is called by his name by anyone outside the group), but Lu gets called a chink often (not within the group), or better yet, referred to as "Jack's chink." What Allen does, instead of removing the racism from the book, is take all of these characters beyond their stereotypes for the readers. Yes, Lu starts out as the explosion expert because, genetically, he must know how it's done, right? He is Chinese, after all. But then we also see Jack teaching Lu how to blow up a boulder early on in the trip. All of the other characters similarly move beyond their stereotypes: the rich Confederate and his wild-child daughter, the religious former slave and the nature-conscious Mexican, a variety of mystic and/or violent American Indians and the wife-hunting Mormons. It's all very Breakfast Club, except without the all-white cast.


Book source: Philly Free Library

This book fulfills the Bad Blogger category of the 2010 Challenge; I heard about it during the Unsung YA Blogger Blitz.

Sunday, February 7, 2010

Academy 7

Osterlund, Anne. Academy 7. New York: Speak-Penguin Group, 2009. Print
[Book cover credit: librarything.com/work/6686310]

Booktalk:
Aerin Renning is picked up by the Envoy, an Alliance ship, when her own proves to be working only well enough to help her escape her planet, but not well enough to take her to another one. Now, because of the kindness of the Envoy's captain, she is on her way to the most prestigious school in the Alliance, Academy 7, where she'll have to compete with the other students, academically, for the right to stay without the benefit of the a formal Alliance education up to this point. And without letting anyone figure out that she's not an Alliance citizen and has no right to be there in the first place.

Review:
I LOVED Academy 7. While a lot of this love may spring from the fact that this book is neither dystopian nor paranormal, just science fiction in a United Federation of Planets sort of way, it also tells a really great story. Osterlund manages to introduce us into this new world (which includes lots of "worlds") without a lot of exposition or traditional world building. We get to learn about the Alliance, its history and its downfalls along with Aerin, who spends a lot of time in the library in order to keep up with her classmates.

And then there's Dane, Aerin's rival in just about every class. Their relationship takes a long time to evolve, especially since they are both hiding BIG SECRETS from one another, even after they move from enemies to friends. Without switching back and forth between Dane and Aerin's POV, we manage to get a real feel for each of their personalities and back stories (all hail the return of the omniscient narrator!) while they maneuver through trying to figure out what they can trust each other with. Their relationship is clearly the main focus of most of the book, just in a sci-fi setting, but every once in a while things become very tech savvy or very space age (the ending is ridiculously unexpected and awesome on both counts). I think this balance will appeal to readers of the less swoony paranormals out there and budding (or closet) sci-fi fans.

Book source: I bought it.

Saturday, January 23, 2010

The Best YA Books You Haven't Read...Yet

Kelly over at YAnnabe is organizing an Unsung YA Heroes Blog Blitz to help shine a brighter light on some great YA books that haven't gotten the recognition and/or following they deserve.

Here are some of my favorites, in no particular order:
  1. Selkie Girl by Laurie Brooks
  2. Radiant Darkness by Emily Whitman
  3. Jars of Glass by Brad Barkley and Heather Hepler
  4. The Smile by Donna Jo Napoli
  5. Academy 7 by Anne Osterlund
  6. The Dust of 100 Dogs by A.S. King
  7. To Dance: A Ballerina's Graphic Novel by Siena Cherson Siegel
  8. Hard Love by Ellen Wittlinger
  9. Pretty Monsters by Kelly Link
  10. M+O 4EVR by Tonya Hegamin
I'll be trying to do my part in the near future and get some reviews up for the books I've listed that I haven't reviewed yet. They all certainly deserve their own posts.

Go make your own list and visit YAnnabe to read other folks' lists! Kelly even has nifty directions for how to build your own list using LibraryThing's myriad of sorting options. She'll compile them into a HUGE list on Monday.

Monday, October 26, 2009

Radiant Darkness

Whitman, Emily. Radiant Darkness: A Novel. New York: Greenwillow Books-HarperCollins Publishers, 2009. Print.
[Book cover credit: librarything.com/work/7838736]
Booktalk:

"Hideous Hades ripped her away
From her mother's arms that fateful day
When all she wanted to do was stay
Safe in her mother's arms, oh!"

p.247

This is how we've all come to know Persephone: as a victim, torn away from her mother, Demeter, by the evil Hades. But that is not at all how this story really happened. Persephone, knowing that her mother would not approve, declined to tell anyone that she was leaving her home to marry her boyfriend, so her mother, of course, thinks she was kidnapped, ravaged, and now has Stockholm syndrome. It sounds like a plot line from Law and Order: SVU, right? Except that none of the parents on SVU are gods or goddesses, so their fear for their children or anger at each other doesn't almost kill everyone on the planet.

Review:
In the original Persephone myth, a lot of things happen to her. She doesn't really do anything. She doesn't even seem to have a personality. She's just Demeter's daughter and/or Hades' wife. The Persephone that Whitman introduces to us, however, is full of personality and takes control of her life both before and after she goes (note that I didn't say "is taken") to the Underworld. She's also really smitten with Hades. It's her mother's inability to let Persephone grow up and her whole "no males anywhere near anyone remotly associated with me" policy that causes problems.

Since this is a retelling of the myth of Persephone, other readers have complained that this book becomes predictable; we all (theoretically) know how the story is going to end. As I've said before, I know very little about Greek mythology, so I did not have this complaint while reading. I think even readers who already know a lot about Persephone, her mother Demeter, or Hades can still enjoy Radiant Darkness. There is enough that is different from the original myth (I looked it up after reading this book, and the author also gives a pretty good summary of the original in her note at the end) to keep readers interested, if they're the type of reader that isn't looking for suspense.

And once again, this book should be a hit with paranormal romance fans, though I would never categorize it that way.


Book source: Philly Free Library

Tuesday, October 13, 2009

The Dust of 100 Dogs

King, A.S. The Dust of 100 Dogs. Woodbury, Minn.: Flux-Llewellyn Publications, 2009. Print.[Book cover credit: librarything.com/work/6349011]
Awards:
Spring 2009 Indie Next List pick for Teens

Booktalk:
Saffron is wise beyond her years, but not in the kooky Dakota Fanning way that adults think when they say that. The ability to appear really serious, the ability to handle "mature situations," and the cunning to look young and sweet while you do it. Saffron has all that, but she also has memories dating back to the 1600s when she, then Emer, was a pirate captain whose trademark was popping out Spanish eyeballs. Back then she was cursed with the Dust of 100 Dogs to be reincarnated 101 times and to keep her memories from each life. The 1st 100 reincarnations she was a dog (as you may have guessed from the name of the curse/book). Now, in her 102 life, she can finally enjoy human existence again, if you can call living in Hollow Ford, PA in the swingin' 70s a "human existence." Finally escaped from life on 4 legs, Saffron (Emer) just needs to escape low income suburbia so she can reclaim what's hers. Buried treasure, of course. Somewhere in the Caribbean.

Review:
I didn't really know how to categorize this book until I read the author interview at the end with Leila of bookshelves of doom. In the interview the author describes her book as magical realism, and that is so what this is! I had to reach back into my memories of my 9th grade World Literature class (Mr. Driscoll, you still rock and I promise to email you back real soon) to remember what magical realism really is. It is, from my memory and the author interview, when something a bit magic/supernatural/fantastical happens in the real world. It's not fantasy because there isn't a whole new world created and most of what happens could really happen. There are just a few magical moments in the midst of normalcy, like a guy who grows angel wings or candy that makes you a little sad.

Saffron's memory of her past lives is like that. She doesn't have any superpowers, she didn't even have any when she was a pirate captain. And no one eats people parts or turns into anything fancy under a full moon. To make up for this lack of the supernatural, we get little tidbits from Saffron's past lives as dogs. The whole book, which alternates between Emer's life from childhood to when she is cursed and Saffron's life in Hollow Ford and treasure hunting, is peppered with Dog Tips. These tips give little glimpses into the lives of dogs raised to be in dog fights, strays, the spoiled little dogs that get carried around in purses, and the times in history in which Saffron lived these lives.

The historical parts of this novel are well-researched, and it shows. Emer's life in Ireland is richly described and detailed, as is her life in the Caribbean. This book does not, however, read like historical fiction. It is not bogged down with description (not that historical fiction must be); little details are dropped into the narrative in a way that doesn't distract from the story, which remains high action no matter what time period it is portraying. The only time period that fell a little short for me was Saffron's current life. It felt a little too present day to be the 70s. The only way I could tell that Saffron wasn't in Hollow Ford yesterday is that no one had a cell phone, but when you're talking about really poor people who are robbed on a general basis by a tweaker family member, the lack of cell phones could still be current. This didn't detract from the story AT ALL for me. I simply forgot when Saffron was supposed to be.

The Dust of 100 Dogs was a really unique book and a really fun read. I think it will be a hit with the millions of readers of paranormal romance out there, even though it's not really a romance and it's not really paranormal, even though the main character has been reincarnated 101 times.I look forward to seeing what A.S. King will come up with for young adults in the future.


Book source: Philly Free Library

Sunday, September 20, 2009

M+O 4EVR

Hegamin, Tonya Cherie. M+O 4EVR. Boston: Houghton Mifflin Company, 2008.
[Book cover credit: librarything.com/work/4865438]

Awards:
ALA Rainbow List, Young Adult Fiction (2009)

Booktalk:
M(arianne) and O(pal) have been friends for as long as either can remember; their mothers were friends before that. M is only half black to O's plain-old black, which matters in their teeny Pennsylvania town. She ditched O to gain popularity and is now the first black Homecoming Queen the county's ever seen. When she dies shortly after the homecoming dance, the loss is too much for O. Though she feels like she lost M a long time ago, she's really gone this time.

Review: full of spoilers this time, but this book isn't really about suspense or the revelation of facts, so it shouldn't hinder the enjoyment of the read.

I wouldn't have even picked up M+O 4EVR if it hadn't been for Daisy's blurb about it over on her QueerYA blog. I thought the title held the promise of a book full of text-speak. It doesn't. M+O 4EVR is written in hearts on many of the places important in M and O's childhood: their tree and the backseat of O's Grandma's car, for example. It would be sweet if it weren't so sad. M is dead by the end of the second chapter, and the rest of the book is told in O's heartbroken voice. Her rememberances of their relationship and the way she deals with M's death are interwoven in a way that is realistic. Unfortunately that doesn't always do much to help the reader's understanding of the story.

We know from the beginning that O is in love with M and has been for a while. Whether M returns that affection is pretty unclear for a lot of the book. What does become clear is that everyone who is important in O's life knows that she has just lost the love of her young life in a really horrible way. The support she receives from her Grandmother, who she lives with while her parents each travel separately for work; Drippy, her grandmother's boyfriend; and her mom and dad, who each return home for M's funeral and to be with O; is really wonderful. Even M's mom, who did not approve of M and O's relationship once it moved beyond a close friendship, breaks down and apologizes for trying to ban O from her house in the face of her grief.

Interwoven through the story of O and M is the story of Hannah, a runaway slave who either died in or flew over the ravine that claims M's life so many years later. At first her story, which O's grandmother told to O and M when they were little, doesn't seem to have any connection to O's grieving other than that she heard it with M and they talked about it growing up. As each story unfolds, we learn that M initiated the move from friendship to romance at the same time that we learn that Hannah fell in love with the Native American, who she calls Mine, helping her travel north to freedom. Still, I didn't necessarily feel that one story needed the other, though both were really sad love stories that ended very similarly.

This slim little volume is very complicated. The whole thing spans maybe a week at the most in O's life, really getting into her conflicting emotions and the ups and downs of her early grieving process. Though the reactions and feelings in this book are very real, I would hesitate to give it to someone who has just lost a loved one. It's almost too real to be comforting. It would, instead, be a good resource for someone hoping to comfort a grieving loved one.

Thursday, March 19, 2009

Jars of Glass

Barkley, Brad and Heather Hepler. Jars of Glass. New York: Dutton Books, 2008.

Summary:
Chloe and Shana, sisters, recount their lives without their mother in alternating chapters. Chloe tries to hold everything together, taking care of Micah, her father and the apartment in the hopes that they can prove to the social worker that they present the "stable environment" her mother needs to come home to. Shana, on the other hand, does everything she can to distance herself from her family and desperately tries to thwart Chloe in her efforts to bring their mother back.

Booktalk:
"Yeah, that's me, Miss Normal. My mother did stuff you hear about on the nightly news, and now she's locked away in a loony bin. My sister collects broken glass. We've adopted a kid who doesn't speak and lives off sugar. Oh, yeah, and I live in a funeral home" (p170-1).*
Life is far from normal for Shana, her little sister Chloe and their adopted brother Micah. Chloe runs around trying to make everything better and preparing everything for their mother's return. Meanwhile Shana is doing everything that she can to make sure that things don't get worse, even if that means sabotaging her sister, who was once her best friend, and making it impossible for their mother to ever come home again.
*Quote taken from an ARC.

Saturday, February 28, 2009

Hard Love

Wittlinger, Ellen. Hard Love. New York: Aladdin Paperbacks, 1999.
[Book cover credit: www.librarything.com]

Awards:
Lambda Literary Awards, Children's/Young Adult (1999)
ALA Best Books for Young Adults (2000)
Michigan Library Association's Thumbs Up! Award (2000)
Printz Honor (2000)

Summary:
John has been reading zines for a while, especially Escape Velocity, when he finally decides to publish his own. He stalks, then meets, then gets advice from, then becomes friends with Marisol, Escape Velocity's creator as he becomes further steeped in zine culture.

Booktalk:
John has never really been into girls; he's more into writing his zine, Bananafish. He finds inspiration in another zine, Escape Velocity, written by Marisol who he meets while both are dropping their zines off at Tower Records. After these two loners gain each others' trust and become close friends, John realizes he's finally fallen for a girl. And she's a lesbian.

The second book in the series Love & Lies: Marisol's Story is now out in hardback.

Friday, February 13, 2009

Pretty Monsters


Link, Kelly. Ills. Shaun Tan. Pretty Monsters: Stories. New York: Viking, 2008.[Book cover credit: http://www.librarything.com/]
Summary:
Pretty Monsters is a collection of nine fantastical stories. The settings are drawn from a wide range of times and places, as are the characters, and the creatures you will encounter during your reading include werewolves, undead girlfriends, wizards, faeries and superhero librarians.

Booktalk:
With a disclaimer like:
"I know no one is going to believe any of this. That's okay. If I thought you would, then I couldn't tell you. Promise me you won't believe a word" (pgs 141-2).
how can you be shocked by little girls who turn into horses, surfers who can talk to aliens, a superhero librarian who was just killed off on a TV show calling you in real life and asking you to actually steal books from a library in order to save her, or any other array of Pretty Monsters?