Darwen Arkwright

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. This week's book is:

Hartley, A.J. Darwen Arkwright and the Peregrine Pact. New York: Razorbill - Penguin Group (USA) Inc., 2011. Print.
[Book cover credit: librarything.com/work/11243909]

Booktalk:

     Darwen stood up and turned. Behind him the forest continued, but -- suspended in midair, exactly at the height he had hung it on the back of the door -- was the empty mirror frame, and through it he could see the shelves and coat hangers in his bedroom closet. For a moment, all the strangeness fell away and a single word came to mind.
     "Cool," he said into the night.

p.45-46*

When Darwen gets to Atlanta he's far from home with no friends, a business-minded aunt, and the specter of a stuffy prestigious private school looming over his head. A magical world only he can see on the other side of his closet mirror is just what he needs. Until things start going wrong there too. Darwen just has to save that other world, even it it means he also has to make some friends in Atlanta he can trust with his secret.

Review:
Darwen immediately falls in love with the world through his mirror (as did I). It's lush and quiet and exciting, and he almost immediately makes a new friend. In short, it's nothing like Atlanta, where the weather's hot but the tea is only lukewarm, which is nothing like the small town near Manchester that Darwen used to call home. As things start to go badly in Silbrica (mirror world) and Darwen and his new friends become more involved in finding a solution, the more we find out about Darwen's past and how he ended up in Georgia. He is so very sad and doesn't want to let anyone in. I thought that his issues were just going to be left unresolved once the action in Silbrica got going, but I was happily surprised to see that Silbrica and the "real world" were much more connected than I could have imagined in that and other respects.

Darwen briefly mentions that he has one Black parent and one white, something that, in the past, made him feel like he never belonged in either group. This is not, however, an issue for him at his new school in Atlanta (his newness and lack of familiarity with American football provide more than enough fodder for the bullies). In this prestigious school for which tuition must be paid in advance, class is a much bigger divider than race. In this respect, Darwen should be good -- his aunt is a successful businesswoman, after all -- but his blue-collar Manchester accent (as opposed to a posh one from London) gets in his way. On the other hand, Darwen's friend Alexandra is avoided by everyone because she is just so annoying (so so annoying), and yet approved of by Darwen's aunt (who also finds her exhausting) because of Alexandra's mother's success and refinement. His friend Rich, who is super smart, kind, and polite, is looked down upon by classmates and Darwen's aunt alike because of his family's "white trash" farming background. All three of them feel their outsider status acutely, which is part of why they end up becoming friends even though they have little in common.

All of these real life concerns pale, both in Darwen's mind and in the reading, in comparison to Mr. Peregrine and his mirror shop of gateways to Silbrica. Though the beauty and the magic of the place does not last long for Darwen, he sees enough of it to know that the world on the other side of the mirror is special, that it is a place worth saving, and that he is a part of it. The more horrible the situation gets there and the more horrible the creatures Darwen et. al. encounter, the stronger his determination to save it (and the stronger the intensity of the story) becomes.

This is a really fun, adventurous read. Though it is a bit darker, I think it fits well with other secret-world-in-the-wardrobe-type books, and it will be a good book for readers ready to graduate from those books but not yet ready for the content in older YA fantasies.

I'll leave you with one last quote to seal the deal:

     "... Well, this is excellent."
     "Excellent?" Darwen repeated. "I almost got killed!"
     "Almost is such a wonderful word, don't you think?" said the shopkeeper with a wink. "So full of wiggle room and loopholes, so not-absolutely-anything. Almost killed means still very much alive, which, I'm sure you will agree, makes all the difference. So, the only remaining question is, when are you going back?"

p.145-6*

Darwen Arkwright and the Peregrine Pact comes out next week!


Book source: ARC provided by the publisher through the LibraryThing Early Reviewers program.


*Quotes and page numbers are from an uncorrected proof and may not match the published copy.

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Guardian of the Dead

Healey, Karen. Guardian of the Dead. New York: Little, Brown and Company, 2010. Print.
[Book cover credit: librarything.com/work/8574661]

Awards:
ALA Best Fiction for Young Adults (2011)
William C. Morris YA Debut Finalist (2011)

Booktalk:
Ellie can't seem to get control of her life lately. She's let her best friend Kevin "convince" her to drink on school nights and even to let him sleep in her room. She's made a fool of herself in front of the guy of her dreams, Mark (did she somehow mistake her secret fantasy that he actually wanted to interact with her for real life?). She's even starting to get along with Iris, Kevin's other best friend. And, as if that wasn't bad enough, she has a nagging feeling that the Eyelasher killings that have been terrorizing the North Island have something to do with her. This feeling goes way beyond the connection that everyone who's lived on the North Island feels to the murders, and that feeling might have something to do with Mark. Unless that's just her fantasy life invading reality again.

Review:
There is a lot to love about Guardian of the Dead. Here's the shortlist:

• a smart, kind of nerdy heroine
• the freedom/restrictions of boarding school
• use and explanation of Maori myth (by a white author who has the balls to point out in the text the colonial nature, possible inaccuracies, and just plain wrongness of Maori myth written down by white people)
• high school use of a university library, because serious shizz calls for serious research
• patupaiarehe (fairy-type creatures), one of whom is Titiana in Iris's production of A Midsummer Night's Dream -- because I'm not the only one who likes art to imitate life
• casual treatment of varying sexualities*
• a hottie who is half-Maori, half-...well, something else

and I could go on. But do you want to know what I loved the absolute most about this book? The ending. I won't go into detail (or talk about the "action" ending) because I don't want to ruin it for you (cause oh-my-gosh is it cool), but I can still tell you why I love this ending.

Things go crazy, Ellie falls in lurv which may become love in the future, and Ellie and love-interest have to save the world. It's life-changing, obviously, but Ellie doesn't let it derail her life completely. She doesn't possibly blow off her art school application or get married right out of high school or ditch her best friend in the face of tru lurv and harsh circumstances or even, and this is the big one, drop out of school in order to save the world which apparently cuts off the possibility of being a brilliant academic and instead becomes a mostly silent side-character.**

Instead, Ellie keeps going, gets excited about going to college and majoring in Classics, and tells love-interest that she'll visit him when she's on break. She simply takes all that she's learned from these life-changing events with her, because that's what smart girls do.

So, if you want to read an urban fantasy (a little light on the urban grit) or paranormal romance (a little light on the romance) that's headed by a smart girl, this is your book. It's also your book if you want to read the Maori Percy Jackson equivalent, a good boarding school romp, a murder mystery, a different kind of fairy book...


Book source: Philly Free Library


*How often do you see YA books with a teen character who is asexual? Not often. I'm not going to lie and say it's not a big deal at any point, but it is not THE big deal. And it is not a problem ever, except to the people crushing on the character. :)

**Was this anyone else's take-away message from Hermione's whole 1 or 2 lines in that horrible epilogue?!? I know Ginnie's important and everything, especially cause she's the mother of Harry's children, but why does she get all the speaking parts? Since when does Hermione let everyone around her do all the talking?

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

I Am J

Beam, Cris. I Am J. New York: Little, Brown and Company, 2011. Print.
[Book cover credit: librarything.com/work/9923971]

Booktalk:
Coming out sucks. Whether you're coming out as someone who eats peanut butter out of the jar (and double dips), kind of likes Taylor Swift's new album, or is some permeation of queer, admitting that you fall outside of what everyone around you expects is awkward, emotionally draining, and often terrifying to think about.* Sometimes it just seems easier to go live your life somewhere far away where no one will know you as anything but a queer Taylor Swift loving peanut butter fiend. That's why when J decides that he has to bite the bullet and start living life as the man he knows he is inside, he runs away. His Puerto Rican Catholic mother and his super-macho dad will never understand or accept him. Better to start over on the other side of town.

Review:
I was a little scared of this book. I knew that Beam had it in her to realistically portray the transgender experience, so my expectations were super high. I also knew that a book like this has the potential to be filled with well-meaning stereotypes in order to present the most inclusive picture: of trans folk, of Puerto Rican New Yorkers, of the dream of being a "real boy," and more. I loved this book. J really rang true to me as a character and as a transguy, and his experiences, though not universal (thankfully not everyone has to move out or change schools in order to transition, though some undoubtedly do), were realistic. I Am J was everything I hoped it would be.

But I did have a couple of problems. I found it hard to believe that J, who has been looking around on the internet for information and support since he was eleven, hadn't heard about T (testosterone injections) or a (chest) binder until he was seventeen. I'm willing to let that go as it allows the reader to learn about these things at the same time that J does. I don't think it would have been such a problem if the book wasn't so obviously written by someone who, like J's support group leader, "talk[s] about the 'gender binary' and 'those of trans-masculine identification' as easily as reciting the alphabet" (243).** There were so many terms and concepts, including terms that confuse J, that were not defined in the text. A couple of them were even written in abbreviated forms, something that gives me hope that they'll be fleshed out and this won't be an issue in the final copy. Still, Beam is a very very knowledgeable woman, as evidenced by her previous work of non-fiction Transparent. She seemed to have a difficult time balancing her wealth of knowledge with the naiveté of her narrator.

I'm also hoping the list of resources at the back of the book will be more complete in the final copy. I don't think anyone could put together a concise list of resources on any topic, but especially a fairly new (to the public) one like this, that every reader would find complete. That said, I was still dismayed to see only female-to-male resources, especially as the separation between ftms and mtfs is bemoaned by Beam's characters. I was also sad to see TYFA (Trans Youth Family Allies) left off the list. Though their main focus is on kids much younger than J, the ladies at TYFA are rockstars at convincing school administrators of the necessity of single-serve, gender-neutral bathrooms for the safety of all students, not just those that are transitioning. Though bathroom issues are only briefly touched on in I Am J, they are some of the most distressing of day-to-day concerns for many gender-variant people, and organizations or websites that help gender-variant youth deal with these problems belong, in my opinion, on the list of resources in the back of this book.

This may look like more criticisms than praise, but it's really not! I loved I Am J, and I applaud Beam for taking on the issue of transitioning in the context of cultural and familial expectations, and the fallout from not meeting those expectations, in an accessible and authentic way. Not to mention that she wrote a pretty great story of a teen trying to find his direction and place in the world, regardless of all the issues that J has to deal with. I think this is a must buy for libraries serving youth; it's Luna for the guys.


I Am J comes out March 1st!


Book source: ARC provided by the publisher.


* By the way, now you know all my secrets.


**Quotes and page numbers are from an uncorrected proof and may not match the published copy.


Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

Hold Me Closer, Necromancer

McBride, Lish. Hold Me Closer, Necromancer. New York: Henry Holt and Company, 2010. Print.

[Book cover credit: librarything.com/work/9880508]

Awards:

ALA Best Fiction for Young Adults (2011)
William C. Morris YA Debut Finalist (2011)
Booktalk:

     "You even smell a little like him," he said, his voice going throaty.
     Disturbing. Was it good to smell like someone else? I reached out cautiously and put my hands over his, leveraging for a bit of breathing room. "Like who?" I choked out. Buff Guy had a fierce grip [on my neck].
     "Like the grave," he said, not really answering my question. "Like cold death."
     "Thanks," I said. Creepy, creepy, creepy. I didn't add that he smelled like meat. Not that I could. Apparently, choking helped me keep my mouth shut and mind my manners. I wished he'd put me back down. Or that Ramon and Frank would rush him from behind. Then he'd have the opportunity to strangle all of us. I needed to get bigger friends.
     "And blood," he said. "You smell like blood."

p.22-3

Sam has pissed off the wrong guy. A guy who unnerves Sam for reasons he can't explain. A guy who radiates evil and power in equal measures. A guy who employs a very large, slightly unhinged henchman. But Sam is not going to go down without a fight, and he'll be damned if he lets this guy take his family and friends out with him. Unfortunately, it's starting to look like Sam might be damned already.

Review:
Hold Me Closer, Necromancer is a hilarious book, but it's still horror. When I was thinking about this review, I knew I wanted to include a quote that showed both at once. I found this one by opening the book to a random spot near the beginning. That's how much the humor and terror go hand in hand throughout the novel. The hilarity keeps the book from getting too too scary, but the story still never loses it's dark and serious edge. It's awesome.

For me, though, the funny stuff won. I laughed out loud (on a quiet commuter train, no less) while reading this book. Sam's a smart and introspective college drop-out, Brooke's a manipulative smartypants (and I mean that in the most flattering way possible) in a cheerleader's body, Ramon's still in college and living on Sam's couch, and Frank's the new kid that they're all trying to break and/or befriend. What they have in common is their cynicism, irreverence, and fast food employer. They are masters of biting and witty one-liners, exactly my kind of humor. Ramon, Frank and Brooke do their best to make sure that Sam stays firmly grounded in his regular life even though he's being pursued by creatures he's not sure he even believes exist.

And that's where the horror part kicks in. The evil guy, Douglas Montgomery, is a ridiculously powerful necromancer, and he thinks Sam is a necromancer too. The guy in the quote above? Sam isn't quite sure WHAT he is, but he's left huge cuts down Sam's back that could only have come from a knife. Only no one saw a knife. Within the first 50 pages, someone we already care about is dead. Without getting too spoilerly, let me just say that necromancers are not the only magical/paranormal beings to grace these pages. There are werewolves, fae, witches, vampires and more. Oh, and Douglas's house comes complete with a magical cage and basement torture chamber.

This is one that I think is more suited to older teens. Sam is out of high school and has already nixed college, and  his "normal" life problems reflect that. That's not to say that the average high schooler won't love this book. It is darkly humorous, scary, and Sam and co. exhibit the kind of sarcasm and cynicism to which many in high school aspire (myself included, at that age). And Sam is stuck in the stage of life where he is trying to find himself, something that is highly relatable for many teens and twenty-somethings. He's just got the added pressure of "to raise the dead or not to raise the dead" making everything more interesting. I loved it.


I mentioned the internal musical loop this title can inspire, but luckily the chapter titles mix it up a bit. Leah's got a series of posts going to help you place the song lyrics.


Book source: Philly Free Library

Links to Amazon.com may be affiliate links for the Amazon Associates program. If you buy something through this link, I may receive a referral fee.

The Lost Hero - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Riordan, Rick. The Lost Hero. New York: Disney - Hyperion Books for Children, 2010. Print. The Heroes of Olympus 1.
[Book cover credit: librarything.com/work/9822197]

Booktalk:
Camp Half-Blood is packed, even in the winter. With the addition of new cabins for all the minor gods' children and everyone being claimed by the time they're 13, there are a ton more Heroes roaming around. But things still aren't going swimmingly. Zeus has closed Olympus and is not allowing the gods to talk to their mortal children. Artemis, even, is cut off from her huntresses. And Percy's missing. No matter where Rachel's predictions send Annabeth looking, she can't find him.

But this story isn't about all that, not really. It's about Piper, Leo and Jason. Three half-bloods with special gifts: Piper can convince anyone to do just about anything, Leo is amazingly good with his hands and can make an engine out of just about anything, and Jason, well, at the moment Jason can't remember anything. They've been hidden away at a school for delinquents, all unclaimed even though they're well beyond 13, but chosen by the gods since birth for what they must do now.

Review:
The Lost Hero totally fulfilled all my wishes and desires for it. It's still Camp Half-Blood (even if Chiron is especially cranky and unhelpful in this go-round), but it's not just more of the same. We're not so far into the future that Percy and Annabeth are former legends, nor are we so close to the end of the last Percy book that we have to sit around and watch them make out all the time. They're not even main characters in this story, just cameo characters. The addition of the children of all the minor gods makes everything a bit more hectic and crowded and crazy, but the explanations of the various gods and their traits are still there. Not only do we get Piper, Leo and Jason as new characters, but there are a bunch of new potentially important folks back at camp as well. And (this is a bit spoilery, so highlight to read) San Francisco was never really evil! But that last one is probably only important to me.

I couldn't have asked for more, and I doubt other fans of the Percy Jackson books could either.

The Lost Hero is told from the perspectives of Piper, Leo and Jason. While they all kind of sound alike (see my criticism of the alternative viewpoints in Riordan's The Red Pyramid), I never got them mixed up during the story. This may be more because of what is going on in each of their heads rather than distinction of voice. Even though they're all on the same quest and living through the same adventures/dangers, they're not remotely going through the same things. Each of their lives really has been leading up to this quest and they're just now starting to figure out how. Piper is going through all kinds of internal torment because she has been basically told that she'll double-cross the other two (not to mention that all her memories of Jason, who she thought was her boyfriend, are probably a product of some super-potent Mist). Leo is seeing his former babysitter Tia Callida (who encouraged playing with both fire and knives) and is figuring out connections between her, the weird circumstances surrounding his mother's death, and the prophecy he, Piper and Jason are meant to be fulfilling. And poor Jason. He's just trying to grasp hold of his memories: the ones that allow him to be a top-notch fighter, the ones that bring the gods' Roman rather than Greek names to his lips, and the ones that rumble in the back of his mind with every mention of the Titan War.

It's a bit more complicated, a bit more multi-layered, and a bit longer than the Percy books. But then, the characters (and the original Percy fans) are also a bit older. New readers will fare just fine without having read the Percy books (so far), but I have a feeling that won't be the case for much longer. And Percy fans will love the continuation of the Camp Half-Blood story.


Also of note: Leo is Latino and Piper is of Cherokee descent. Leo (very) occasionally uses Spanish words, especially in his memories. Piper reflects on her grandfather's life on the reservation as opposed to the life she's lived in California (her dad's a famous actor). She also bristles at the term "Half-Blood" upon reaching camp (though there is no examination or explanation of why that term bothers her in the text). Riordan doesn't make a big deal about the ethnicities of any of the characters (at least not the mortal half of their ethnicity...), but he still manages to make it matter.


Book source: Philly Free Library where I started out 27th in line for this title a week before its release. :)

Penny Dreadful - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Snyder, Laurel. Penny Dreadful. Drawings by Abigail Halpin. New York: Random House, 2010. Print.
[Book cover credit: librarything.com/work/9761350]

Booktalk:
After spending most of her life living in a mansion with a tutor and a chef and "approved" friends with impeccable manners and hardly any personality, Penelope wishes, at the wishing well in her backyard of course, for something, anything interesting to happen to her. But interesting is not always as fun as it looks in the books Penelope spends her days reading. When her dad quits his job and her family runs out of money, Penelope quickly makes another, more specific wish. Instead of wishing for anything, she wishes for something to fix the multitude of problems left behind by all the "interesting" going on in her life and suddenly finds herself moving to Thrush Junction in the country, which for Penelope, might as well be a whole new world.

Review:
This is a hard book to summarize because the beginning is so incredibly different from the rest of the book. It all goes together. The difference doesn't cause any jarring shifts for the reader, and circumstances in the opening make the rest of the book make sense, but this is not a book about a little rich girl who moves to the county, as the first couple chapters would have you believe. Yes, Penelope has grown up rich, but finances quickly deteriorate in the Grey household after her father leaves his job. As the whole family figures out how to live without a chef, a housekeeper, or even a steady income, this becomes a book about figuring out what is really important. Houses and furniture can be let go; your family (and your books!) you take with you. Once that family gets to Thrush Junction, however, this becomes a book about finding yourself, making friends, and feeling and helping others to feel welcome. It's about community.

But I didn't think any of this while I was reading. While reading Penny Dreadful, this was just a book about Penelope, who wanted to go out and experience life. She needed to become Penny instead, and in Thrush Junction, she finds just the right people to help her do just that.

Thrush Junction is populated with a bunch of oddballs, many of whom live at Whippoorwillows with the Greys. Penelope, who has never really had friends before, must come out of her shell, and Luella is the perfect girl to drag her out. As Penelope, now Penny, learns how to have and be a friend, Luella introduces her to the rest of their little town. There's Down-Betty who was in vaudeville, Duncan who might be allergic to EVERYTHING and so is barely allowed to eat anything, Kay who runs the town diner, Jasper who is Luella's other best friend, Twent who can't say his r's (and has two moms!), and a whole bunch of other folks. The whole thing reminded me of Because of Winn-Dixie, but with a buried treasure legend instead of a dog. It has a feel-good feeling throughout that is infectious, even though the Greys money worries are a constant hum in the background. Things can be a bit episodic, but that's because that's how summer is sometimes. It's all about the people that come and go and the fun things that you get to do together for one day.

It's great to see so much diversity in the characters. In addition to Twent's two moms, Luella and her family are black, there is a wide range of ages at Whippoorwillows (and not all the old folks are grandparents), non-traditional gender roles within otherwise traditional family units, and a character who is deaf (can't tell you which without a spoiler). And there are no big deals made about any of it. These are all simply people that Penny meets during her adventures in her new town, and it's great to see them represented in literature just because they exist in real life rather than to Teach a Lesson to readers about how Everyone's the Same on the Inside!

I should also add that Penny Dreadful is also peppered with drawings by Abigail Halpin. Rather than distracting from the text, as I often think in-text illustrations do in chapter books, they add to it. My ARC only has preliminary sketches, but from those, I can tell that they're going to be awesomely full of life and emotion. My favorite one is of Penny is straggling behind Luella and Jasper on the sidewalk with the most sour look on her face ever, though the drawing of Twent "wahwing" is a close second. :)


Penny Dreadful comes out in hardback today!


Book source: ARC picked up at ALA.

A Different Day A Different Destiny - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Laing, Annette. A Different Day, A Different Destiny. Statesboro, Georgia: Confusion Press, 2010. Print. Snipesville Chronicles 2.
[Book cover credit: librarything.com/work/10082476/]

Booktalk:
The Professor, doing what she does, manages to drop her modern calculator somewhere in the past. The changes this creates in the past causes changes that reach forward to our present day where it leaves a rift in time and drags Hannah, Brandon, and Alex back in time to right things. Again. Only this time they're all in 1851; Hannah in Scotland, Brandon in England, and Alex back in Snipesville where all their adventures started in the first place.

Review:
Laing has done it again! She's managed to cram a whole lot of information into an entertaining story (with a bit of actual danger thrown in this time) and created a dizzying web of characters connected to each other, the characters in Don't Know Where, Don't Know When, and Hannah, Brandon, and Alex's present day lives. Some of these connections are pretty obvious (the Gordons that Hannah lives with are the grandparents of the Scottish Mr. Gordon from the first book and a young girl in Balesworth who is the spitting image of Verity turns out to be her great-grandma), but that certainly didn't detract from their stories. And most of the connections I didn't see coming until the series of big reveals toward the end. I think that's the most amazing thing about these books for me: how some of the details all work out so seamlessly without being so obvious that I figured them out halfway through the book.

Hannah, Brandon, and Alex thought they had things bad in WWII England, but their experiences in the last book are nothing compared to what each of them goes through in 1851. Alone. In 1851, all three of them are considered adults, expected to earn a wage and take care of themselves. They each have to deal with this realization and figure out how to make their own ways and survive before they can even begin to think about how to find each other and get back home. The way that the book shifts between their stories was very clear and easy to follow. And for anyone (like me) for whom the year 1851 doesn't ring a bell, they are doing this all in the midst of preparations for Prince Albert's Great Exhibition and a growing disapproval across England and Scotland of the lingering institution of slavery in America.

Alex, still in Snipesville, comes face to face with slavery. As he travels to Savannah looking for work (with the help of a modern calculator he found in a cotton field to boost his mathematical skills), he is accompanied by a slave, Jupe, who is about his age. No matter how he tries to treat Jupe as an equal, Jupe never opens up to him or fully trusts him. Alex does manage to keep Jupe with him by lying about who legally owns him, keeping Jupe from being arrested, punished, or sold because he ran away. The situation with Jupe is complicated by the fact that Alex genuinely likes his employer, even though Mr. Thornhill buys and sells slaves in the course of his land sale transactions. This conflict eventually tears at Alex, and he remains upset and a bit broken at the close of the book. The question of how otherwise good people could participate in or even condone slavery is never answered here, which is probably as it should be.

Hannah and Brandon are free from the emotional and intellectual turmoil that Alex must endure in 1851. They're both left in horrible working and conditions by their trip back in time. Brandon "comes to" already in the pitch black dark of a coal mine (which seemed extraordinarily cruel to me) and eventually makes his way back to Balesworth. On the way he lives in a workhouse, becomes a professional mourner, and is, once again, a novelty to those around him. People assume that Brandon is a former slave, especially after he tells people that he was born in America. England, having recently abolished slavery in their own country, is on a crusade to have the same happen in America. Many people, especially the upper class women, want to know Brandon's thoughts on the subject and want to hear all about his experiences. The fact that he has to fabricate these experiences based on what he learned in history classes doesn't seem to bother anyone.

Hannah, of course, has the most tumultuous time. She's forced to be a piecer in a mill, first cotton and then jute, and earns pennies a week. She's fired twice and almost starves to death in between. She has a lot to complain about, but what Hannah is the most worried about is her lack of shopping opportunities. Her attitude is, once again, off-putting for most of the book, which is a shame as her storyline was the one I was the most interested in. At some point during her ordeal, it seems like Hannah may be learning something from the life she's living. She makes friends and finds herself in a family; she agitates for workers' rights (to hang out in the park) and gives an upper class woman who lives off mill profits the scare of her life by walking her through a tenement neighborhood. Still, as soon as she is rescued by the Professor and given a fancy dress and a bit of pocket money, all those hard-learned lessons fall right out of her head. She can't even be polite to a waiter, and why should she? It's his job to serve her. Ugh. I was really happy when the Professor ditched her again and she had to become a house maid.

Even with my disappointment in Hannah's character development, or lack thereof, I really enjoyed A Different Day, A Different Destiny. I also learned a lot about the working class in the British Empire during the Industrial Revolution and British involvement in the American Abolitionist Movement.


Book 1: Don't Know Where, Don't Know When
Book source: Review copy provided by the author. Thanks!

Don't Know Where Don't Know When for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is: 


Laing, Annette. Don't Know Where Don't Know When. Statesboro, Georgia: Confusion Press, 2007. Print. Snipesville Chronicles 1.
[Book cover credit: Provided by the author. Thanks!]

Booktalk:
When Hannah and Alex are so rudely torn from their happy lives in San Francisco to move to the middle of nowhere Georgia, Hannah expects her entire life to turn into one huge snooze-fest. They're both forced to go to summer camp at Snipesville State College, where Alex manages to make a friend and Hannah manages to find a Starbucks instead of her camp. When Alex and his new friend Brandon spot Hannah ditching, they decide to join her, and they all end up heading to the library. After finding an WWII identity card in a book and having a weird encounter with a professor, all three decide to head back to the Starbucks. Only when they leave the library, they're no longer in Snipesville and Starbucks hasn't yet been invented.

Review:
I'll admit, the opening of this book was a little slow for me. All the time spent with Hannah and Alex before they go back in time (and before they even get to Georgia), didn't really do anything for me. BUT, if you stick it out through Hannah's whining about how unfair her life is (actually, this continues throughout the book), they'll meet up with Brandon and end up in WWII England where things get very cool. In WWII England, Hannah, Alex and Brandon are all evacuees for the London, sent to the English countryside to escape the Blitz (exactly like the Pevensies in The Lion, the Witch and The Wardrobe!). Hannah and Alex are taken in by an almost welcoming couple. Brandon, who is black, is taken back to London. Though black children were also evacuated during the bombings of London, it was much harder to find people to take them in. Also, black people weren't all that common in England during this time, so Brandon spends the entire book being kind of a novelty. Hannah and Alex are left to get used to the British countryside during the war and desperately try to find out what happened to Brandon in a society that doesn't tell unpleasant things to children. Meanwhile, Brandon runs away from the man who took him back to London and is presumed dead after a bombing.

But he's not dead; he's really in WWI England. He's even in the same town as Hannah and Alex, just 25 years earlier! Brandon manages to find friendly people (with some help) and even a job, but being black is a much rarer thing in 1915 than it was in 1940. And the attitudes toward black people weren't all that great either. In her acknowledgments, Laing states that the past is not particularly politically correct, which is true, and neither is her portrayal of it. The scenes set both in 1915 and in 1940 are rich in historical detail, including the attitudes of the people in them. While Alex seems to go along pretty fine throughout the story, Hannah is constantly bristled by the treatment of children (what she considers a beating, everyone else considers a well-deserved spanking) and Brandon is constantly affected by peoples reactions to him as a "colored" young man. Though Brandon makes it through his time traveling experience suffering from nothing more than hateful words, the black people he meets both during The Great War (WWI) and WWII do not fare as well.

I managed to get completely caught up in this book. There is a story inside a story that needs solving in order for Hannah, Alex and Brandon to make it back to 21st century Georgia, and though they don't understand how or why, it is connected to their present day lives. Also, given that he's in the same town, Brandon's experiences in 1915 England have some really close ties to the people he, Hannah and Alex meet in WWII England. There were so many ways that all of these connections and different-name-same-person instances could have been screwed up or over simplified, but Laing manages to make them all make sense and even manages to make some of them surprising. My only disappointment in this area was Peggy, and it totally wasn't Laing's fault. I simply wanted 1915 Peggy to grow up to be a different person, but not everyone can live up to their full potential (I'm still angry about who she grew up to be, but I don't want to ruin the surprise).

In short, this is a great time travel book. I wasn't so caught up in the logistics of the time traveling that I lost the ability to be caught up in the times where they ended up. It's also a great look at the day-to-day lives of some of the people left behind in England during the fighting of each world war.


Now, about the cover: If you see slightly older reviews of this book around the blogosphere, or even look this book up on amazon (librarything, goodreads, etc.) it has a different cover where the kids are not in silhouette. While I would usually be all for actual kids rather than kid-shaped shadows, especially when one of the main characters is a POC, I really don't like the old cover. It is, to be honest, why it's taken me two months to get around to reading and reviewing this book. The older cover is on the copy I received. It looks so much more like a history book than a time travel history book, and we all know there is a HUGE difference between the two. While Don't Know Where has the potential to be about kids sent to the past to learn all about it, most likely in a school-type setting, that's not what this book ends up being. But that is what the old cover portrays. I don't know why, but the new cover art for the second printing, in addition to matching the cover art on the sequel, gives it more of an adventure or fantasy feel to me. Kid-shaped shadows are a bit cartoon-y, I guess, and apparently that's what I need in order to feel like I haven't been "assigned" a book specifically to learn from it.

And, yes, I've always been a huge fan of historical fiction but hated studying history. How did you know? :)


Book source: Review copy provided by the author. Thanks Annette!

Gringolandia

Miller-Lachmann, Lyn. Gringolandia. Willimantic, Conn.: Curbstone Press, 2009. Print.
[Book cover credit: librarything.com/work/8139206]

Awards:
ALA Best Books for Young Adults (2010)
Americas Award Honorable Mention

Booktalk:
Daniel's life is pretty good, but not perfect. His mom is a grad student so there's not a lot of money, his sister is getting to the age where she's real angsty and annoying, and every year his mother heads a letter writing campaign to free his father from a prison in Pinochet's Chile. Still, Dan's pretty happy. He plays in a band, has a great girlfriend, and speaks with a sexy accent leftover from his Chilean childhood. Then Daniel's mother gets word that her husband will be released and allowed to join his family in America. That should make everything finally perfect. But when Daniel's father is released, he is a physically broken and psychologically scarred shell of the father Dan remembers.

Review:
Gringolandia opens with an Author's Note explaining the very real circumstances and events in Chile that lead up to what is experienced by the fictional characters in the book. A short bibliography for further reading is also provided. Usually this kind of thing goes at the end of the story when readers are more likely to be interested in picking up 4-5 books on the topic. I thought it was a weird choice to put the note and bibliography at the beginning...until I started reading.

Miller-Lachmann expects a lot of her readers, in a good way. Her author's note allows her not to take precious page space away from the story later. For example, we see Dan's father derisively call the States "Gringolandia" and refuse to learn English. We see the disdain he has for the USA and for his wife's choice to bring the family there. Miller-Lachmann doesn't tell us that his dislike (to put it kindly) for America is because the United States government helped Pinochet gain power in Chile. She trusts us to put two and two together, which she is only able to do because she explained Pinochet's rise to power in her opening note.

Because, let's be honest, not many Americans know that much about Chile and certainly don't know that much about what it was like to live through the turbulent times Dan and his family live through, hence the need for the author's note. I don't read a lot of historical fiction about specific events (which I guess this is, even though it makes me feel really old to call the decade in which I was born history), but much of the historical fiction published in the States of this type is about very well-known events. Even if the average American reader doesn't know the ins and outs of the actual event, they know the basics. Think about how much historical fiction is set during WWII or the French Revolution, or is about Anastasia Romanova. Gringolandia fills a huge gap. I can't think of any other historical fiction for teen readers about South America, let alone about Chile. In fact, a search in WorldCat for "historical fiction" and "South America" only returns 78 books, including duplicates for large print titles. "Historical fiction" and "Chile" returns 84, and those numbers don't even begin to touch on the intended audience of the titles.

Even if there were tons of titles about political prisoners under Pinochet, I think that Gringolandia would still stand out. Without repeating events, this story is told from three distinctive points of view: Dan's, his father's, and his girlfriend's. Dan's father, Marcelo, talks about what it was like in prison (and believe me, even the polite version presented here can get graphic), but the strong point in his narrative is his passion for a free Chile. He doesn't regret the actions he took that led to his arrest; he desperately wants to continue that work, regardless of the consequences, now that he's been released. He's also going through some serious PTSD that is tearing his family apart. His perspective is contrasted with Dan's. Dan doesn't really know what his father did (you can't be questioned about what you don't know), and he doesn't understand how his father could put himself and his family at such great risk for a cause. He certainly can't understand why his father doesn't want to just move on and make the best of things. Like his father, Dan has trust issues and a serious flinch in the face of policemen, but without the conviction that helps his father work through these issues. Courtney, Dan's girlfriend, is all fired up about what happened to Marcelo and what is happening in Chile in general, but she is also woefully naive. Semi-spoiler: There is a great scene when they all return to Chile. Courtney decides to join a women's protest and things go as wrong as humanly possible. From Dan's POV: "Courtney. I think she can't believe these [soldiers] will do anything to her--like her pale skin and blond hair are a Plexiglas bubble around her, keeping all the bad things away" (241). It's kind of the perfect way to describe her attitude throughout the entire book. End spoiler. Courtney breaks through to Marcelo when no one else can by believing whole-heartedly in what he believes in, guided by a simple sense of right and wrong and of fairness.

There is so much going on in this book along side of so much actually happening. I'm not going to lie, it's intense and not always easy to read. But it is so worth it! Not only will the reader learn about events not often discussed in American history classes, but they'll also get to know some ridiculously complex characters and watch them make impossible choices for themselves and the greater good.


I read Gringolandia as one of my PK books, but the fact that Courtney's dad's a pastor didn't even come up in my review. It's important to her character and back story, but not all that important to what is going on with her, Dan and Marcelo. The big PK moment is when Dan, her boyfriend and the person she is the most close to, says something at lunch implying that Courtney couldn't possibly know what he's going through at home. Her family and home-life are too perfect. This is followed by a one-line chapter from Courtney's perspective: "Dan doesn't know everything about me" (64). It could have been said by almost all the PKs I've read about in the last month.


Book source: Philly Free Library
Thanks to MissAttitude at Reading In Color for the recommendation!

The Red Pyramid - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Riordan, Rick. The Red Pyramid. New York: Disney - Hyperion Books, 2010. Print. The Kane Chronicles 1.
[Book cover credit: librarything.com/work/9277689]

Booktalk:
Carter and Sadie don't see each other often. When their mother died, their mother's parents were granted custody of Sadie, and Carter went with their father. Everywhere. Dr. Julius Kane, Sadie and Carter's father, is an Egyptologist who travels the world doing research and giving lectures. Living with him, Carter has had experiences other kids can only dream about. He's also missed out on some "normal" kid stuff, like learning that it's not cool, or even okay, to wear loafers. Sadie, on the other hand, has had her fill of normalcy and is dying (her hair at least) for a little excitement. When something goes horribly wrong during Carter and their father's annual visit with Sadie, Carter and Sadie must learn to work together and trust each other, an uncle they never knew they had, and a cat in order to save their father from Set, the Egyptian god of the desert. Oh, and the world. They have to save that too.

Review:
Rick Riordan has done it again! He's taken kids who could be normal, personality-wise if not in circumstance this time, linked them up with a deity and set them loose. This time, the kids are not children of gods, but the children of former members of a society (of magicians!) dating back to the time of the Pharaohs that is dedicated to serving/controlling the gods of Egypt. Carter and Sadie are more powerful than most because of their lineage, but there is a Harry Potter-esque it-could-be-anyone thing going on that will open up the rest of the series for a lot of interesting sidekicks. At this point in the series there are only a few kids still training in this society, one of whom is already set up as the girl Carter will embarrassingly and awkwardly crush on for probably the rest of the series, but I'm sure Riordan will bring in a whole cast of interesting kids by the end.

The whole story is told from both Sadie and Carter's points of view in, more or less, alternating chapters. I really liked getting to see the story unfold through both of their eyes. The changing point of view didn't bog down the story, really, since everything was still told in sequence with little to no instances of both characters covering the same event. I did wish, however, that their was a bit more of a difference between their voices. When they're actually talking, there is plenty of difference between proper, nerdy Carter and punky, spunky Sadie, but when they're narrating they're not all that different. Every once in a while Sadie, as narrator, gets riled up about something and it's really clear that she's the one telling the story (the name of the narrator is on every page to help with that as well), but for the most part both of them just sound like Riordan.

Something that is mentioned on multiple occasions but is far from a focal point of the story is that Sadie and Carter's father is black and their mother was white. Both of the kids are biracial, but neither of them looks it. They have that mini-me thing going on with their parents: Sadie looks astonishingly like her mother and Carter looks just like his dad. In the beginning of the book, Sadie talks about how, without her mother there, people question her relationship to Carter and their father because she's so clearly white and they so clearly aren't. She talks about how annoying it is, on the few days a year that they get to spend together, that people question whether or not she belongs in her family. This is, of course, complicated because she doesn't feel like she belongs due to the very limited amount of time they are actually on the same continent. Also near the beginning, Carter expresses his envy of Sadie's normal life with their grandparents. He feels hurt and rejected because his grandparents fought so hard for Sadie and not for him. While I was reading, I wondered about that; why did their grandparents only fight for the grandchild that looks like them? There is a magically influences reason for why they only went to court for custody of Sadie, but I didn't feel like Carter really processed that information when he found out. Maybe because he wasn't thinking about it in the same way that I was, he didn't need the cathartic breakthrough that I was looking for. It was enough, for him, to know that without magical influence his grandparents may have fought just as hard to hold on to their grandson as they did their granddaughter. This is all balanced out by Sadie's feelings of abandonment because she was left with their grandparents rather than being allowed on the road with Carter and their dad, so maybe I'm reading too much into the situation.

Family issues aside (and I'm paying more attention to them here than was paid in the book), I love that Carter and Sadie's race was a non-issue. I do wish that both of them had been presented as biracial characters, or that they even saw themselves that way, rather than one white and one black, but I'm glad that this did not pick up elements of a "problem novel" about a biracial family. It is simply a fantasy book with biracial main characters!


Book source: Philly Free Library

When You Reach Me - for Tween Tuesday

Tween Tuesday was started over at Green Bean Teen Queen as away to highlight awesome books for the 9-12 yr olds or Tweens. Any book highlighted on Tween Tuesday also counts for the In the Middle Reading Challenge! This week's book is:

Stead, Rebecca. When You Reach Me. New York: Wendy Lamb Books - Random House Children's Books, 2009. 
[Book cover credit: librarything.com/work/6802401]

Awards:
Amazon's Best Books of the Month (July, 2009)
Amazon's Best Books of the Year (2009)
Andre Norton Award Finalist (2009)
School Library Journal Best Book of the Year (2009)
ALA Best Books for Young Adults (2010)
ALA Notable Children's Book (2010)
and the grandaddy of middle grade awards:
Newbery Medal (2010)

Booktalk:
It's 1979 in New York City. Miranda (named after the rights) is a sixth grade latch-key kid whose favorite book is A Wrinkle in Time, whose best friend, Sal - also sixth grade and also latch-key, lives in the apartment downstairs, and whose mom is practicing to be on The $20,000 Pyramid, with the help of her (awesome) boyfriend Richard and Miranda herself.

And then Sal gets punched by a neighborhood kid and the letters start:

M,
This is hard. Harder than I expected, even with your help. But I have been practicing, and my preparations go well. I am coming to save your friend's life, and my own.

p.60

And then everything changes.


Review:
This is a great light mystery (with a bit of sci-fi thrown in) that I think will appeal to a wide variety of readers, including those who would never think of picking up a sci-fi book or a mystery. For most of the book, the story is just a regular story, with a bit of intrigue. No aliens, no men with dark mustaches, just a story about Miranda and how she has to get on when her best friend stops speaking to her for no reason. The relationships that Miranda, who has only ever really been friends with Sal, ends up forming with her classmates are what keep the book light-hearted in spite of the weird notes she keeps receiving. They are what keep everything normal.


At the same time, these relationships also highlight what is different. At school they are all just kids and they, for the most part, make friends easily. Outside of school, though they are still friends, they are very different. Miranda, whose hair is just brown and who gets stuck with hot pink construction paper for self-portraits, is the daughter of a single mom (as is Sal) who sometimes struggles to make ends meet, but they do alright. Annemarie lives in a building with a doorman and has an elevator that opens right to her apartment; her dad is always making her special snacks and her mom is always as work. Marcus receives free dental care at school because his family cannot afford it otherwise (46). Alice Evans is always really close to peeing her pants (she’s not in the “group,” and this is why). Julia travels the world with her parents and describes herself as “café au lait” colored with eyes the color of “sixty-percent-cacao-chocolate” (34). We don’t get to learn much about Colin’s home situation because, well, he’s a boy and doesn’t invite Miranda over for a sleepover, nor is it blatantly evident from what happens at school. He’s just a goofy guy who gets along with everyone. Other than talking a lot about rushing rivers in front of Alice, the kids don’t care about any of this, except that Julia is a snob, having picked up her fancy names for light brown and brown (Miranda’s assessment of the situation) while learning about chocolate in Switzerland. Some of the adults, on the other hand, care a lot about this stuff. There is one big confrontation, caused by an adult, which starts out about Julia’s race and ends up being about Miranda’s lack of money. The way that the group handles it, without any intervention or input from the grown-ups, is possibly unrealistic, but it keeps things from getting too preachy. No one ever has to say, “Judging people based on their perceived race or financial status is wrong,” and yet the point is made very clearly.

And, of course, there are the letters and the mystery. I don’t want to say too much or give anything away. A large part of the fun while reading a mystery is trying to figure out whodunit, and When You Reach Me is no exception. There were definitely points when I thought I had something figured out and I was so frustrated with Miranda because she Just. Didn’t. Get. It., but when the end finally rolled around, there was so much more to it than I could have guessed.



Book source: Philly Free Library

Year of the Horse

Allen, Justin. Year of the Horse: A Novel. New York: The Overlook Press, 2009. Print.
[Book cover credit: librarything.com/work/8981909]

Booktalk:
Every boy in St. Francis knows who Jack Straw is. Every boy in the country probably knows who Jack Straw is. He's the fastest gunslinger in the West. When he shows up at Lu's family's shop to visit with Lu's grandfather, Lu naturally eavesdrops so he'll have stories to tell his friends at school the next day. Instead, he's woken up early the next morning to leave with Jack as his explosives expert, a title that both this grandfather and late father each held, but that Lu himself does not identify with and feels he can't live up to.

Review:
Lu, the child of Chinese immigrants; Henry, first a slave then a Union soldier and now free; Chino, once just a Californian and now a Mexican with no homeland; and of course Jack Straw, also a former Union soldier and now a privateer of sorts; are all hired by John MacLemore, former Confederate loyalist, and his daughter Sadie to get their gold mine and homestead back from the man who murdered Sadie's mother. They travel across mountains, canyons, plains, and deserts. They also deal with Mormons (one of whom really wants to make Sadie one of his wives), dwindling supplies (Oregon Trail style), fatal weather, Confederate soldiers, many forms of racism, and, of course, actual demons.

That's right. This is a Western/fantasy, and as such, it's pretty unique.

I'll be honest, the first half, almost pure Western, was a bit slow for me. I liked getting to know the large cast of characters and found their trials pretty interesting, but I wasn't truly hooked until the fantasy set in. When it did, I felt the need to devour the second half of the book to find out what would happen to everyone. At the expense of my beauty sleep. The forgotten journal of a man no one remembers that is covered with Lu's grandfather's Chinese writing, ghost-riders that pretend to be shooting stars, were-coyotes in the middle of an unlivable desert. And none of that even begins to encompass what Lu, et al. are really up against. It's good stuff. I highly recommend this book for fantasy readers who are sick of paranormal romances taking up all of the magic in young adult lit right now and for adventure readings who might be willing to let the truth stretch a little. Neither group will regret the small step outside of their comfort zones.


Now on to the serious stuff. One of the greatest things about this book is the large cast of multicultural characters. We are also given main characters that hail from both sides of the recently ended Civil War, in addition to soldiers in saloons with differing loyalties. This book does NOT use the /fantasy part of its description to make all of these people live together harmoniously. From the author's note:

"Not all of the characters in this book are to be admired, however. History, as it turns out, is littered with men and women (and boys and girls!) possessed of vile, even shocking beliefs, language and manners. As your narrator I will admit having felt tempted to censor the more disturbing bits of racism from the nineteenth century folk that people these tales. But as fact is my watch-word, I have resisted that temptation."

p.7

And it's true, Allen doesn't remove the racism from the story. I don't think the n-word makes an appearance (not that Henry is called by his name by anyone outside the group), but Lu gets called a chink often (not within the group), or better yet, referred to as "Jack's chink." What Allen does, instead of removing the racism from the book, is take all of these characters beyond their stereotypes for the readers. Yes, Lu starts out as the explosion expert because, genetically, he must know how it's done, right? He is Chinese, after all. But then we also see Jack teaching Lu how to blow up a boulder early on in the trip. All of the other characters similarly move beyond their stereotypes: the rich Confederate and his wild-child daughter, the religious former slave and the nature-conscious Mexican, a variety of mystic and/or violent American Indians and the wife-hunting Mormons. It's all very Breakfast Club, except without the all-white cast.


Book source: Philly Free Library

This book fulfills the Bad Blogger category of the 2010 Challenge; I heard about it during the Unsung YA Blogger Blitz.

M+O 4EVR

Hegamin, Tonya Cherie. M+O 4EVR. Boston: Houghton Mifflin Company, 2008.
[Book cover credit: librarything.com/work/4865438]

Awards:
ALA Rainbow List, Young Adult Fiction (2009)

Booktalk:
M(arianne) and O(pal) have been friends for as long as either can remember; their mothers were friends before that. M is only half black to O's plain-old black, which matters in their teeny Pennsylvania town. She ditched O to gain popularity and is now the first black Homecoming Queen the county's ever seen. When she dies shortly after the homecoming dance, the loss is too much for O. Though she feels like she lost M a long time ago, she's really gone this time.

Review: full of spoilers this time, but this book isn't really about suspense or the revelation of facts, so it shouldn't hinder the enjoyment of the read.

I wouldn't have even picked up M+O 4EVR if it hadn't been for Daisy's blurb about it over on her QueerYA blog. I thought the title held the promise of a book full of text-speak. It doesn't. M+O 4EVR is written in hearts on many of the places important in M and O's childhood: their tree and the backseat of O's Grandma's car, for example. It would be sweet if it weren't so sad. M is dead by the end of the second chapter, and the rest of the book is told in O's heartbroken voice. Her rememberances of their relationship and the way she deals with M's death are interwoven in a way that is realistic. Unfortunately that doesn't always do much to help the reader's understanding of the story.

We know from the beginning that O is in love with M and has been for a while. Whether M returns that affection is pretty unclear for a lot of the book. What does become clear is that everyone who is important in O's life knows that she has just lost the love of her young life in a really horrible way. The support she receives from her Grandmother, who she lives with while her parents each travel separately for work; Drippy, her grandmother's boyfriend; and her mom and dad, who each return home for M's funeral and to be with O; is really wonderful. Even M's mom, who did not approve of M and O's relationship once it moved beyond a close friendship, breaks down and apologizes for trying to ban O from her house in the face of her grief.

Interwoven through the story of O and M is the story of Hannah, a runaway slave who either died in or flew over the ravine that claims M's life so many years later. At first her story, which O's grandmother told to O and M when they were little, doesn't seem to have any connection to O's grieving other than that she heard it with M and they talked about it growing up. As each story unfolds, we learn that M initiated the move from friendship to romance at the same time that we learn that Hannah fell in love with the Native American, who she calls Mine, helping her travel north to freedom. Still, I didn't necessarily feel that one story needed the other, though both were really sad love stories that ended very similarly.

This slim little volume is very complicated. The whole thing spans maybe a week at the most in O's life, really getting into her conflicting emotions and the ups and downs of her early grieving process. Though the reactions and feelings in this book are very real, I would hesitate to give it to someone who has just lost a loved one. It's almost too real to be comforting. It would, instead, be a good resource for someone hoping to comfort a grieving loved one.

The Chosen One

Williams, Carol Lynch. The Chosen One. New York: St. Martin's Griffin, 2009.
[Book cover credit: librarything.com/work/7518119]

Booktalk:
Kyra is just a normal girl. She loves her family, especially her sister Laura who is also her best friend and Mariah, the baby. She loves to play the piano, and she is very good at it. She's a booknerd and eagerly awaits weekly visits from the county bookmobile. And she's in love with a boy. It's a secret, but what isn't when you're 13.

She doesn't love her uncle. Not at all. But she may be forced to marry him anyway.

Review:
This book was suspenseful, sad, surprising and, eventually, uplifting. Kyra has no problem with the polygamist compound she's grown up in, though she must sneak books in from the bookmobile as all books besides the Bible have been banned and burned. Her Mothers, all three of them, get along, and her father is loving and attentive in a healthy way, not the way normally publicized about Daddies in polygamist groups. This is all before her world shifts to what we've all seen on 20/20 specials. Before the Prophet orders her to marry her uncle, orders her to be the seventh wife of her father's older brother.

Given the slow, quiet, but sustained media attention to this topic, I was a bit worried about what I would find in this book. I've never read any of Williams' other books and know nothing of her reputation as an author. If I had, I might not have been so worried that I would find sensationalized child abuse in The Chosen One. That is not remotely what the reader encounters in this book. This book's strength is Kyra's voice, the voice that tells this story. Her concerns are those of an average 13 yr old, until her life takes that very not-average turn. The way that she deals with this, both internally and externally, seemed totally plausable and believable to me. The way Kyra comes to leave the compound was gripping, mostly because it's unclear whether or not she'll actually run until she does so. Kyra knows that running to save herself means leaving everything else behind, including her younger sisters who she cannot hope to save. Her anguish over this fact is heart-breaking.

I think what really threw me about this book is that I went into it thinking, "This will be my self-imposed break from sci-fi." It was, but it was a really bad choice of book to serve that purpose.

• Here I, the reader, was plunked down into a world that I recognize, but that is completely different from my own (such as a world that is divided into 12 districts controlled by a single Capitol, like in The Hunger Games , or a world where you can hear everyone else's thoughts like in, The Knife of Never Letting Go).
• The things that are happening in that world are unthinkable to me, but normal to the inhabitants of that world (such as a lottery that decides which children will die -Hunger Games-, or a law that allows parents to give their living teenagers up as organ donors, like in Unwind).
• When the protagonist tries to escape or change that world, the Man comes down hard, making an example of her (like President Snow threatens to do to Katniss in Catching Fire which I'll review soon, or like Homeland Security does to M1k3y in Little Brother).

Except the world in The Chosen One exists today, though it is fictionalized in the book, not in some future that we all had to really screw up to make. It creeped me out, which it is supposed to, I guess.
Book source: Philly Free Library

We Are SO Crashing Your Bar Mitzvah!

Rosenbloom, Fiona. We Are SO Crashing Your Bar Mitzvah!. New York: Hyperion, 2007.
[Book cover credit: www.librarything.com]

Summary:
After a summer away, Stacy and Lydia are determined to rule the school and be part of The Chicas clique. Instead they come back to school to find their third best friend, Kelly, already part of The Chicas and themselves decidedly uncool, so uncool that they weren't invited to the biggest party of the year, Eben's Bar Mitzvah.

Though this is a sequel to You Are SO Not Invited to My Bat Mitzvah!, which is focused on the disasterous, friendship-ending events leading up to Stacy's Bat Mitzvah, it is not required reading to understand this book.

Review:
Though this book may fill a niche, which would explain Rosenbloom's 4.5 star rating on Amazon, I found it to be shallow and generally not worth reading. The characters are not well-developed (even after two books worth of them!) and come off as popularity hounds and pathological liars. This is clearly a book for tweeners, given that the plot revolves around Bar/Bat Mitvahs and all of the non-adult characters hover around that age, but I think that it is dumbed down to the point of being insulting to the intelligence of the tween girls it is supposed to attract.

"Ohmygod you guys...Pause. Eben is like the best boyfriend ever. ...He like made his mom drive us to Stamford because the movie he wanted to see was playing only there. She like does whatever he says. Anyway, he bought me a rose. Holler" (p169-170).

We Are SO Crashing Your Bar Mitzvah! has all the trappings of chick lit: fashion, popularity, boys, self-doubt and self-promotion. Unfortunately the, like, totally coolspeak of the girls is so way over the top that the dialog is, like, hard to read, and it is, like, totally clear that the author is trying way too hard to be cool. Holler.

Little Brother

Doctorow, Cory. Little Brother. New York: A Tor Teen Book, 2008.
[Book cover credit: http://www.librarything.com/]

Awards:
Bookgasm Best Sci-Fi (2008)
Emperor Norton Award (2008)
Locus Recommended Reading, Young Adult (2008)
Nebula Nominee, Novel (2008)
Publisher's Weekly Best Book, Children's Fiction (2008)

Free Download:
Little Brother is available as a free download in various formats through Creative Commons at
http://craphound.com/littlebrother/download/

Summary:
Marcus, known online as w1n5t0n, is your average student at Cesar Chavez High School in San Francisco. He's hacked his school-supplied laptop so he can IM his friends in class, outsmarted the gait-recognition system that lets school administrators know who's walking the halls when they should be in class, and he ditches school to run around the city doing some serious ARGing. When the San Francisco Bay Bridge is attacked by terrorists, he and his friends are literally in the wrong place at the wrong time and become suspects.

Booktalk:
After another terrorist attack, this time just outside the City by the Bay, the Department of Homeland Security unveils a lot of new ways to monitor San Francisco's residents and, hopefully, separate them from the terrorists that DHS is sure are still in the city. From monitoring every keystroke you make on the internet to logging everytime and everywhere you swipe you muni pass, Big Brother is watching you. But not everyone likes being watched. When a growing group of kids, lead by the online persona M1k3y, set out to hack the DHS's new systems, DHS declares war on them and rolls out more surveillance. Yes, Big Brother is watching you, but Little Brother is watching them.

Total Geek-Out:
Reading this book will make you smarter. Doctorow has a way of explaining technology that is completely understandable (even if you've never so much as changed your own watch battery) without making you feel like you are reading a computer science textbook. By the end of the novel, you will want to run better security on your computer, to say the least, and you will even know which system will give you what you want (it's not Vista). Doctorow's bibliography, as well as the afterwords written by Bruce Schneier and Andrew Huang, will lead you to the resources you need to complete your education and hack your own computer.

The paranoia that runs rampant in this book, though not at all unfounded, is out of control. It is worse than Mel Gibson with a copy of Salinger and beer bottle. If you don't get that reference, run, do not walk, to your nearest library, video store, netflix queue, whatever and borrow Consipracy Theory. It is the 1990's movie version of this book, but with grown-ups instead of teenagers. It's awesome.

If you like what Doctorow had to say about cities, sidewalks and neighborhoods, read up on some Jane Jacobs. Her pièce de résistance, The Death and Life of Great American Cities, or the commonly excerpted essay "The Uses of Sidewalks" (available most recently in The City Reader) are good starters. Look for these books at your local library and change more than your computer habits. "Be like M1k3y: step out the door and dare to be free" (p373).

The Absolutely True Diary of a Part-Time Indian

Alexie, Sherman. Ills. Ellen Forney. The Absolutely True Diary of a Part-Time Indian. New York: Little, Brown & Company, 2007.[Book cover credit: http://www.librarything.com/]
Awards:
Horn Book Fanfare Best Book (2007)
National Book Award, Young People's Literature (2007)
American Indian Youth Literature Award (2008)
ALA Best Books for Young Adults (2008)
Michigan Library Association's Thumbs Up! Award (2008)
And more!

Summary:
Infuriated by the state of the reservation high school and desperate to avoid the lack of future that so many of his friends and family members have already succumbed to, Junior makes a bold choice and decides to go to high school off the reservation, in town. As the only Native American attending Rearden High School, Junior, now called Arnold, must reconcile his reservation life at home with his image and friends at school.

Booktalk:
Junior, to his family and rez friends, or Arnold, to his friends at his all white, off-rez high school, doesn't take anything seriously. Not the constant ass-whippings he receives at the hands of his former classmates and neighbors, who think he is abandoning the tribe.

Not the fact that he's a basketball star at a school where the only other Indian is the mascot.

Not the fact that the adults in his life are plagued by alcoholism and that his father's best friend died fighting over the last sip in a bottle of wine.

Hiding behind his comics, Arnold or Junior has a lot to deal with and no one who can empathize except his diary. Read it, The Absolutely True Diary of a Part-Time Indian, to see what he actually takes seriously.

Images are copyrighted by Ellen Forney and used with permission from Little, Brown Books for Young Readers. They are from pages 45, 142 and 170.

.

Review for adults:

In this, Alexie's first novel for young adults, he cannot quite give up the ghost and talks to us no-longer-young adults directly. It's well hidden in the plot, so you don't have to worry that teen readers will think he's preaching to you or to them.

"Do you understand how amazing it is to hear that from an adult? Do you know how amazing it is to hear that from anybody? It's one of the simplest sentences in the world, just four words, but they're the four hugest words in the world when they're put together.

You can do it" (p189).

The Absolutely True Diary of a Part-Time Indian is a funny, funny book with serious implications about racism, alcoholism, peer pressure and a whole lot of masterbating, which is all well and good. These are things that young adults need to learn about and deal with, and humor is a great way to do it. Adults can also enjoy all of these lessons and laughs and comics, but we should take a good look at the adults in Arnold's life. Be the one who says, "You can do it."

The Juvie Three

Korman, Gordon. The Juvie Three. New York: Hyperion Books for Children, 2008.
[Book cover credit: http://www.librarything.com/]

Summary:
Gecko, Terence and Arjay, all residents of their local juvenile detention centers, are given a second chance at life when Doug Healy comes along. They all move into an apartment in New York together which becomes their own experimental rehabilitation program. When Healy is knocked unconscious and wakes up with amnesia, the guys have to cover it up or go back to juvie.

Booktalk:
"Gecko regards Terence in surprise. 'Didn't Healy give you the warning? That he had to fight to get this program going, and the whole thing is kind of a trial run? Mess up, and you go straight back into the system.'" p22

Gecko, Terence and Arjay are fighting for lives that they never thought they would get back. But how can they keep each other in line when they are still the same people who ended up in juvie to begin with?

Snitch

van Diepen, Allison. Snitch. New York: Simon Pulse, 2007.[Book cover credit: http://www.librarything.com/]

Summary:When Eric Valiente moves to town, Julia falls for him immediately. She hopes that he's like her, too smart to fall into the gangs that rule their high school. When it turns out that he's not, she steps out of her safety zone of non-participation to protect him. Now she's in up to her neck.

Booktalk:Snitch and you're a punk who better watch her back, right? No matter what. But what if you tell to save someone else? In a world where loyalty is drawn along color lines, not black and white but red and blue, who would you choose? Your friends, your family, your hot new boyfriend? Who would you snitch for?