Sisters Red

Pearce, Jackson. Sisters Red. New York: Little, Brown and Company, 2010. Print.
[Book cover credit: librarything.com/work/8547268]

Booktalk:

"Versteck euch!" Oma March whispered hoarsely, pointing urgently toward her bedroom in the back of the cottage. Hide. Hide now.
...
"Schatzi, my treasures, I won't let him have you!" Oma March murmured under her breath, like a prayer. She dashed for the telephone and began dialing.
"Charlie? Charlie, one is here. Outside," Oma March whispered frantically to Pa Reynolds, the woodsman who lived down the road. "Oh god, Charlie, hurry," she pleaded.

p.4-5

But Pa Reynolds didn't make it in time, changing the lives of Oma March's granddaughters, Rose and Scarlett, forever.

Review:
Everyone was raving about Sisters Red when it came out last year, and I, ever the cynic, figured no book could live up to that much hype. So I skipped it. Even though it's a fairytale retelling of sorts. Even though it's a fairytale retelling of Little Red Riding Hood.

Sometimes I'm dumb.

Luckily, I'm willing to admit my mistakes, so when I overheard someone in the bookstore telling her friend how much she loved this book, I snuck up and grabbed a copy for myself. By "myself" I mean "my library,"* but Sisters Red is a book I would gladly spend my own cash monies on. I loved it, and my gushing while reading has already prompted a holds list, which is pretty unusual for a YA novel in my academic library. Here are just a few of the things I was gushing about:

• Scarlett is so tough. She's deadly with a hatchet and harshly truthful and fiercely loyal and secretly proud of while being secretly self-hating because of her many battle scars. She feels overwhelmingly obligated to do the work that she does, and she's good at it. She's generally kick-ass.
• Rose is so conflicted. She wants Scarlett to trust her to hunt alone, but she also wants Scarlett to need and protect her. She wants to remain half of a pair, but she also wants to break away into a different life. She's got wicked aim with throwing knives, and she holds Scarlett together when no one else can. She's generally kick-ass.
• Silas is quite literally the boy next door. As such, he's managed to win the crushes of both Scarlett and Rose over the years. But he is first and foremost Scarlett's partner; they are a team and they act like one. He also manages to be first and foremost Rose's support. He pushes Scarlett to trust Rose on the hunt, and he pushes Rose to break away from hunting and live her own life. And he does all of this without being two-faced or playing one sister against the other. He totally gets that no matter how much Rose might swoon over him or how much Scarlett depends on him, he will never be able to compete with the relationship Scarlett and Rose have with each other. So he doesn't try.
• The twist that Pearce puts on werewolf mythology is great. They're still totally evil people-eaters (unlike some other werewolves you may be familiar with), but they're not the werewolves of B-rated horror films (or Harry Potter) either. How she weaves the girl in the red riding hood into this mythology made me giddy. She's created a werewolf that is, a lot of the time, victim to his own senses and sensations. In showing how Scarlett and Rose manipulate these monsters, she completely immerses the readers in a rich fantasy: the one that Scarlett and Rose (with help from Silas) nightly create. 
• None of this compares to the twist Pearce has put on the ending of her own story. I thought I had it figured out about halfway through the book, then I lost it, then I figured it out again, but by then things were so complicated that I didn't know how Scarlett, Rose, and Silas were going to pull it off.

Seriously guys, I loved this book. The opening hook worked like a charm, and by the end, I was reading with my heart in my throat. I was so invested in these characters. Pearce's second book, Sweetly, came out last month. I will not be skipping it.


Book source: bought it for and then checked it out from work!


* And, of course, i couldn't just get one book... They'll never let me out with the library credit card again.

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Threads and Flames

Friesner, Esther. Threads and Flames. New York: Viking, 2010. Print.
[Book cover credit: librarything.com/work/9688825]

Booktalk:
Before Raisa even takes her first steps in NYC, she has managed to acquire a younger "sister," and she's managed to lose the older sister with whom she was supposed to live. Through the kindness of strangers, serendipity, and not a little bit of trial and error, she manages to get a great job that allows her to both support Brina, her younger sister, and look for Henda, her older sister. She's lucky; the Triangle Shirtwaist Factory is one of the best places a girl can work in 1911.

Review:
I think the best thing about Threads and Flames is that Friesner provides oodles of information and context without ever making me feel that I'm reading a book about the plight of immigrants or factory girls and how the injustices they faced lead to the tragedy of the Triangle fire.* I was simply reading an engaging story about Raisa's new life in America, complete with a little bit of mystery, a little bit of (the cutest without being the least bit saccharine) romance, and a whole lot of my-gumption-is-both-my-greatest-flaw-and-my-greatest-strength. And yet I finished the book knowing a lot about how the ill-treatment of immigrants in general and factory girls in particular created the perfect storm of awfulness that caused so many deaths in the fire.

While the book is undoubtedly about the Triangle fire, Raisa doesn't even start working at the Triangle Shirtwaist Factory until at least halfway through the book, maybe more. Usually, this delay of the "point" of the story would drive me batty, but in this instance, I didn't mind the wait. Raisa is such a fun character; she's so headstrong and determined to do what is right for her sisters, both Henda and Brina. It never occurs to her that she shouldn't take responsibility for Brina, even though she can barely take care of herself. I was rooting for her before she even got to Ellis Island. Raisa's little romance with Gavrel is also handled beautifully. When you're reading about Raisa who is on her own and working more than full time to make enough money to cover room and board for two people, it's easy to forget how young she is. Her relationship with Gavrel, however, with all of Raisa's do I or don't I feelings, constantly reminded me that she's just in her early teens. Their romance had all the little flutters of any middle grade romance, but with the added seriousness of two people, no matter how young, who work full time and both immediately start working even more when they "get serious." That's why they're both in the factory on the Saturday when it catches fire.

The fire itself is gruesome. The rush for the elevators after finding all the doors locked, the description of girls jumping from the windows rather than dying the flames, the display of unclaimed bodies that Raisa must search for Gavrel afterwards. The broken families who either found bodies to claim or were left with nothing. It's all so harsh. We see it all through Raisa who is still so determined to do what's right, who finds another job right away, and who becomes the strength and stability that Brina and Gavrel's family need in the fire's aftermath. Watching her continue on was possibly just as, if not more, heartbreaking as the fire itself. Slightly spoilery (highlight away): When the ending was happier than I would have expected, it did not feel like a cop-out on Friesner's part. I was just happy Raisa got a little bit of what she deserved. 

There was recently a request on the yalsa-bk list-serv for fiction books that teach the reader something. I wish I had finished reading this book in time to suggest it! Threads and Flames is so informative, but it's still great fiction too. I highly recommend it!


Book source: Philly Free Library


* This book reminded me very much of Annette Laing's books in that way. I kept wanting to re-read A Different Day to see how Raisa's factory experience differed (or in a lot of ways didn't) from Hannah's experience 50 years earlier and across the pond.

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Falling for Hamlet

Ray, Michelle. Falling for Hamlet. New York: Poppy - Hatchette Book Group, 2011. Print.
[Book cover credit: librarything.com/work/10848571]

Booktalk:
Not too long ago in modern-day Denmark, there was a prince. He was handsome and smart and, of course, very charming. His girlfriend, a beautiful media darling, was the daughter of a palace adviser, and together they tried to live normal happy lives while their faces smiled out from grocery store magazine racks. Then the unthinkable happened. The king, the prince's father, died. And our sweet prince lost it, falling into grief and paranoia, and leaving his beautiful girlfriend to fend for herself among the wolves, both inside the palace and out.

Review:
Let me start by saying that you should not judge this book by its cover. Or by its opening lines:

"Frailty, thy name is woman." - William Shakespeare
"Willy, thy name is sexism." - Ophelia

Don't get me wrong, both have very much to do with the story (other than Hamlet's hair color on the cover), but they really make this look like a much lighter, funnier, beach read kind of book than it really is. I mean, really, how would one make an adaption of Hamlet light? Instead, this book is everything it should be; it's brooding and dark and, at times, intense. It's also narrated by a strong Ophelia who is understandably worried (and sometimes so tired/drunk she's a bit loopy - how else could one explain the flower scene) about her boyfriend's apparent loss of sanity but who also does her best to be supportive and helpful to those around her, especially her aforementioned boyfriend and her widower father, all while trying to keep her own life together in the midst of circumstances no high school senior should have to deal with. She is so at odds with both the classic and modern versions of how we usually see the character of Ophelia. I loved it.

The story stays pretty true to the original, with one major difference that is given away on the jacket flap: Ophelia survives. The motivations behind people's actions, however, are different. The "truth," what Ophelia is telling us the readers, is book-ended by Ophelia's tell-all appearance on fake-Danish-Oprah in the beginning of each chapter and her interrogation by the Danish police at the end. These three concurrent tellings of the same story, illustrate the fabrication of what we take for "fact" from the media and the reach of a government cover-up more explicitly than that paparazzi pic on the cover ever could. On faux-prah, Ophelia is sweet, in love, heart-broken, and kind of ditzy. She's the almost princess. While being interrogated, she is bitingly sarcastic, angry, and fiercely loyal to Horatio and Marcellus, the only other people to survive the bloodbath that is this story. She's accused of being the master-mind of a plot to overthrow the Danish monarchy. In between, she's just a girl doing her best to do what's right for herself and those she loves.

Really and truly, I loved this book. It sucked me into the story and kept me on the edge of my seat even though I knew, more or less, what was going to happen. The characters were well-rounded and real in ways that Shakespeare characters usually are not. I cried when the king died. Have you ever cared about Hamlet's dad enough to even care that he's dead? I haven't. And Hamlet himself made a bit more sense, not a lot, but a bit. Giving him a happy background with Ophelia, at least in flashbacks, made their whole relationship much more believable which made it all the more crushing when he becomes cruel. Michelle Ray has managed to take a story that I already knew well and liked, and she made it into something new and original that I love. I can't wait to see what she comes up with next.


Falling for Hamlet comes out July 5th!


Book source: ARC provided by the publisher.

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Dead Rules

Russell, Randy. Dead Rules. New York: HarperTeen - HarperCollins Publishers, 2011. Print.
[Book cover credit: librarything.com/work/10226008]

Booktalk:

It was the first time Jana had thought the words Dead School.
But that was it. She was dead. And she was in school. They should put the name over the door so you didn't have to guess when you first got here.

p.34

Worse than that, she's alone. Surrounded by other dead teens, sure, but she might as well be stranded alone in the desert without Michael. She's sure he feels the same way. And since she can't go back to him, he must already being trying to figure out a way to join her. And if he's not, well, she'll help him.

Review:
This book was pitched to me as a cross between Romeo and Juliet and Heathers. That was certainly enough for me, and I'm guessing it's going to be enough for a lot of you as well. If it's not, or if you're unfamiliar with the genius that is Heathers (or you're talking to a group of teens who've yet to see it), don't worry. Dead Rules is great, and familiarity with Heathers is certainly not necessary in order to understand this book. Some would say it is necessary for life in general, but I would never try to force my subversive loves on all of you (though the links above lead to some pretty great/convincing pics from the movie). ;)

Jana is absolutely heartbroken to be away from Michael in the afterlife. She is one of those girls who does not exist outside of her relationship. She even introduces herself as Jana, of Webster and Haynes (as in Jana Webster and Michael Haynes). I have to admit that I kind of hate those girls. In the beginning of this book, Jana was no exception. Luckily she pairs up with Mars Dreamcote (yes, it conveniently rhymes with dreamboat) pretty quickly. I don't know that I would have been able to stick it out through a whole book of her otherwise, and that would have been a shame. This book is more than just Jana and her longing for Michael. It's also about Jana's adjustment to the afterlife, Mars's lack of adjustment, Arva, Beatrice, Christie, Wyatt(!), the grays, and the virgins.

The social hierarchy of Dead School, like that of any high school, is complicated to outsiders, and I liked watching Jana figure out how to navigate and then ignore it. The sliders vs. risers was something that I wished was explained a little bit more, but it's clear that Jana (and we) find out everything that the students know about why most people end up in one of these two groups. Any more information would have made this a completely different book as it would have required more sleuthing and less Michael's-death planning. Getting all her information from other students definitely enhanced the story. As Jana gets to know her roommates, Mars's slider buddies, and other folks around campus, she also gets to hear their death stories, and I LOVED reading everyone's death stories. They very nicely ranged from the ridiculous to the very, very serious/tragic.

Overall, Dead Rules is a fun read! It's less romance-y than your average paranormal romance. In fact, it kind of pokes holes in the idea of blind devotion and teenage lurv that lasts for all eternity. That and the dark humor made it a great fit for me, and I think other readers who roll their eyes at flowery proclamations and super-serious feeelins will love it too (as will the average Heathers fan). Those looking for the story of a love that continues beyond the grave may not.


Dead Rules comes out today and is now available for purchase!


Book source: ARC provided by the publisher.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

The Twisted Thread

Bacon, Charlotte. The Twisted Thread. New York: Voice - Hyperion, 2011. Print.
[Book cover credit: goodreads.com/book/show/9519064-the-twisted-thread]

Booktalk:
When Madeline returns from her moning jog, she can tell something's wrong from across the green. Not only are her students awake at what they consider the unholy hour of 7am, but they're all on the lawn with police surrounding the dorm. Claire Harkness is dead. And that's not all.

"No, no, that's not possible. Sally, did Claire just have a baby?" Madeline said sharply, still holding the girl but lifting her chin so she could stare into the narrow face. "Where's the baby?" Madeline found that she was almost shaking Sally's bony shoulders. ...
     Sally shook her had and could not speak. "I don't know," she finally whispered. "He's gone..."

p.11*

Review:
The Twisted Thread follows English teacher intern Madeline, art teacher Fred, detective Matt, and facilities handyman Jim as they each play their parts trying to unravel how the unthinkable has happened at the prestigious Armitage Academy. They start with Claire's death and the disappearance of her baby and work their way backwards through Claire's actions and motives to figure out what really happened. Following four different narrators was a bit challenging in the beginning, while I was still getting to know all of them. Though the point of view changes, the story never retraces its steps so that we see the same even through different eyes. Usually, I really appreciate that! This time, however, I do have to admit to some flipping back and forth trying to figure out why I was suddenly dumped into the head of someone I'd just met. Fred and Matt both interact with Madeline a lot, so the changing point of view, sometimes in the same scene (but different chapters!), seemed unneccesarily confusing in a few places, especially without the help of backing up the action a little bit so that the reader can get their bearings.

Of all our narrators, Madeline is the star of the show. She struggles with a lot of guilt because she didn't notice anything wrong (or preggers) with Claire, her student and resident in her dorm. She is also struggling to figure out what to do with her life. It is the emotional ringer of riding out the aftermath of Claire's death with the remaining students on campus that finally allows/makes her kind of grow up and make Real Life Decisions. The absence of any teen narrators in this high school boarding school book makes the adult hand-wringing a little more pronounced. It's not something that bothered me at all. It never veered into preachy or overly dramatic; it was all very believable. Still, I think it'll be a turn-off to some teen readers who may construe it as just more "kids these days" criticism. So while there is nothing in this book that would make me hesitate giving it to a high schooler to read, it's definitely not the book for a reader of primarily young adult literature who is looking for a good boarding school mystery.

That said, it is dead high school senior Claire, or at least her presence/memory, that brings depth to the stories in ways that I can't share without spoiling it for you. Just trust me when I say that the mystery goes far beyond how beautiful, intelligent, priviedged, and ultimately more complicated than anyone dared guess Claire Harkness died.


The Twisted Thread will be out and available for purchase June 14th!


Book source: ARC provided by the publisher through the LibraryThing Early Reviewers program.


*Quotes and page numbers are from an uncorrected proof and may not match the published copy.



Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

The Midnight Palace

Zafón, Carlos Ruiz. The Midnight Palace. Trans. Lucia Graves. New York: Little, Brown and Company, 2011. Print.
[Book cover credit: librarything.com/work/3595363]

Booktalk:
On a dark night in 1916, a man ran through the streets of Calcutta in fear for his life. And in fear for the lives of the infant twins he carried. Sixteen years later, Ben meets Sheere, an intense girl exactly his age, and starts seeing ghost trains in the night. Together with a group of Ben's friends, they seek out the source of Ben's visions and their own history, which leads them back to a dark night in 1916...

Review:
If you are a fan of Carlos Ruiz Zafón's adult novels (which I am, go read Shadow of the Wind right now!), this may not be the book for you. It lacks some of the magic of his adult work. However, if you are the kind of reader who likes to see the evolution of a writer's work as he hones his skill (guilty again), this is most definitely the book for you. Written before his adult works but translated into English later, The Midnight Palace shows the beginning of CRZ's talent for layering stories, juggling a large cast of characters (though none are very well rounded in this one), and placing the unbelievable in the middle of a believable  place and time. Unfortunately, his ability to turn a place into a character in its own right is not on display here, which is a shame because Calcutta would have been a good one. Here, it is incidental rather than integral to the story. If you're not already a fan or CRZ, really, go read Shadow of the Wind. Also, the rest of this review is for you.

The Midnight Palace is not the kind of book I usually read. It's an action/horror/paranormal-type hybrid that leans toward the scary/creepy end of things, and it is not at all character-driven. No one really grows or changes because of what happens. It has both a prologue (not my fave) and a where-are-they-now epilogue (one of my pet peeves). And yet, I really enjoyed reading it. While I was reading, I was scared and jumpy right along with the rest of Ben's gang. I was concerned for everyone's safety because they were so concerned for each other. I was nodding along with Sheere when she longed to be part of a group like theirs. It looked like fun (until it looked like a house of horrors), and I wish CRZ had let me, the reader, a bit more into the group. I never felt like I got to know any of the characters, Ben and Sheere included. Frankly, almost as soon as I finished reading, they were gone from my mind. What they went through and what they did, though, that stayed with me.

Looking back, there were holes and a few things that could have used an explanation, but I didn't notice at the time. I was too caught up in the bowels of a burnt-out train station with the rest of the gang. There was plenty going on to keep my attention. In addition to the ghost train there is a pool of blood that never dries, a grandma who operates strictly on a need-to-know basis and fails to realize that Ben and Sheere Need to Know it all, court records in vast archives, an architect's dream house, and a guy whose hand burst into flame on a disturbingly regular basis. The action is quick, the consequences are severe, and the reasons behind it all are shrouded in mystery.

In short this is a quick, fun read. It's certainly not light and fluffy summer reading, but it's the dark and stormy night equivalent.


The Midnight Palace is out and available for purchase now!


Book source: ARC provided by the publisher.
Series note: Goodreads has this book listed as the second in a series with Prince of the Mist as the first. However, nothing in the book indicated that this is not a stand-alone novel.

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Open Wounds

Lunievicz, Joseph. Open Wounds. Lodi, NJ: Westside Books, 2011. Print.
[Book cover credit: lunievicz.com/open-wounds/]

Booktalk:

"The bells of hell go ting-a-ling-a-ling
For you but not for me"
...
I met my cousin on the street. Sister Bernadette closed the front door behind me, her parting words echoing in my ears. "Mr. Leftingsham is your guardian by law of the state and by law of the Lord, Cedric. You are ours no longer. May the Lord be with you."

p.88-9*

Cid has always been the kid nobody wants. His mother died when he was born, leaving him with a father who could never forgive him for his fatal birth and a grandmother who could never forgive him for his Jewish mother. When he inevitably gets left at an orphanage, he thinks he'll be there forever. A man like Lefty, a cousin he never knew existed, is the last person he'd expect to claim him.

Review:
Cid's already lived a rough life by the time Lefty takes him from the orphanage. He's spent most of his childhood as his father and grandmother's punching bag, watched most of his neighbors be evicted from their homes, watched his grandmother kill herself to avoid the same, been taken in to a loving home and then left behind. And that's all before he really even hits teenage-hood (and before we hit the 100 page mark). But that's not to say that it's all bad. Cid has two great best friends, Siggy and Tomik, and he goes to the movies, "church," with his grandmother every Saturday. And out of that comes Cid's dream of becoming a fencer.

The bright and the horrible are wonderfully balanced in these opening pages. You never quite forget one while you're reading about the other. And they set things up perfectly for Lefty's grand entrance. The Great War left him horribly disfigured, crippled, and cranky, but life with him gives Cid opportunities he never would have had otherwise. Together they form a little family (aawww - but not that obvious. Lefty and Cid are both way too tough for all that), but more importantly, Lefty sets Cid up with daily fencing lessons with the crazy, drunk  Russian on the roof. Once Nikolai gets involved, Open Wounds quickly becomes a sports book. There's training and fighting and sore muscles and exhausted bodies. But there's also stage-fighting with a Shakespeare company, a cute girl, a reunion with Siggy and Tomik, and the reappearance of their childhood bullies. Again, the beautiful balance. There wasn't so much plot that the fencing stopped being important, but at the same time, I never felt lost in a book centered around the practice of a sport I've only seen in movies.

Now, I don't read a lot of fencing books (though I'm considerably more interested in them now), but I do read a lot of ballet books. I always try to comment on the accuracy of the dancing or the attitudes towards it. I can't do that here, but Richie can (sorry, his site doesn't do direct links). If he says Open Wounds is good, you can bet that it is and that the swordplay therein is up to par (and he does). This will be a hit with readers who are looking for sports books, but historical fiction and hard-knock-life fans will love it as well.


Open Wounds comes out May 25!


Book source: ARC provided by the publisher.


*Quotes and page numbers are from an uncorrected proof and may not match the published copy.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Guardian of the Dead

Healey, Karen. Guardian of the Dead. New York: Little, Brown and Company, 2010. Print.
[Book cover credit: librarything.com/work/8574661]

Awards:
ALA Best Fiction for Young Adults (2011)
William C. Morris YA Debut Finalist (2011)

Booktalk:
Ellie can't seem to get control of her life lately. She's let her best friend Kevin "convince" her to drink on school nights and even to let him sleep in her room. She's made a fool of herself in front of the guy of her dreams, Mark (did she somehow mistake her secret fantasy that he actually wanted to interact with her for real life?). She's even starting to get along with Iris, Kevin's other best friend. And, as if that wasn't bad enough, she has a nagging feeling that the Eyelasher killings that have been terrorizing the North Island have something to do with her. This feeling goes way beyond the connection that everyone who's lived on the North Island feels to the murders, and that feeling might have something to do with Mark. Unless that's just her fantasy life invading reality again.

Review:
There is a lot to love about Guardian of the Dead. Here's the shortlist:

• a smart, kind of nerdy heroine
• the freedom/restrictions of boarding school
• use and explanation of Maori myth (by a white author who has the balls to point out in the text the colonial nature, possible inaccuracies, and just plain wrongness of Maori myth written down by white people)
• high school use of a university library, because serious shizz calls for serious research
• patupaiarehe (fairy-type creatures), one of whom is Titiana in Iris's production of A Midsummer Night's Dream -- because I'm not the only one who likes art to imitate life
• casual treatment of varying sexualities*
• a hottie who is half-Maori, half-...well, something else

and I could go on. But do you want to know what I loved the absolute most about this book? The ending. I won't go into detail (or talk about the "action" ending) because I don't want to ruin it for you (cause oh-my-gosh is it cool), but I can still tell you why I love this ending.

Things go crazy, Ellie falls in lurv which may become love in the future, and Ellie and love-interest have to save the world. It's life-changing, obviously, but Ellie doesn't let it derail her life completely. She doesn't possibly blow off her art school application or get married right out of high school or ditch her best friend in the face of tru lurv and harsh circumstances or even, and this is the big one, drop out of school in order to save the world which apparently cuts off the possibility of being a brilliant academic and instead becomes a mostly silent side-character.**

Instead, Ellie keeps going, gets excited about going to college and majoring in Classics, and tells love-interest that she'll visit him when she's on break. She simply takes all that she's learned from these life-changing events with her, because that's what smart girls do.

So, if you want to read an urban fantasy (a little light on the urban grit) or paranormal romance (a little light on the romance) that's headed by a smart girl, this is your book. It's also your book if you want to read the Maori Percy Jackson equivalent, a good boarding school romp, a murder mystery, a different kind of fairy book...


Book source: Philly Free Library


*How often do you see YA books with a teen character who is asexual? Not often. I'm not going to lie and say it's not a big deal at any point, but it is not THE big deal. And it is not a problem ever, except to the people crushing on the character. :)

**Was this anyone else's take-away message from Hermione's whole 1 or 2 lines in that horrible epilogue?!? I know Ginnie's important and everything, especially cause she's the mother of Harry's children, but why does she get all the speaking parts? Since when does Hermione let everyone around her do all the talking?

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Please Ignore Vera Dietz

King, A.S. Please Ignore Vera Dietz. New York: Alfred A. Knopf, 2010. Print.

[Book cover credit: librarything.com/work/9822588]

Awards:

ALA Best Fiction for Young Adults (2011)

Edgar Award Nominee, Young Adult (2011)

Printz Honor (2011)

Booktalk:

Kid bullying you at school? Ignore him. Girl passing rumors? Ignore her. Eighth-grade teacher pinch your friend's ass? Ignore it. Sexist geometry teacher says girls shouldn't go to college because they will only ever pop out babies and get fat? Ignore him. Hear that a girl in your class is being abused by her stepfather and had to go to the clinic? Hear she's bringing her mother's pills to school and selling them to pay for it? Ignore. Ignore. Ignore. Mind your own business. Don't make waves. Fly under the radar.

p.43-4

And while you're busy taking that advice and ignoring everything else that's going wrong, Please Ignore Vera Dietz too.

Review:
Ever since her best friend Charlie died, Vera's had a hard time dealing with life. Wait, back up. Ever since Charlie ditched Vera for the detentionheads (and THEN died), Vera's had a hard time dealing with life. And her dad, the biggest proponent of the "just ignore it" philosophy, is slow to notice, or at least slow to show Vera that he's noticing. And somehow Vera is stuck living life as a full-time high school student/full-time pizza delivery technician.

Even describing the book is a little confusing and wrapped up in itself. But King pulls it off in a way that only she can, by allowing the pagoda on the hill (yes, a building), Vera's dad, and Vera's dead best friend to all weigh in, along with Vera herself, on Vera's life. Through their joint narration, we get a glimpse of the real Vera (and the real Charlie and the real Vera's Dad). They're all flawed. There are no knights (or supernatural beings of your choice) in shining armor here. They're all just trying to make it through. Even Charlie, who is doing so from beyond the grave.

Though this is part mystery (we know Charlie's dead, but we don't know how or why), part "issue" book (Vera drinks a lot, much to the concern of her recovering alcoholic dad), part dangerous relationship (1-Vera's crush is in his twenties. 2-the flashbacks contain a guy who wants to take grade school Vera and Charlie's pictures. 3-Vera is herself the product of a young high school romance gone wrong), it is mostly a darkly funny book about grief. Everyone, except maybe the pagoda, is grieving someone. It's the way that they each deal with their grief, Vera and Charlie over the loss of each other and their friendship, Vera and her dad over the abandonment by Vera's mom, that makes this such a compelling book. There is plenty of the weird, the funny, the snarkiness, and the romance to keep the book fun, but it is the way that Vera et. al. deal with the more serious aspects that made me care about them.

It sounds all over the place, and I wish I could write a more coherent/convincing review. You'll just have to trust me that Please Ignore Vera Dietz is one that you really should pick up. Either that or check out the multitude of positive reviews already out there. We can't all be wrong.


Book source: Philly Free Library (Though I've finally convinced my director that as an academic library that (1) religiously collects Newberry and Caldecott winners/honors and (2) is serving a school with a Master of Education program that has a high school English track, we should also collect Printz winners/honors, so we have a copy at work too!)

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Between Shades of Gray

Sepetys, Ruta. Between Shades of Gray. New York: Philomel Books - Penguin Group (USA) Inc., 2011. Print.

[Book cover credit: librarything.com/work/10127764]

Booktalk:
In this, her debut novel, Sepetys tackles the heart-wrenching topic of Stalin's secret deportation of millions from the Balkan states during and after WWII. We see the atrocious conditions that mostly women and children must endure in their "work camps" through the eyes of Lina Vilkas, who knows, as do we, that the conditions must be worse for her father and the rest of the men in Stalin's prisons.

Review:
Clearly, this book is not a pick-me-up, but the spirit of endurance that Lina, her family, and her friends exhibit is inspiring. Between Shades of Gray tracks the slow progress of Lina, her brother Jonas, and their mother Elena from their home in Lithuania to a work camp in Trofimovsk in the Arctic Circle. They suffer many indignities (to put it mildly) at the hands of their Soviet captors (so many and so much that I stopped marking them in my copy). The beginning of the book, especially, is very similar to the beginnings of many other stories about this time in Europe. The lists, the beatings, the cattle cars.

I could go on and on about how the Vilkas and their group suffer. I could draw many parallels between their experience and those of Holocaust survivors. I could talk about how, at times, the weight of what they go through is crushing, but I don't want to. I want to talk about the points of light in this book that made the rest of it bearable (and when I say bearable, I mean in terms of the subject matter. The whole book is beautifully and compellingly written). Lina's memories of her father and of her cousin Joanna certainly help her through her trials, as does her art which she continues, and uses to her advantage in many ways, throughout the book. A sweet, little romance doesn't hurt either. But what really makes the work camps tolerable is what the deportees do for each other. Take this example from near the end of the book, when everyone is on the brink of starvation (and please excuse my page-spanning quote):

     "Do you think we should eat him [an owl]?" asked Janina.
     At first I was shocked. Then I imagined the plump body, roasting in our barrel, like a chicken. I poked at it again. I grabbed its wing and pulled. It was heavy, but slid across the snow.
     "No! You can't drag him. The NKVD will see. They'll take him away from us," said Janina. "Hide him in your coat."
...
     Other deportees looked at me.
     "Our mamas are sick. They need food. Will you help us?" explained Janina.
     People I didn't know formed a circle around me, sheltering me from view. They escorted me safely back to our jurta, undetected. They didn't ask for anything. They were happy to help someone, to succeed at something, even if they weren't to benefit.

pgs. 313-5*

Between Shades of Gray is an important book about a not-often-talked about event in history. For this reason, it will appeal to historical fiction lovers, and WWII aficionados. It's also an emotional read, with dashes of suspense and romance mixed into Lina's experience of oppression and, ultimately, loss. I highly recommend this powerful debut and look forward to whatever Sepetys has in store for us next!

Between Shades of Gray comes out on March 22nd!


Book source: ARC provided by the publisher through the LibraryThing Early Reviewers program.

*Quotes and page numbers are from an uncorrected proof and may not match the published copy.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Nothing

Teller, Janne. Nothing. Trans. Martin Aitken. New York: Atheneum Books for Young Readers, 2010. Print.
[Book cover credit: librarything.com/work/1567168]

Awards:
ALA Best Fiction for Young Adults (2011)
Batchelder Honor (2011)
Printz Honor (2011)

Booktalk:
Pierre Anthon has decided that nothing matters. He's also decided to sit in a plum tree and harrass his former classmates until they come to the same conclusion. They have to make him stop. They have to show him that there is something that still holds meaning. In order to do so, they each must sacrifice something that holds a great deal of meaning to them.

Review:
Disturbing does not even begin to cover it.

Nothing is a tiny book. It's shorter than most and more narrow. The story takes up slightly more than 200 pages, and those pages contain a lot of white space. Still, it is probably the most disturbing book I've ever read. And almost not even in a good way. Don't get me wrong, Nothing is a wonderfully written book. Not a single word is superfluous and yet the story feels expansive. We see the whole thing from Agnes' point of view, and yet the feelings of others and the crowd mentality of the group are clear. It's got a kind of terrible, terrifying beauty to it. As one LibraryThing reviewer said, "There is no age appropriate for this book."

As Agnes and her classmates try to collect things to counter Pierre Anthon's nothingness, things take a definite turn towards the sinister. If they're going to prove meaning, these things must really mean something to the person who has to give them up. And each time someone has to give something up, they get to choose what the next person has to lose:

When Dennis had first handed over the last four of his Dungeons & Dragons books, it was as if the meaning started to take off. Dennis knew how found Sebastian was of his fishing rod. And Sebastian knew that Richard had a thing about his black soccer ball. And Richard noticed how Laura always wore the same African parrot earrings.

p.35

This accumulation of things starts out as mean and a bit vindictive, but it very quickly spirals out of control until it is not just things that are being accumulated. Friendships break up, kids get in trouble, alliances are formed, and people get both emotionally and physically hurt.

Watching what these kids require of their friends and classmates, what they deam worthy sacrifices to the "heap of meaning," was like driving past a multiple car pile-up on the freeway. It's gruesome and terrible, but you can't help but look. I finished this book in a single day, holding my hand over my gaping mouth for the last 50 pages or so (and more than a few times before that as well). I was repulsed and hooked at the same time. This is an engrossing and haunting read.


Book source: Philly Free Library

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Hold Me Closer, Necromancer

McBride, Lish. Hold Me Closer, Necromancer. New York: Henry Holt and Company, 2010. Print.

[Book cover credit: librarything.com/work/9880508]

Awards:

ALA Best Fiction for Young Adults (2011)
William C. Morris YA Debut Finalist (2011)
Booktalk:

     "You even smell a little like him," he said, his voice going throaty.
     Disturbing. Was it good to smell like someone else? I reached out cautiously and put my hands over his, leveraging for a bit of breathing room. "Like who?" I choked out. Buff Guy had a fierce grip [on my neck].
     "Like the grave," he said, not really answering my question. "Like cold death."
     "Thanks," I said. Creepy, creepy, creepy. I didn't add that he smelled like meat. Not that I could. Apparently, choking helped me keep my mouth shut and mind my manners. I wished he'd put me back down. Or that Ramon and Frank would rush him from behind. Then he'd have the opportunity to strangle all of us. I needed to get bigger friends.
     "And blood," he said. "You smell like blood."

p.22-3

Sam has pissed off the wrong guy. A guy who unnerves Sam for reasons he can't explain. A guy who radiates evil and power in equal measures. A guy who employs a very large, slightly unhinged henchman. But Sam is not going to go down without a fight, and he'll be damned if he lets this guy take his family and friends out with him. Unfortunately, it's starting to look like Sam might be damned already.

Review:
Hold Me Closer, Necromancer is a hilarious book, but it's still horror. When I was thinking about this review, I knew I wanted to include a quote that showed both at once. I found this one by opening the book to a random spot near the beginning. That's how much the humor and terror go hand in hand throughout the novel. The hilarity keeps the book from getting too too scary, but the story still never loses it's dark and serious edge. It's awesome.

For me, though, the funny stuff won. I laughed out loud (on a quiet commuter train, no less) while reading this book. Sam's a smart and introspective college drop-out, Brooke's a manipulative smartypants (and I mean that in the most flattering way possible) in a cheerleader's body, Ramon's still in college and living on Sam's couch, and Frank's the new kid that they're all trying to break and/or befriend. What they have in common is their cynicism, irreverence, and fast food employer. They are masters of biting and witty one-liners, exactly my kind of humor. Ramon, Frank and Brooke do their best to make sure that Sam stays firmly grounded in his regular life even though he's being pursued by creatures he's not sure he even believes exist.

And that's where the horror part kicks in. The evil guy, Douglas Montgomery, is a ridiculously powerful necromancer, and he thinks Sam is a necromancer too. The guy in the quote above? Sam isn't quite sure WHAT he is, but he's left huge cuts down Sam's back that could only have come from a knife. Only no one saw a knife. Within the first 50 pages, someone we already care about is dead. Without getting too spoilerly, let me just say that necromancers are not the only magical/paranormal beings to grace these pages. There are werewolves, fae, witches, vampires and more. Oh, and Douglas's house comes complete with a magical cage and basement torture chamber.

This is one that I think is more suited to older teens. Sam is out of high school and has already nixed college, and  his "normal" life problems reflect that. That's not to say that the average high schooler won't love this book. It is darkly humorous, scary, and Sam and co. exhibit the kind of sarcasm and cynicism to which many in high school aspire (myself included, at that age). And Sam is stuck in the stage of life where he is trying to find himself, something that is highly relatable for many teens and twenty-somethings. He's just got the added pressure of "to raise the dead or not to raise the dead" making everything more interesting. I loved it.


I mentioned the internal musical loop this title can inspire, but luckily the chapter titles mix it up a bit. Leah's got a series of posts going to help you place the song lyrics.


Book source: Philly Free Library

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Hush

Chayil, Eishes. Hush. New York: Walker and Company, 2010. Print.
[Book cover credit: librarything.com/work/10175762]

Awards:
Sydney Taylor Honor Book (2011)
William C. Morris YA Debut Finalist (2011)

Booktalk:
Gittel has always lived in the Chassidic community of Borough Park, and she knows that she is part of a holy community. She knows that unholiness, evil, hate and hurt come from the outside, from the goyim. Her best friend Devory knows that's not always true.

Told in alternating viewpoints, Gittel at age 9 and Gittel as a newlywed, Hush looks at how a small community deals with abuse at the hands of their own, or more importantly, how they fail to deal with it.

Review:
Hush was a hard book to read. It was painful and sad and unbelievable, but it was never hopeless, even when Devory and Gittel were. And it was compelling. I always skip to the end of books to read the "About the Author" section, so I knew from the get-go that Chayil (a pseudonym) is really a grown-up Gittel. I needed to know how she went from a childhood that taught her never to say anything that could shame another member of her community to the point of being able to write about the abuse she witnessed as a child in such a public way.

I don't know how much of a spoiler this can be since it's in the description and in probably every synopsis of the plot, but read on with caution.

Devory's brother rapes her with Gittel feigning sleep in the next bed.  Because we, as adults, know what is happening, it's a horrible scene to read. But Gittel has no idea what is going on, coloring the scene with confusion and fear. She knows that Devory's brother is hurting her. It's what happens afterward that is really horrific: Devory's parents tell the girls that they must be wrong; nothing like that could have possibly actually happened. They send Gittel home and leave Devory with her brother.

OF COURSE, while I was reading I was outraged, but I must have braced myself for it too much. I was so prepared for the sexual abuse that I somehow didn't let the real horror of the situation sink in. It wasn't until I went back through the book after reading that it really hit me. I was sitting in Borders checking quotes in my ARC against the published copy. Maybe it was seeing those quotes that I had marked out of the context of the story, but I sat in Borders angry and almost crying. Every single adult in Gittel and Devory's lives covers up the situation so that no one else, including the authorities, can know for certain what happened. They keep this up long after Devory, at the age of nine, hangs herself in her best friend's bathroom.*

Here is one of the quotes I was checking:

I am so sorry, Devory. I am apologizing for all of them, for those who should have know but didn't, for those who knew but ignored, and for those who put their reputations above their children's lives. ... You didn't have to die. But for our ignorance, for our deliberate blindness, for our unforgivable stupidity, you did. I hope this letter will stop others from sharing your fate.

p.335

So, yes, this is a hard and painful book to read, but it is also important. And though it has won a couple youth honor nods (and is clearly a YA book), it needs to be read by adults. As Liz B. points out**, this is not a condemnation of the community that Chayil is writing about. Denial is not exclusive to this group, and it is the adults' denial that is the real problem.


Book source: ARC provided by the publisher


*This is the difference between Hush and a book like Hope in Patience. In the latter, Ashley's mom doesn't believe her about the abuse, which allows it to continue, but after the fact, Ashley's dad and step-mom believe and are supportive of her, which allows her to heal and move on. Devory has no one to turn to but Gittel, who has less understanding of and control over the situation than Devory herself. Even the adults that believe Devory and Gittel do nothing to help. Gittel's father (my favorite adult in the book) doesn't find out about the abuse until it is too late to save Devory, but he eventually comes around and helps Gittel to grieve and go public with what she saw.

**Her review is so much less emotional than mine, so I highly suggest that you check it out. She also has links to a few other reviews and an author interview.


Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Princess of Las Pulgas

McKenzie, C. Lee. The Princess of Las Pulgas. Lodi, NJ: Westside Books, 2010. Print.
[Book cover credit: librarything.com/work/10735832]

Booktalk:
After the death of her father, Carlie's mom has to sell the beach-front home that Carlie and her brother grew up in and move the family to low-income Las Pulgas, literally The Fleas. Carlie is unwilling to fit in with the kids at her new high school, embarrassed to let her old friends see her new reduced circumstances, and unable to hold a real conversation with her mom or her brother. Even her cat runs away leaving Carlie completely alone. The only thing she has left are the memories of her father's advice in her head.

Review:
Poor Carlie. After watching her father slowly die of cancer, a move across town might seem trivial; upsetting, but trivial. Fights with her mom, not getting asked out, rude neighbors, or a "pushy" English teacher (in the Tina Fey Mean Girls way) might also seem trivial. But all together? Carlie is helplessly watching her life fall apart around her.

Carlie's main problem with her new life in Las Pulgas is all the "poor people," as she sees them. Almost everything she dislikes about the people around her can be attributed to, in Carlie's mind, the fact that they are poor, or at least more poor and classless than the people she new in Channing. Even though Carlie and her family are in Las Pulgas because of financial problems, she doesn't see anything that she could have in common with her new neighbors and classmates. She puts on a tough front, but it's pretty obvious (to everyone) that she's just scared. McKenzie portrayed this beautifully. Even though we see the whole thing from Carlie's point of view, we can see (though Carlie cannot) that the people she interacts with in Las Pulgas can see that she's just trying to make it through without ever trying to fit in. She holds herself apart both because she feels she's better than those around her and also because the kids at her high school terrify her, something they pick up on all too easily. Eventually she makes a couple friends, but there is no Big Lesson about class consciousness. ::sigh of relief::

And through all of this growing and learning on Carlie's part, there are play rehearsals. The junior class is putting on Othello, and Carlie has been cast, against her will, as Desdemona. Opposite smokin' hot Juan. And Juan, very sweetly, refuses to take Carlie's crap. He calls her out on her assumptions about her classmates and about him. He drives her nuts (in good and bad ways), but he also protects her from some of her other, scarier, problems at Las Pulgas High.

For a while, this pile-up of problems distracts Carlie from the pain of losing her father. It's not as though she forgets about him or even stops being sad. She's just dealing with all of this other things first. But her father's advice keeps sounding in her head telling her to be strong, something she doesn't know if she can do anymore. When she finally faces her feelings about her father (with the help the scene in which Desdemona must say goodbye to her father), it is so real. Spoiler: And I love that she is mad at him for dying at the same time that she feels guilty for wanting him to die in order to end his pain. Anger towards a deceased love one, simply because they're gone, is something that is not shown all that often, though it is somewhat normal. Carlie doesn't rage against God, she rages against her father in the course of her grief.

The Princess of Las Pulgas is an honest look at how Carlie deals with huge upheavals in her life, both a huge change of lifestyle and the death of her father. It still manages to be a suspenseful, romantic, and uplifting read.



The Princess of Las Pulgas is available for purchase now!


Book source: ARC provided by the publisher.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Low Red Moon

Devlin, Ivy. Low Red Moon. New York: Bloomsbury, 2010. Print.

[Book cover credit: bloomsburykids.com/books/catalog/low_red_moon_hc_105]

Booktalk:
Avery's childhood was a bit isolated, but never lonely. She lived in the woods with her mother and father. Her father wrote for the local paper, her mother made jams and taught Avery at home. Then someone, no something, took it all away and left Avery lying in her parents' blood with no memory of what happened to them. Now she's living with Renee, her estranged grandmother, in town and going to school to try to distract herself from all she's lost. That's where she meets Ben, beautiful Ben who moved to town just before her parents died and is the only person who is as comfortable in the woods as Avery is. Just when Avery thinks she might be able to move on, weird things start to happen: her father's friend tries to buy his land, Avery's hair turns blood red, and another land-owning family in the woods turns up dead. Avery knows she has to find out who killed her parents before anyone else dies, and she's terrified that Ben has something to do with it.

Review:
Low Red Moon is paranormal romance at its best, but it is also so much more. It is also a book about a girl who is dealing with the loss of her parents. Avery, who has little to no relationship with her grandmother even though they are so close geographically, just wants to go home, but when she finally makes it to her parents' house, it's not longer home without them there. It's also a murder mystery with some all-too-human players, such as her father's friend who wants to turn the woods into a strip mall. With all of this going on, you might think that the paranormal romance aspect of the plot might push everything over the top, but it is actually what makes everything gel together.

As in all your favorite paranormals, Avery and Ben have an almost immediate feelings for each other, a bond that goes (a bit) beyond attraction (though there are plenty steamy make-out scenes). But Avery is not the swooning type. She does not also immediately trust Ben or follow all of his for-your-safety commands (why do these paranormal guys all think they're love interest are so freaking helpless?). She reserves a bit of herself for, well, herself, even as she throws herself headlong into a pretty fast-moving relationship with Ben. It is during one of their massive make-out sessions that she discovers a patch of fur on his back. Not man-sweater fur, actual fur. The fact that Ben is more than human (werewolf, to the rest of us) terrifies her, even though Ben swears he would never ever hurt her. Ben, who she feels can see into her soul. Ben, who is a distractingly good kisser. Ben, who is a certifiable monster and moved to the woods near her parents' house just before they were murdered. Ben, who also doesn't remember the night they died. Avery makes the mental jumps that any rational human would make.

I don't want to say too much more. While reading, my head was split between thinking that of course Ben killed Avery's parents and thinking, as paranormal romances have been teaching me since Twilight, that tru lurv conquers all and that Ben couldn't have possibly hurt her parents. Even though Avery and Ben hadn't met yet when they died. And even though Ben has a really good reason for wanting Avery's dad to shut his pie-hole. I was torn between the romance and the facts as we know and see them, just as Avery is. Her struggle is real and by the time she opens up and asks for help and advice, it looks like it might be too late.

About the romance: I know there has been a lot of criticism around the blogosphere about the unexplained attraction that is mistaken for love in all of these paranormal romances. Well, that's probably what's going on here too. Instead of this being a chaste "love" story (not that there is anything wrong with chaste teenage romances!) all about how hot the other person is, Avery and Ben get it on. They're attracted to each other, so they make out, feel some crazy connection to each other when they kiss, and think they're in love. Let's be honest, there's nothing all that paranormal about that. It happens to young adults, in books and in real life, all the time. As much as I wanted them to have a more meaningful relationship, it is pretty realistically portrayed. With all that is going on in Avery and Ben's lives, they don't have a ton of time to go get coffee and get to know each other. Does that mean they should constantly make-out in alleys? No, but they do. We can only hope that if Ben is not a crazed mass-murderer that they'll go back after this is all over and find out each others favorite colors.

Also, that hair turning red thing that I dropped into the booktalk? It's important. It's just dropped into the beginning of the book and its weird and scary when it happens. It's just left hanging until everything comes together in the end. It's super-subtle foreshadowing that makes you want to re-read to see if you pick it up the meaning the second time around.


Low Red Moon came out earlier this week and is available for purchase. The published copy also has 60 more pages than the arc I reviewed, allowing me to let a few holes in the story pass as I hope they're patched up by now.


Book source: ARC picked up (and signed!) at ALA

The Thin Executioner

Shan, Darren. The Thin Executioner. New York: Little, Brown and Company - Hatchette Book Group, 2010. Print.
[Book cover credit: librarything.com/work/9460780]

Booktalk:
Among the Um Aineh, being the son of the executioner is almost as good as being the son of the king. In a world of warriors where strength and honor are valued above all, even the youngest son of the executioner, Jebel Rum, can't get the respect he thinks he deserves with a tiny frame. He sets off on a quest to save his honor, a quest that will require him to travel the length of Makhras with a slave by his side, a slave he must sacrifice to Sabbah Eid. In return he'll be granted invincibility that will allow him to beat any man in competition or combat and gain the confidence and respect of his father and his people.

Review:
All of the publishers' blurbs and pre-pub info says that this book was inspired by The Adventures of Huckleberry Finn, but I didn't get that from the story. Sure, It's a story about a young teen traveling with an adult slave who agrees to the trip in an effort to free his family. They get waylaid and sidetracked by a pair of con-artists who seem like friends but really want to sell them to the highest bidders. They travel along a river (but never on it!) and meet many new people with ideas like and unlike their own, and through their trials, the teen and the slave become friends. Okay, so maybe it's a LOT like Huck Finn, but the feel of the story is completely different. Huck Finn is light-hearted, easy-going fun on the surface with issues of race, slavery, violence, theft, general immorality boiling underneath.* In The Thin Executioner, the bad stuff is all right out in the open.

The society in which Jebel has been raised is exceedingly violent. The executioner is an exalted member of society in the way that movie stars are exalted in ours. They are not only men who mete out "justice," but also the providers of entertainment. Anyone convicted of any crime is executed; the Um Aineh have no jails and don't really hold much regard for human life. And their slaves aren't even considered human. Slaves live in their own section of the city where the living conditions are very degraded, can be beaten without recourse, and can be sentenced to death at the wish of their owner for any reason or none at all. Tel Hesani volunteers to accompany Jebel on his quest, knowing he will be executed at the end of it, to free his wife and children from this existence.

Once Jebel and Tel Hesani are on the road, Jebel depends on Tel Hesani's knowledge of the world and other people in it to survive, but still treats him with disdain. Because Jebel is eager to spend time with people like himself, meaning not slaves like Tel Hesani, they end up in quite a few compromising situations. The trials and tribulations of traveling through Makhras add up quickly, much more quickly than the change of heart I was expecting from Jebel. Tel Hesani saves him time and time again, and yet he's still valued as slightly more than a piece of shit by Jebel. About halfway through the book, I had to set it aside. Jebel's attitude is a lot to take. It isn't until Jebel and Tel Hesani are separated and Jebel gets to experience the life of a slave for himself that his ideas about slavery, human life, and Tel Hesani begin to change. When they're finally reunited, they continue on the quest, but Jebel (finally) seriously doubts whether he'll be able to kill Tel Hesani in the name of a god he's not sure is real in exchange for supernatural powers that may or may not exist.

The Thin Executioner is a long book, and I think that a lot of the obstacles Jebel and Tel Hesani meet on their way to Sabbah Eid could have been cut out without risking important plot points or character development. Still, it can be a gripping story. I had a hard time being in Jebel's head for so much of the book when he was such a self-centered jerk, but the payout is worth it in the end. If like me, you're suffering from post-Mockingjay pre-Monsters of Men malaise, The Thin Executioner just might soothe your gratuitous-violence-with-a-message seeking soul for a little while.


If LibraryThing is to be believed, Shan dedicated this book to the country of Jordan "which inspired much of this book's setting and plot, and whose landmarks provided the names of all the characters (with three exceptions) and places" (my ARC doesn't have the dedications page). Jebel also describes his crush as "slim and curvy, with long legs, even longer hair, dazzling brown eyes and teeth so white they might have been carved from shards of the moon. Her skin was a beautiful dark brown color" (2).** He also repeatedly describes the off-putting paleness of Tel Hesani's people. Based on these three things and a vague memory of a description of Jebel himself, I'm thinking Jebel and the rest of the Um Aineh are middle eastern, making this a fantasy book featuring POC! A rare and wonderful thing!


Book source: ARC provided by publisher via yalsa-bk.

 * Admittedly, I don't think I've ever read Huck Finn all the way through (but I've seen the movie with Elijah Wood about a million times), so my assessment of the tone of the original may be a bit off. 

 ** All quotes and page numbers are taken from an Advanced Reading Copy and do not necessarily match the published copy.

Infinite Days

Maizel, Rebecca. Infinite Days. New York: St. Martin's Griffin, 2010. Print.
[Book cover credit: librarything.com/work/9793458]

Booktalk:
Lenah's life as a vampire was one full of misery, her own and the misery she inflicted on her thousands of human victims over the centuries. Then, after a century long nap, she wakes up as a human. The torment of the vampire existence is gone, replaced by the range of feelings and senses we humans take for granted. But Rhode, her maker and soul mate, site in front of her dying so that she can live again. A new kind of misery. But Lenah is now human and humans are resilient creatures with much shorter memories than vampires. If Lenah can make a life for herself in the boarding school in which Rhode has left her, maybe she can survive without him and in spite of all the other vampires she has left behind.

Review:
Woohoo! The vampire is scary again! This is not a horror book because Lenah is no longer a vampire, but in her flashbacks to her former un-life, she is eeevil. But Lenah, and her coven of sexy vampire men, still have a few tricks up their sleeves, such as the one that allows Lenah to be human again. I love that Maizel added to vampire lore and myth without completely ignoring traditional vampire tales. This allowed her to focus on what made Lenah and her coven different from traditional vampires without making that the focus of the story. Unfortunately, even though it wasn't the focus of the story, the vampire parts were my favorite parts.

Lenah as a human was not my favorite person. I wouldn't say Lenah as a vampire was my favorite either because she, you know, ate people for fun, but at least she was interesting. I get that having just watched the love of her un-life sacrifice himself for her, Lenah wouldn't be the peppiest person on the quad. I also get that having been unconscious for 100 years, Lenah finds a lot of things weird, offensive, alien, whatevs. I'm fine with all of that. And so is Tony, the cute Japanese-American scholarship student who befriends her. Even though odd things are always coming out of her mouth and she never seems to know what's going on even though she's obviously a smarty-pants, Tony takes Lenah under his wing, shows her around campus, teaches her how to drive (Rhode left Lenah a seriously amazing car, in addition to the steamer trunk full of cash in her PRIVATE APARTMENT on the top floor of her boarding school dorm), and inducts her into the woes of bathing suit shopping. He's the best best friend a girl could ask for, especially a girl in Lenah's situation.

When Tony falls in love with Lenah, she knows about it but doesn't acknowledge it. No problems there. Things like this happen. And it's awkward. Instead, broody Lenah who wears all black, works in the library, and whose biting wit is almost as evil as her former, well, bite, falls in love with The Jock. You know the one. He's the star of everything he touches, all the guys want to be him, all the girls want to do him, and he's dating the hottest girl in school. In his defense, Justin does not fall into the 80s movie stereotype of a jock; he really is a nice guy (except for the fact that he continues dating the hottest girl in the school while he pursues Lenah, right up until the moment when he knows he's won Lenah over and it's safe to dump the girlfriend, but that's a whole different rant). When Lenah and Justin finally get together, it's like everything clicks into place for Lenah. She's no longer a stranger in a strange land. No transition, no learning stuff, she just all of a sudden belongs in a New England boarding school in 2010. It's like magic (barf). But Justin's nowhere near as in tune to Lenah as Tony is, and she ditches Tony for him. She doesn't just choose Justin over Tony romantically, that I would have been fine with as it's almost never a good idea to date your friends. Instead, Lenah pulls an "If you can't immediately and 100% support my true lurv that I just discovered yesterday, even though we both know that you're secretly in love with me and this might be hard for you, then we can't be friends."

Tony, my favorite character in the whole book, the only one besides (dead) Rhode that I really liked, just fell out of the book. And I sort of lost my interest.

But the vampire lore was pretty cool, as were the flashbacks to Lenah's un-life (and don't worry, Maizel is not nearly as dorky as I am and does not refer to it that way). Rhode and Tony are both drool-worthy side characters and make the book worth reading, at least for me. And the ending is really intense. I have no idea how it is a set-up for the start of a series, though. The end seemed pretty definitive to me, but in a world where vampires can return to human form, I guess nothing is really all that permanent.


Book source: Review copy from the publisher through the LibraryThing Early Reviewers program

The Girl Next Door

Castrovilla, Selene. The Girl Next Door. Lodi, NJ: WestSide Books, 2010. Print.
[Book cover credit: librarything.com/work/9838360]

Booktalk:
Sam and Jesse have been best friends since they bumped strollers in the elevator of their building. They've grown up doing everything together, and though Sam has been in love with Jesse since that fateful day when they were two, Jesse sees Sam as the girl next door, not girlfriend material. All that changes when Jesse gets sick. He cuts everyone out of his life except Sam. Suddenly, without the distraction of the rest of the world, he sees her for what she's always been: perfect for him. But will Sam ever believe that he's really in love with her and this isn't just a romance of convenience? And will that even matter if Jesse never gets better?

Review:
When I was in junior high, I was really into books where someone dies. Kids with cancer, car accidents, loving but ancient grandparents; these were my books. I don't know why, but I loved sad books. Girl Next Door is the more grown-up version of those books. Death is more than a possible ending for this book; it is practically the setting and a main character as well. Jesse and his mother are, of course, consumed by Jesse's sickness, but so is their housekeeper Maria, Sam, and Sam's mother and little brother. Sam especially. She starts to fail out of school, she moves into Jesse's room, and she lets everything that is not Jesse fall to the wayside. She desperately wants Jesse to live, but she knows that it's very possible that she has years and years to catch up on things like high school while she may only have months (if she's lucky) to spend time with Jesse.

It is unbearably sad.

More sad than the situation itself is the way that Sam deals with it. She truly becomes a shell of herself, her sole purpose to make Jesse as happy and as comfortable as possible. The prime example of this, and one that causes more than a few problems for both Jess and Sam, is that she crawls into bed with him based on nothing more than her lifelong crush and Jesse's wish to not die a virgin. He doesn't fall in love with her until afterward. With that kind of a set-up, of course she doubts Jesse's feelings for her! She's available and willing to put out (and make sandwiches and clean up when he pukes them up later) all the time. Even though her doubts linger for a whole lot of the book, Sam never backs up, sets boundaries, or ASKS Jesse about his feelings for her. She just clings to him all the more. When her mother finally notices that Sam has gone to the bad place over Jesse and over Jesse's illness and makes Sam see a therapist, Sam won't go without Jesse.

Sam's so desperate throughout the whole book, not only to have Jesse live but to be Jesse's whole life the way he has become hers. To be honest, it made me uncomfortable. I wanted for someone, her mom, her therapist, Jesse, to make Sam see that she needed to be her own person in order to survive when Jesse may not. They all tried, but it never really sunk in. Even when things start to get a little bit better, Sam is still all about Jesse. Their relationship becomes more healthy than it is in the beginning, but Sam is never just Sam. All about the ending spoiler: I think if the book allowed us to see Sam after Jesse's death and see her grow from this experience a bit, it wouldn't be so bad. Even on his deathbed, Jesse is trying to explain to Sam that she needs to go on and she is quoting the "Evermore" lines from a poem he wrote to her. I know that the end is peaceful, but as it is written, I have no faith that Sam will be able to pull herself out of her grief and do all the things she promised Jesse that she would: finish high school, go to college, fall in love again.

Still, I don't know that teen readers will have the qualms about Sam that I do, and even with my worry for Sam and discomfort over the way she was portrayed, I was totally sucked into this story. I cried. And I would have eaten this book up when I was in junior high/early high school. It is a really good sad story.


Book source: Review copy from publisher

Beautiful Malice

James, Rebecca. Beautiful Malice: A Novel. New York: Bantam Books - Random House, 2010. Print.
[Book cover credit: librarything.com/work/9367605]

Booktalk:
After the violent death of her little sister Rachel, popular Katie Boydell reinvents herself as quiet, keeps-to-herself Katherine Patterson. Moving in with her aunt and changing high school for her senior year complete the transformation.

Until Alice.

Alice is one of those girls who acts as her own center of gravity, always in the center of everything and dragging you in. Katherine can't resist her, and Alice pulls Katherine into Life again. It looks like everything could be alright in a post-Rachel world. But then Alice starts to devolve. And she's determined to take Katherine down with her.

Review:
I don't know that it's meant to be read this way, but Beautiful Malice was a great mystery. The entire story is told in flashbacks. Katherine, an adult with a young daughter, is looking back on her senior year of high school when she met and knew Alice. Eventually her teenage self is remembering and telling Alice about the events leading up to Rachel's death. In both scenarios, the reader should, on some level, know how the story ends: Katherine grows up and has a child; Rachel dies. And yet, I never felt impatient waiting for that end to come. In fact, there were plenty of points in the senior year storyline when I was sure that things could not possibly end the way adult Katherine seemed to imply that they would. Moreover, when the endings finally did come they were plenty twisted, making them surprising even if they really do amount to Katherine growing up and having a child and Rachel dying.

The bulk of the story is set during Katherine's senior year of high school, specifically when she is befriended by Alice. Katherine is Katherine, rather than Katie, because she is trying to move on in her life past Rachel's death, but it is still a big part of her. It takes a really long time for Katherine to open up to anyone, including the reader, about what happened to Rachel, and yet I wasn't annoyed by not knowing. From almost the beginning, I knew Katherine was dealing with some serious survivor guilt, but as her recollections of Rachel slowly unfolded, it became clear that her guilt went beyond just the guilt of still being alive. Katherine feels truly responsible for Rachel's death, and because her story of what really happened the night Rachel died is so drawn out, it looks like she just might be. She's dealing with all of this while she slowly gets sucked into Alice's world.

Alice, by the way, is the mayor of crazytown. She's fun-crazy in the beginning, always managing to have alcohol and a party to go to (and an awesome dress to wear to it, and one for you to borrow besides). She lives in an apartment of her own, paid for by her birth mother who feels guilty that Alice was adopted by hicks. She seems so grown-up and exotic to Katherine, who used to be a more suburban version of her. Alice drags Katherine back into the social scene she should have always inhabited, introduces her to new people and experiences, gains her complete trust and (for a while) adoration, and then goes crazy-crazy. When Katherine stops worshiping the ground Alice walks on and gets her own friends, Alice becomes possessive and stalker-y. It's pretty scary, and the lengths she goes to (and why) left me speechless.

I think Beautiful Malice will be devoured by readers looking for more thriller in their mysteries, but be warned that though Alice and Katherine are teenagers for most of the story, they have very few "typical" teen experiences. They're never in school, they hang out in bars, and they date grown men. I'm not saying that this book is inappropriate, because really, there's nothing graphic or too "adult" going on, but it's certainly not set in high school, even if the main characters are technically high schoolers.


Beautiful Malice will be available for purchase next month!


Book source: Review copy from the publisher through the LibraryThing Early Reviewers program.